bandes dessinées sur la peinture. Des artistes aussi divers que Roy Lichtenstein, Achille Perilli, Peter Foldes, ou Pierre Alechinsky renouvellent le comic-strip. Plusieurs d’entre eux font un usage systématique du ballon. [This article was barely
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In European Comic Art
- Published (Print):
- 01 Sep 2016
- Article Type:
- Research Article
- Pages:
- 27–58 (32 total)
Alex Lichtenstein
incorporation of African workers into South Africa’s industrial relations machinery for the first time ( Lichtenstein 2015 ). At the time, union activists divided over whether this represented an opportunity for further struggle or a suffocating embrace. By then
Hugo Frey and Laurike in ‘t Veld
cover features a pop art–inspired blowup and assemblage of images relating to Dick Tracy, along with, four years after Lichtenstein’s Whaam (1963), an exaggerated comics text, with the expanded graphic reading, ‘CRACK’. This cover is not an example of
‘The Inexhaustible Surface of Things’
Stefano Tamburini's Comic Book Work
Simone Castaldi
this kind of operation with popular media had already been pioneered by pop artists such as Roy Lichtenstein, Tamburini pushed the approach further. Lichtenstein's blow-ups of panels extrapolated from popular comic strips aimed at magnifying the
In European Comic Art
- Published (Print):
- 01 Mar 2020
- Article Type:
- Research Article
- Pages:
- 70–94 (25 total)
Editorial
Demystification and Disruption
Laurence Grove, Anne Magnussen, and Ann Miller
Lichtenstein's pop art comic strip blow-ups, does not reinstate the high / low art divide but rather renders it irrelevant. Moreover, the perspectival rationality on which modernity is founded gives way to a postmodern art of the surface that establishes
Exhibit and Conference Reviews
Visual Imprints of Women's History; Feminism and Politics in the Interwar Balkans (1923–1939); Two Feminist Exhibitions in the Czech Republic
Valentina Mitkova, Georgios Manios, and Denisa Nečasová
Plamínková, as well as the almost unknown hockey player Markéta Podstatzká-Lichtenstein or the young tractor driver Zlata Medunová. The exhibition is arranged chronologically and the visitor walks through time from the first half of the nineteenth century
Michelle I. Gawerc and David S. Meyer
campus (see Flacks and Lichtenstein 2015 ). Bill was identified as one of the liberal faculty viewed as an ally and resource of the emerging student movement. He was one of the key faculty organizers of the first teach-in on the war in Vietnam, an
Political Comedy as Fuel for Populist Rhetoric?
Representations of Politicians and Institutions in the German TV Shows “Eichwald MdB” and “Ellerbeck”
Niko Switek
produced by the zdf . 19 In a comparative project, Lichtenstein and Nitsch contrast the Heute Show with two other zdf shows, Die Anstalt and Neo Magazine Royal , and identify high percentages of pseudo-critical satire. 20 This style of comedy
In German Politics and Society
- Published (Print):
- 01 Dec 2021
- Article Type:
- Research Article
- Pages:
- 74–91 (18 total)
Marco Sonnberger and Michael Ruddat
Mabee . 2015 . “ Place-Making and Trust-Building: The Influence of Policy on Host Community Responses to Wind Farms ”. Energy Policy 81 : 27 – 37 . 10.1016/j.enpol.2015.02.008 Fischhoff , Baruch , Paul Slovic , and Sarah Lichtenstein . 2000
In Nature and Culture
- Published (Print):
- 01 Jun 2018
- Article Type:
- Research Article
- Pages:
- 253–280 (28 total)
Dramatic Irony
A Case Study in the Mutual Benefit of Combining Social Neuroscience with Film Theory
Cynthia Cabañas, Atsushi Senju, and Tim J. Smith
irony, similar to the Structural-Affect Theory (SAT; Brewer and Lichtenstein 1982 ), in which the event order modulates the disparity of knowledge between viewer and victim, eliciting different affects, such as surprise, curiosity, or suspense (see also