addition to Sartre's dramatic criticism. Jean-Paul Sartre Our Interviews: Jean-Paul Sartre Teatr 1956 Returning to France after a trip to China, the well-known French writer and social activist, Jean-Paul Sartre, stopped in Moscow for a few
The Russian Teatr Interviews of 1956 and 1962
Dennis A. Gilbert and Diana L. Burgin
parvenir à transmettre au lecteur l’épaisseur de la durée et l’opacité des consciences ? Ce renversement différencie également nettement la pratique du dialogue de Jean-Paul Sartre de celle d’un écrivain comme André Malraux. Bien qu’ils partagent tous deux
Adrian van den Hoven
was very much upset when, in 1987, Timothy O'Hagan and Jean-Pierre Boulé published A Checklist of Errors in Hazel Barnes English Translation of Jean-Paul Sartre's L'Etre et le néant. 4 In it, the authors compiled a list with four categories: (1
Kathryn T. Gines
Is Jean-Paul Sartre to be credited for Richard Wright's existentialist leanings? This essay argues that while there have been noteworthy philosophical exchanges between Jean-Paul Sartre, Simone de Beauvoir, and Richard Wright, we can find evidence of Wright's philosophical and existential leanings before his interactions with Sartre and Beauvoir. In particular, Wright's short story "The Man Who Lived Underground" is analyzed as an existential, or Black existential, project that is published before Wright met Sartre and/or read his scholarship. Existentialist themes that emerge from Wright's short story include flight, guilt, life, death, dread, and freedom. Additionally, it is argued that "The Man Who Lived Underground" offers a reversal of the prototypical allegory of the cave that we find in the Western (ancient Greek) philosophical tradition. The essay takes seriously the significance of the intellectual exchanges between Sartre, Beauvoir, and Wright while also highlighting Wright's own philosophical legacy.
Sartre’s Article on Kafka and the Fantastic
Sartre’s Early Literary Criticism as Political Writing It is perhaps because of the political nature and animated style of What Is Literature – the full-fledged monograph in which Jean-Paul Sartre, in 1947, set out to launch the concept of a
In Being and Nothingness , 1 Jean-Paul Sartre claims that all love is doomed to failure. Love is another manifestation of the fundamental project to become God. To become God is impossible, yet it is what all humans strive for in their personal
The Genesis of Sartre’s Theatrical Career in Writings to, with, and by Beauvoir
Dennis A. Gilbert
One of the principal themes of Jean-Paul Sartre’s autobiography, The Words (1963), is an understanding of his vocation as a writer during his childhood, adolescence, and, I would add, through the publication of his first novel, Nausea (1938
Is Liberation without Freedom Possible?
. Engagement for Jean-Paul Sartre was always directed at the possibilities and moral choices that individuals have within their historical context with the intention of identifying the normative horizon of the ‘concrete universal’. Nevertheless, Sartre left us
The article advances an interpretation of the self as an imaginary object. Focusing on the relationship between selfhood and memory in Sartre's The Transcendence of the Ego, I argue that Sartre offers useful resources for thinking about the self in terms of narratives. Against interpretations that hold that the ego misrepresents consciousness or distorts it, I argue that the constitution of the ego marks a radical transformation of the conscious field. To prove this point, I turn to the role of reflection and memory in the creation of the self. Reflection and memory weave past, present and future into a consistent and meaningful life story. This story is no other than the self. I propose to understand the self as a fictional or imaginary entity, albeit one that has real presence in human life.