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A Transtextual Hermeneutic Journey

Horst Rosenthal's Mickey au camp de Gurs (1942)

Yaakova Sacerdoti

’, the author is actually trying to wake up the readers with a slap, hoping the story will return them to a world where morality prevails. The Hypertextual Layer In Mickey , the hypotext is Dante Alighieri's Inferno , with the classic work

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Ronald de Rooy

spectacular movie adaptation Inferno , released in 1911 and directed by Francesco Bertolini and Adolfo Padovan for Milano Films. 9 In its use of the Doré imagery, this monumental and globally successful movie set the tone for many others, up until Vincent

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Graham Holderness

the seventh circle of Hell in his Inferno . Enrico thought of the building of the Scrovegni chapel as atonement for the sins of his father and himself. Under the Cross in Giotto's painting there is a picture of Enrico himself, donating the chapel to

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Editorial

Comics and Transnational Exchanges

Lawrence Grove, Anne Magnussen, and Ann Miller

Dante's Inferno , with inmates led into the hell of the camp as punishment for the sin of being Jewish. Sean McPhail considers Anike Hage's 2013 manga adaptation of Gudrun Pausewang's novel Die Wolke [ Fall-Out ], published in 1987, the year after

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Porscha Fermanis

utopia was the black inferno.” 44 It is also, perhaps, for similar reasons that critics have identified a dystopian tendency in post-2016 “BrexLit” or Brexit literature. This is not, of course, to suggest that utopias are inherently predetermined by a

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Barry Windeatt

?’, and this same question is introduced by Chaucer when creating his version of Dante’s account of Ugolino from Inferno . Dante’s Ugolino proudly insists that he does not weep when he hears his prison being sealed up like a tomb, although his children

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Cassy Sachar

books of the library of Albert Friedlander now sit in the same library as those he saved. Reading with Albert In his introduction to Out of the Whirlwind , Albert describes the image of Dante leaving the Inferno and looking once more up at the

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Introduction

Rethinking the class politics of boredom

Marguerite van den Berg and Bruce O’Neill

collectivity in precarity is no longer possible in quite the same way as it was in the labor movements of the twentieth century, instead feeding a “politics of inferno” in which the most precarious place blame with each other ( Standing 2011 ). This precarity

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Virile Resistance and Servile Collaboration

Interrupting the Gendered Representation of Betrayal in Resistance Movements

Maša Mrovlje

. Lewin , and E. Tokar . 2006 . That Inferno: Conversations of Five Women Survivors of an Argentine Torture Camp . Nashville : Vanderbilt University Press . Åhäll , L. 2012 . ‘ The Writing of Heroines: Motherhood and Female Agency in

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Among Cannibals and Headhunters

Jack London in Melanesia

Keith Newlin

by Thomas, who in his article traces the history of anthropological distinctions between the two regions. See also Earle Labor, “Jack London’s Symbolic Wilderness,” for discussion of London’s perception of Melanesia as an “Inferno” where “the