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Stephen Welch and Ruth Wittlinger

The aim of this paper is to offer a critique of the proposal of “methodological cosmopolitanism“ in theoretical terms and to substantiate this critique by providing an account of the dynamics of collective memory and identity in postunification Germany. In the first part, we look at the arguments about methodological cosmopolitanism and their derivative, the idea of cosmopolitan memory, illustrated by the case of Holocaust memory. In the second part we look at the case of Germany: firstly at its postwar experience of the attempted construction of “postnational“ identity, and then at more recent trends, contemporaneous with the Berlin Republic, towards a “normalization“ of national identity in Germany. The Holocaust plays a crucial, but different, role in each phase, we suggest. In the conclusion we return to more general themes, asking what the German case tells us about the cosmopolitanization thesis more generally.

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Lia Friesem

process and content transmission ( Bar-Tal 2007 ). However, since the 1980s, in response to such official efforts, a new unofficial path of memory began taking shape in Israeli popular culture ( Ofer 2009 ). On this track, Holocaust memory became more

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It was horrible, but we live now

The experience of young German adults in everyday encounters with the Holocaust

Lisa J. Krieg

to “turn away from the present” ( Carr 2009: 349 ), as past and present are closely intertwined in the human experience. Future research on Holocaust memory should take the experience of discomfort in encountering the Holocaust into account and foster

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What Was So Funny about Les Aventures de Rabbi Jacob (1973)

A Comedic Film between History and Memory

Michael Mulvey

Abstract

This article reappraises Gérard Oury’s Les Aventures de Rabbi Jacob (1973), a comedy about a bigoted Frenchman and an Arab revolutionary disguised as orthodox rabbis, by considering the film’s original historical context, its attention to traumatic memories, and its place inside French culture as a cinematic lieu de mémoire. Rabbi Jacob represented a comedic medium through which Oury addressed the serious themes of racism and antisemitism as he envisioned multicultural reconciliation between the French, Arabs, and Jews. Rabbi Jacob was inseparable from the history of Jews in France, their deportation during the Second World War, and the postwar acceptance that being Jewish was compatible with integration into France. At the same time, Rabbi Jacob portrayed Arabs as a series of (post)colonial stereotypes leading one pro-Palestinian supporter to hijack an airplane in protest. Rabbi Jacob records an optimistic moment at the close of the trente glorieuses and continues to serve as a source for narratives on philo-Semitism, tolerance, and anti-racism in France.

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Siobhan Kattago

Dagmar Barnouw, Germany 1945: Views of War and Violence (Bloomington, IN: Indiana University Press, 1996)

Barbie Zelizer, Remembering to Forget: Holocaust Memory through the Camera’s Eye (Chicago: University of Chicago Press, 1998)

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Ruth Klüger

Reflections on Auschwitz

Birgit Maier-Katkin

Austrian-born Ruth Klüger was a teenager when she and her mother were deported first to the concentration camp at Theresienstadt, then to Auschwitz, and later to Christianstadt. This article examines Klüger's memoir weiter leben in which she records her memories and assessments of her experience in these concentration camps. It considers her critical stance toward the postwar Holocaust memory culture and focuses on Klüger's relationship with German thought and language. In particular, during her imprisonment in Auschwitz, German poetry played an important role in her survival. This offers new insight into Theodor Adorno's statement (which he later retracted) that “Writing poetry after Auschwitz is barbaric.“ As questions about German identity are raised, this article suggests a discourse about the Holocaust from within German culture and points to questions about the intricate relationship of a shared cultural background between victim and perpetrator.

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Holocaust Ethics

Difficult Histories and Threatening Memories

Victor Jeleniewski Seidler

On the seventieth anniversary of the destruction of the Vilna ghetto I explore ambivalences in Holocaust memory in the Baltic states and troubling notions of a 'double genocide' while tracing train journeys of death that connected Vienna, Vilna and Tallinn and so western and eastern Europe. Exploring how memories are connected to place and investigating how family legacies of Litvak identity also travel, I show how Musar ethical traditions also journeyed as far as South Africa to influence the ethical politics of the African National Congress. Framing questions about the relationship between ethics and memory across generations I return to the painful warnings in the words of Elchanan Elkes at the destruction of the Kovno ghetto. I trace the possibilities that they help to frame a post-Shoah ethics and a vision of 'the human' that questions the rational self that informed Enlightenment thinking and that proved incapable of resisting the brutalities of Nazism.

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Performing the Hyphen

Engaging German-Jewishness at the Jewish Museum Berlin

Jackie Feldman and Anja Peleikis

The Jewish Museum Berlin (JMB) is a dynamic, performative space that negotiates between representing the Jew as an integral part of German history and as ultimate Other. While this tension has been documented through the political history of the museum (Lackmann 2000; Pieper 2006; Young 2000), we focus on the dynamics of guided tours and special events. We claim that guiding and festival events at JMB marginalise Holocaust memory and present an image of Jews of the past that promotes a multicultural vision of present-day Germany. In guiding performances, the identity of the guide as German/Jewish/Muslim is part of the guiding performance, even when not made explicit. By comparing tour performances for various publics, and the 'storytelling rights' granted by the group, we witness how visitors' scripts and expectations interact with the museum's mission that it serve as a place of encounter (Ort der Begegnung). As German-Jewish history at JMB serves primarily as a cosmopolitan template for intercultural relations, strongly affiliated local Jews may not feel a need for the museum. Organised groups of Jews from abroad, however, visit it as part of the Holocaust memorial landscape of Berlin, while many local Jews with weaker affiliations to the Jewish community may find it an attractive venue for performing their more fluid Jewish identities – for themselves and for others.

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Jay Howard Geller

Since 1949, the Federal of Republic of Germany's titular head of state, the Federal President (Bundespräsident), has set the tone for discussion of the Nazi era and remembrance of the Holocaust. This precedent was established by the first Bundespräsident, Theodor Heuss. Through his speeches, writings, and actions after 1949, Heuss consistently worked for German-Jewish reconciliation, including open dialogue with German Jews and reparations to victims of the Holocaust. He was also the German Jewish community's strongest ally within the West German state administration. However, his work on behalf of the Jewish community was more than a matter of moral leadership. Heuss was both predisposed towards the Jewish community and assisted behind-the-scenes in his efforts. Before 1933, Heuss, an academic, journalist, and liberal politician, had strong ties to the German Jewish bourgeoisie. After 1949, he developed a close working relationship with Karl Marx, publisher of the Jewish community's principal newspaper. Marx assisted Heuss in handling the sensitive topic of Holocaust memory; and through Marx, Jewish notables and groups were able to gain unusually easy access to the West German head of state.

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Eric Langenbacher

The Federal Republic of Germany—both before and after 1989—has been influenced deeply by collective memories of the Nazi period and the Holocaust, a seemingly "unmasterable past." In a first phase after unification, memory trends, which had their origin in the mid 1980s, continued, but a second period, beginning around the 1999 move of the capital back to Berlin, however, witnessed the erosion of this older trend and the delayed rise of new memory dynamics. Substantively, there have been three vectors of memory concerning Nazi crimes, German suffering, and the period of division, especially regarding the German Democratic Republic. In this article, I outline the major collective memory dynamics and debates, first from a qualitative and then from a more quantitative perspective where I analyze the holdings of the German National Library. I conclude that an intense period of memory work characterized the postunification years, but the peak of concern was reached several years ago and the German future will be much less beholden to the past. Given inevitable normalizing trends and the unintended consequences of the hegemony of Holocaust memory, Germany's difficult historical legacy increasingly appears to be disappearing or even mastered.