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The Art of Revolutionary Praxis

Ghosting a History without Shadows

Duane H. Davis

. 16 Nevertheless, Merleau-Ponty does not waver from his early castigation of idealism we have seen in Humanism and Terror . Merleau-Ponty consistently rejected the opposition of theory and praxis throughout his divergent political works

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John Gillespie and Katherine Morris

revolutionary politics (in Humanism and Terror ) and revolutionary art (in ‘Eye and Mind’). Finally, Andrey Gordienko returns to Badiou's critique of Sartre: one cannot be responsible for a generic multiplicity, says Badiou: ‘One can only be its militant