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Place Making in Transit

Literary Interventions at the Airport and in the Underground

Emma Eldelin and Andreas Nyblom

Parson's Departures (2011). 25 Henri Lefebvre, The Production of Space , trans. Donald Nicholson-Smith (Oxford: Basil Blackwell, 1991). 26 Phil Hubbard, “Space/Place,” in Cultural Geography: A Critical Dictionary of Key Concepts , ed. David

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Producing Space for Shakespeare

Rowan Mackenzie

ambivalent system of opening/closing, entry/exit, distance/penetration have a specific operation in relation to other spaces as, for example, illusion or compensation ( ). 3 Henri Lefebvre, The

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William Shakespeare’s Macbeth as a Spatial Palimpsest

Vassiliki Markidou

, and political practices that occur in them. As for Henri Lefebvre, not only does he reflect this dynamic process, he also argues in The Production of Space that ‘space is at once result and cause, product and producer’. He adds that ‘it is also a

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Space, Place, and Agency in the Roe 8 Highway Protest, Western Australia

Danielle Brady

specific changes ( Tilly and Wood 2009 ). However, protests are experiences that happen in space, both symbolic and physical. This article draws upon Henri Lefebvre's (1991) triad of spatial practice, representation of space, and representational space, to

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The Origins of the Anti-Liberal Left

The 1979 Vincennes Conference on Neoliberalism

Michael C. Behrent

Foucault, Henri Lefebvre, François Châtelet, Nicos Poulantzas, and Jean-Pierre Chevènement. The Vincennes conference occurred at what, in retrospect, appears as a crucial turning point in France’s intellectual, political, and economic history. On the one

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Towards a Heuristic Method: Sartre and Lefebvre

Michael Kelly

Henri Lefebvre rarely looms large in discussions of Sartre, and vice versa. With the notable exception of Mark Poster, critics have generally ignored the role of France’s leading Marxist philosopher in mediating Sartre’s encounter with Marxism. As a result, Sartre’s well-known footnote in the Critique de la raison dialectique, quoted above, may appear as a characteristically quixotic gesture on his part. The purpose of this article is to argue that this relatively isolated acknowledgement is the tip of an iceberg, beneath which there lies a deep and complex philosophical and political relationship. The text was published in 1957 at a moment when Sartre and Lefebvre came to share an unusual degree of common ground. This itself requires detailed examination, but it first needs to be situated in a wider context embracing most of the lifetime of the two thinkers up until that point.

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Gender and Space in Tobias Smollett's The Expedition of Humphry Clinker

Vassiliki Markidou

The present essay attempts to shed light on the gender politics of Tobias Smollett's novel The Expedition of Humphry Clinker in relation to its spatial politics, and argues that geographic space functions as a framework within which gender contextualises both urban and rural culture. Drawing primarily on Henri Lefebvre's seminal post-modernist study of space, the paper argues that space is a social production that gives rise to representational effects. Chief among them is gender, and the essay analyses the way Smollett invokes and then subverts the traditional literary and cultural binary between country/femininity and city/masculinity. It thus advances a deconstruction of a familiar binary opposition between geographic and sexual stereotypes. Thus, the ultimate 'traveller' of Smollett's picaresque novel is none other than the reader who is invited to explore his/her identity by analysing Smollett's presentation of the formation of subjectivity through the intersections of space and gender as well as his ambiguous stance towards his contemporary status quo.

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Test Run -- Stop and Go

Mapping Nodes of Mobility and Migration

Michael Hieslmair, Michael Zinganel, and Tarmo Pikner

When increasing numbers of people are obliged to spend increasing amounts of time in transit then nodes and hubs alongside major traffic corridors – where traffic comes to halt and exchange between actors en route happens – represent new forms of urbanity and public space, sites where both individuals' routes, routines, and rituals and political transitions and urban transformations can be explored. If we follow Henri Lefebvre's thesis that urbanity is no longer defined by density but by the degree of difference performed at specific places, then these nodes paradigmatically represent new forms of urbanity and public space. What remained largely unexplored in the investigations so far was emphasising these nodes as polyrhythmic ensembles, linked to their temporal adaptability – reacting on daily, weekly and seasonal rhythms of traffic flows – and their interdependence on one another.

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Indigènes into Signs

Incorporating Indigenous Pedestrians on Colonial Roads in 1920s and 1930s French Indochina

Stéphanie Ponsavady

In Colonial Indochina, the introduction of motorized transportation led French authorities to focus their attention on the issue of pedestrian walking. The political and economic imperatives of the colonial state shaped the modern phenomenon of traffic, which isolated the indigenous body as a sign of otherness. The unruly indigenous pedestrian expressed a discursive and experiential crisis that questioned colonialism itself. This article invites us to examine the political potential of walking by considering Henri Lefebvre's notion of dressage and its limitations in a colonial setting through various examples, from French accounts of indigenous walking in daily activities to political disruptions of traffic by pedestrian demonstrators and the incorporation of indigenous bodies in road safety policies. Repeatedly, colonial subjects eluded, criticized, or undermined the rules of the road and the colony by the simple act of walking.

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Urban Railways in Buenos Aires

Spatial and Social Alienation in the Documentary Film El tren blanco

Benjamin Fraser

Mixing transportation studies, film analysis, and urban geography, this article looks at El tren blanco (The white train), a documentary film from 2003 by directors Nahuel García, Sheila Pérez Giménez, and Ramiro García. In light of work by train theorist Wolfgang Schivelbusch and urban geographer Henri Lefebvre, the documentary's interviews with cartoneros—cardboard workers who ride daily into central Buenos Aires to pick up recyclable goods—speak to the alienation and spatialization of class that characterize the contemporary urban experience. Following an urban cultural studies approach, attention is balanced between the social context of Buenos Aires itself and the film as an item of aesthetic value. In the end, it is important to pay attention both to the train car as a space in itself and to the historical and contemporary positioning of the train in larger-scale urban shifts.