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Fatima Zahra Bessedik

In Marilynne Robinson’s Home, though Jack revisits his childhood place, he is unable to find a sense of being at home. Using Martin Heidegger’s theory of ‘being’ and ‘dwelling’, this article analyses the notion of ‘homelessness’, as reflected in Jack. While this article projects the significance of physical dwelling through the notion of ‘homecoming’, it highlights the vital importance of psychological dwelling in achieving the meaning of home. The article uses Martin Heidegger’s conception of homelessness as a key theory to maintain that Jack’s homelessness is a result of his incoherent being with the space he came to revisit. It also uses theories of psychology and space as sub-theories to enrich the discussion.

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Disharmonious Continuity

Critiquing Presence with Sartre and Derrida

Gavin Rae

The traditional interpretation of the Sartre-Derrida relationship follows their own insistence that they are separated by a certain irreducible distance. Contemporary research has, however, questioned that assessment, mainly by reassessing the thought of Sartre to picture him as a precursor to poststructuralism/deconstruction. This article takes off from this stance to suggest that Sartre and Derrida are partners against a common enemy—ontological presence— but develop different paths to overcome it: Sartre affirming nothingness and Derrida affirming différance. While much work has been done on these concepts, they have rarely been used as the exclusive means through which to engage with the Sartre-Derrida relationship. Focusing on them reveals that while Sartrean nothingness and Derridean différance are oriented against ontological presence, the latter entails a radicalization of the former. Their relationship is not then one of opposition but rather one of disharmonious continuity.

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T. M. S. Evens

This essay argues that the Manchester case study method or situational analysis has theoretical implications more radical than Gluckman was in a position to see, implications bearing on the nature of the reality of society. In effect, the essay is an anthropological exercise in ontology. It maintains that the problems situational analysis was designed to address were integral to, and hence irresolvable in, the Durkheimian social ontology then characterizing British social anthropology, and that situational analysis insinuated an altogether different ontology. The latter is adumbrated here by appeal to certain Heideggerian concepts in an effort to bring into relief the unique capacity of situational analysis to capture social practice in its dynamic openness and, correlatively, in relation to human agency as a distinctively creative force.

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Keeping the Future at Bay

Waria, Anticipation and Existential Endings in Bali, Indonesia

Sylvia Tidey

Coming face to face with the inevitable finitude of our existence has a way of clarifying what really matters to us. Such occasions of existential breakdown demand that we actively appropriate our lives and purposely decide how to project ourselves towards the future while drawing on the possibilities available to us. But what if these possibilities offer little for constructing a future we deem desirable? In this article I take a Heideggerian approach to anticipation in order to analyse waria’s (Indonesian transgender women) often-stated intention to ‘become normal again’, while seemingly never doing so. Here, then, anticipation is less about an orientation towards specific objectives and more about a response to existential demands, while keeping at bay undesirable futures. Waria’s anticipation of a future normal does not suggest an appeal of the normal but, rather, indicates a paucity of available possibilities to draw on in order to orient oneself differently.

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Common Humanity and Shared Destinies

Looking at the Disability Arts Movement from an Anthropological Perspective

Andrea Stöckl

This article will bring together two strands of anthropological theories on art and artefacts, the disability arts movement and the phenomenological approach to the study of material things. All three of these different perspectives have one thing in common: they seek to understand entities – be they human or nonhuman – as defined by their agency and their intentionality. Looking at the disability arts movement, I will examine how the anthropology of art and agency, following Alfred Gell's theorem, is indeed the 'mobilisation of aesthetic principles in the course of social interaction', as Gell argued in Art and Agency. Art, thus, should be studied as a space in which agency, intention, causation, result and transformation are enacted and imagined. This has a striking resonance with debates within the disability arts movement, which suggests an affirmative model of disability and impairment, and in which art is seen as a tool to affirm, celebrate and transform rather than a way of expressing pain and sorrow. I will use case studies of Tanya Raabe-Webber's work and of artistic representations of the wheelchair in order to further explore these striking similarities and their potential to redefine the role of art in imagining the relationship between technology and personhood. I will finish by looking at Martin Heidegger's conceptualisation of the intentionality of things, as opposed to objects, and will apply this to some artwork rooted in the disability arts movement.