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The Art of Capture

Hidden Jokes and the Reinvention of Animistic Ontologies in Southwest China

Katherine Swancutt

’ followers by claiming to hold ‘hidden knowledge’—such as rare priestly litanies or lineage secrets—which they may sometimes use as the platform for a ‘hidden joke’, as I describe here. Nuosu deploy their art of capture in a variety of settings, ranging from

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Shamanic Battleground

Magic, Sorcery, and Warrior Shamanism in Venezuela

Željko Jokić

In the area of the Upper Orinoco River in Venezuela, Yanomami shapori (shamans) engage in hostile acts against their colleagues and people (especially children) living in distant villages in order to inflict misery and death. These combative magical practices are primarily motivated by retribution for past assaults of a similar kind. While in most cases the shapori perform these activities intentionally, this article argues that the malevolent non-human acts are also driven by the cannibalistic nature of hekura spirits, which demand human souls. In this way, although shapori intentionally engage in bellicose activities, they must sometimes kill in order to appease the ancestral spirits and thus spare the lives of their own kin. This article focuses on the dark side of Yanomami shamanistic practices in order to counterbalance tendencies that emphasize the more positive, therapeutic aspects of shamanism, namely, its socially integrative roles.

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The Wrath of the Forgotten

Shamanic Sickness, Spirit Embodiment, and Fragmentary Trancescape in Contemporary Buriat Shamanism

Zeljko Jokic

During fieldwork on a contemporary revival of shamanism in Buriatiia in the summer of 2005, I was initially puzzled by what I had witnessed. The spirits that were embodied by the shamans were interacting with the audience. Afterward, the shamans did not remember what had occurred while they were in trance. To me, it resembled what has been described as spirit-mediumship performance. While discussing this with shamans, their initial response was that Buriat shamanism is real shamanism, insisting that authentic trance is unconscious, while at the same time dismissing other forms as fake. Later, however, some quietly admitted that Buriat shamans used to be able to remember their ecstatic journeys, and eventually they will be able to regain this ability. I argue that the post-trance amnesia among the contemporary Buriat neo-shamans is the result of the disruption caused by the Soviet anti-religious legacy, which inhibited Buriats to progress to higher degrees of initiation.

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Rane Willerslev

How do we take indigenous animism seriously in the sense proposed by Viveiros de Castro? In this article, I pose this challenge to all the major theories of animism, stretching from Tylor and Durkheim, over Lévi-Strauss to Ingold. I then go on to draw a comparison between Žižek's depiction of the cynical milieu of advanced capitalism in which ideology as “false consciousness” has lost force and the Siberian Yukaghirs for whom ridiculing the spirits is integral to their game of hunting. Both know that, in their activity, they are following an illusion, but still they go along with it; both are ironically self-conscious about not taking the ruling ethos at face value. This makes me suggest an alternative: perhaps it is time for anthropology not to take indigenous animism too seriously.

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Richard Poole, Anne Stevenson, Barry Cole, and Linda Kemp

The Three Wise Monkeys RICHARD POOLE

Who’s Joking with the Photographer? ANNE STEVENSON

Samuel Locke of Boston BARRY COLE

Enchantment of Mina Loy LINDA KEMP

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Chloe Krystyna Garcia and Ayesha Vemuri

primary targets of sexist jokes, trolling, sexually explicit marketing ploys, and other forms of misogyny that condone sexual violence and perpetuate harmful perceptions of gender ( Fileborn 2014 ; Henry and Powell 2015 ; Powell 2015 ; Salter 2013

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Introduction

Anthropological Knowledge Making, the Reflexive Feedback Loop, and Conceptualizations of the Soul

Katherine Swancutt and Mireille Mazard

thinker in Southwest China, each of whom wields mischievously reflexive ideas about animism. Swancutt shows that Nuosu use hidden jokes to comment reflexively on both animistic ideas and the very concept of animism. Recently, the Chinese environmentalist

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Roger F. Cook

In the now almost fifteen years since the rush to German unity, East Germany's remembering of its lost cultural objects and social practices has already established a rich history of its own. The first product to become a prominent symbol of the German Democratic Republic (GDR) was the Trabant (Trabi). An unattractive, inefficient, obnoxiously loud car manufactured in the GDR, it went overnight from being an object for which many East Germans waited expectantly for several years to be able to purchase to an antiquated, undesired relic. The brunt of some of the first Ossie jokes, it also quickly became a symbol for East German resistance to an arrogant West German dismissal of all that was the GDR.

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Dafna Lemish and Shiri Reznik

This study explores gender differences in the roles of humor in the lives of Israeli children. Thirty-four Jewish middle-class Israeli children, sixteen girls and eighteen boys, aged between eight to ten years, were interviewed in focus groups in which they discussed a variety of humorous video segments, jokes, and everyday humor. The analysis suggests that humor in interaction is a highly gendered process in this age group and is employed differently by boys and girls to perform their gendered identities. Girls engaged much less in sexist and aggressive humor and clearly used it to maintain their separateness from boys and younger children. We conclude that humor provides us with another avenue through which to unveil the complicated processes of gender construction in pre-adolescent childhood, while demonstrating at the same time the ambivalence and complexity involved in these processes.

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Bête et méchant

Politics, Editorial Cartoons and Bande dessinée in the French Satirical Newspaper Charlie hebdo

Jane Weston

The weekly French satirical newspaper, Charlie hebdo, which originally ran from 1969 to 1982, pending a revival in 1992, distinguishes itself through its bête et méchant ['stupid and nasty'] humorous heritage, defined in its parent publication, Hara-Kiri, as the freedom to make jokes on potentially any subject, however taboo. Whilst this satirical ethos predominated in Charlie hebdo up to 1982, its enduring place in the publication has become more ambiguous since 1992, with the abrupt sacking of Siné in July 2008 seemingly belying its vigorous defence of provocative humour in the context of the 2006 Danish caricature affair. An important underlying continuity nonetheless remains in Charlie hebdo and transcends the bête et méchant project: that of negotiating a space for satirical expression that has continuously engaged with both elements of bande dessinée and the rich French tradition of polemical editorial cartooning and caricature.