Cet article entend explorer quelques pistes de réflexion sur le fonctionnement de ce que nous proposons d’appeler le « système francophone de l’information », en insistant sur l’axe nord-atlantique vers le milieu du dix-neuvième siècle ainsi que sur
Entre enjeux locaux et perspective globale
This article explores cultural traditions from a little-known corner of the francophone world, what specialists call Franco-America. It represents a fertile site for reexamination of francophone postcolonial cultures. Beginning in the nineteenth century, French Canadians traveled to New England mill towns in search of work, established ethnic communities, and progressively became Franco-Americans. Today, endogamous Franco enclaves have all but disappeared, but French cultural expressions persist. Jack Kerouac is the most wellknown representative of this obscure French life. Franco-American written cultures, the focus of this essay, shed light on a distinct immigrant experience in the United States.
Laurent Dubois and Achille Mbembe
This article offers a genealogy of the impact of French and Francophone Studies during the past decades in order to offer suggestions about how the field might be reconfigured and re-imagined in the present. We argue that the best way forward will be to dispense with traditional boundaries and borders within the field and instead embrace a general identity as Francophonists in order to bring together work on and from different regions of the globe.
With FPCS embarking on its fourth decade of publishing work on the study of France and the francophone world, the journal invited scholars in several disciplines to write short essays on where they thought the field of French Studies should head in the future. This essay introduces the resulting dossier on “French Studies and Its Futures.” It situates the project in the current context in which the field is thriving intellectually but struggling with menacing institutional pressures. It goes on to describe the particular formulation of French Studies that the journal came to represent in its early years in the 1980s, how it evolved since, and what that experience suggests about how scholars can respond creatively to the challenges and opportunities the future may hold for the field.
The present edition of European Comic Art is our somewhat belated tribute to the eightieth anniversary of Hergé’s Adventures of Tintin. Hergé’s roaming reporter first appeared in the Brussels-based children’s magazine Le Petit Vingtième on 10 January 1929, but he still bestrides the world of Francophone comics like a colossus in plus fours. The 24 Tintin albums, which appeared from 1929 to 1986, have sold millions of copies. Without The Adventures of Tintin the bande dessinée would not exist as we know it and neither, very probably, would European Comic Art.
This article explores the strategies Gabonese cartoonist Pahé deploys to disrupt media-driven images of Africa in both his autobiographical series La vie de Pahé ['The Life of Pahé'] and the fictional series Dipoula, co-created with French cartoonist Sti. It focuses on the role of humor as a way to mock Western hegemony while exposing how sustained colonial logic informs Western representations of Africa. Using humor that thrives on misrecognition, Pahé thwarts readers' expectations and facilitates new possibilities for thinking through the relationship between Europe and Africa, while also drawing attention to the attendant relationship between Franco-Belgian bandes dessinées and other Francophone comics.
Female AutobioBD and Julie Doucet's Changements d'adresses
In comparison to the U.S. market, the trend for autobiographical sequential art arrived late within the history of the francophone bande dessinée. Its rising popularity throughout the 1990s and into the new millennium coincided, and to an extent connected, with another belated development in the French-language industry however: that of the growing presence of the female artist. This article considers the strong presence of life narratives in bandes dessinées created by women, before presenting a case-study examining the manipulation of the medium to an autobiographical end in Québécoise artist Julie Doucet's 1998 Changements d'adresses ['Changes of Addresses']. It considers how, in this coming-of-age narrative set first in Montreal and then New York, Doucet utilises the formal specificity of the bande dessinée to emphasise both the fragmentation and then reintegration of her hybrid enunciating instances. It further examines Doucet's usage of the life-narrative bande dessinée to oppose her representation from that of the disruptive male figures in her life, whose sexual presence in her personal evolution is often connected to images of dysfunction and death, finally suggesting via this examination of Julie Doucet and Changements d'adresses the particular suitability of female-created life narratives to feminist reappropriations of the francophone bande dessinée.
Recognition of a right of resistance to oppression clearly helped modern Western polities accept constitutional forms of order. Drawing on Locke's canonical discussion in the Second Treatise, influential Anglo-American political theorists also suggest that the establishment of modern constitutional states required outlawing resistance practices. A francophone perspective, however, raises a problem for such generalizations about modern Western political philosophy and practice: the French “résistance” differs in meaning from the English “resistance” in important ways. Reconstructing the histories of the cognate concepts, I show that “résistance” emerged out of feminized discourses concerning moral conscience and that, as a result, excluding résistance from politics seems implausible, a conclusion that sheds light on the discussion of résistance in the Declaration of the Rights of Man and Citizen. The article closes with the suggestion that, following the Second World War, French understandings of “résistance” may have influenced American politics and thought in unrecognized ways.
Israeli Arabs' "future vision" documents are an ethical-political manifesto, contextualized in academic discourse and informed by socio-historical parallels. Hence, this article examines their political ethics in a comparative perspective, by referencing the case of Israeli Arabs along with two other distinct intra-state conflicts: the strife between Anglophones and Francophones in Canada and the struggle between Macedonians and Albanians in Macedonia. These cases illuminate two main ethical-political alternatives to the present pattern of relations between Jews and Arabs in Israel. Although the Canadian case indicates a renunciation of ethno-nationalism in favor of civic and linguistic patriotism, the Macedonian case presents an attempt to reconcile ethno-national affiliation with democratic principles. Projecting the ethical discussion of the Canadian and Macedonian cases onto Israel, I contend that normative acceptance of the mutual and dual right of self-determination, regarding both the individual's collective identity and the collective's polity, is a precondition for reconciliation between Jews and Arabs.
William F.S. Miles
On 17 April 2008, at the age of ninety-four, the foremost Black French intellectual-cum-politician of the twentieth and twenty-first centuries passed away. Born in the northwestern fishing village of Basse Pointe on the southeastern Caribbean island of Martinique on 26 June 1913, Aimé Césaire rose from humble beginnings to become a giant in the annals of colonial and postcolonial francophone literature. As the holder of several elected offices, from city mayor of the capital of Martinique to representative in the National Assembly of France, he was also a significant political actor. He was largely responsible for the legislation that, following World War II, elevated four of France’s “Old Colonies” in the West Indies and Indian Ocean into full French states (départements). A dozen years later he founded a political party that would struggle to roll back the very assimilating, deculturalizing processes that statehood (départementalisation) unleashed.