In this article, I will discuss how my own work on a project called "Hypermedia Berlin"—a Web-based study of Berlin's "cultural geography"—can be situated in a lineage that goes back to Hoffmann's reflection on media and represents another instantiation of what Hinrich Seeba has called "Berlin" as a site for the development of new cultural-critical methodologies for interdisciplinary German Studies.
Search Results
You are looking at 1 - 10 of 237 items for :
- "NEW MEDIA" x
- Refine by Access: All content x
- Refine by Content Type: All x
In German Politics and Society
- Published (Print):
- 01 Mar 2005
- Article Type:
- Research Article
- Pages:
- 171–188 (17 total)
Nicholas Balaisis
This article examines the Cuban mobile cinema campaign in the 1960s as a case study for thinking about the relationship between cinema and mobility. I examine the rhetoric around mobile cinema in Cuban journals such as Cine Cubano, and in the documentary film Por primera vez (For the first time, 1967). I argue that cinema is linked with mobility in two primary ways: as a virtual mobility stimulated by onscreen images, and as a more literal mobility expressed by the transportation of film into remote rural sites of exhibition. These two kinds of mobility reflect the hopes and ambitions of filmmakers and critics energized by the resurgent nationalism of the Cuban revolution, and the excitement of cinema as a “new” technology in rural Cuba.
Martin Slama
In Social Anthropology/Anthropologie sociale
- Published (Print):
- 01 Nov 2014
- Article Type:
- Book Review
- Pages:
- 517–518 (1 total)
Emily Anderson
Introduction Alessi and Alessi rightly describe the ethics of new media as an “uncharted area.” They explain that “the production and subsequent use of new forms of media results in new dimensions of experience and effects in general that are
In Girlhood Studies
- Published (Print):
- 01 Dec 2016
- Article Type:
- Research Article
- Pages:
- 88–104 (17 total)
Tweens as Technofeminists
Exploring Girlhood Identity in Technology Camp
Jen England and Robert Cannella
). The girls were no longer passive consumers of male-dominated narratives across media; instead, campers actively engaged in the filmmaking process as producers of new media and female narratives. This allowed girls power and agency in how they created
In Girlhood Studies
- Published (Print):
- 01 Mar 2018
- Article Type:
- Research Article
- Pages:
- 75–91 (17 total)
Voicing Pride and Futurity in the Age of A.I.
An Interview with Playwright Pao-Chang Tsai on Solo Date
Jing Chen and Pao-Chang Tsai
queer body in this work provides a core sample with which to examine the incorporation of queerness, futurism, and new media via theater performance. Solo Date has been praised for its critical interrogation of love and loss in an age of artificial
Cutting the Face
Kinship, State and Social Media Conflict in Networked Jordan
Geoffrey Hughes
. In the final section, I argue that the riotous efflorescence of online journalism and new media spaces that coincided with the ‘Arab Spring’ is quickly being absorbed back into what Jordanians call ‘the security apparatus’. Subject to fierce
In Journal of Legal Anthropology
- Published (Print):
- 01 Jan 2018
- Article Type:
- Research Articles
- Pages:
- 49–71 (23 total)
Lia Friesem
Theory, Politics and Method of Qualitative Audience Research .” Interactions: Studies in Communication & Culture 1 ( 1 ): 111 – 127 . Kahn , Richard , and Douglas Kellner . 2004 . “ New Media and Internet Activism: From the ‘Battle of Seattle
In Israel Studies Review
- Published (Print):
- 01 Sep 2018
- Article Type:
- Research Article
- Pages:
- 85–104 (20 total)
Andrew J. Ball
unchanged; however, moving forward will we intensify our focus on new media art, technology studies, and the interface of the sciences and the humanities. We will continue to examine the cultural, aesthetic, ethical, and political dimensions of emerging
Algorithmic Art: Shuffling Space and Time
Art-Science Dialogues and a Techno-Saga
Linda Chiu-han Lai
University of Hong Kong left to Hong Kong's (media) art history? The school remains the only pedagogic research center in Hong Kong where conceptual issues of new media art creation and how to “live” in an age of big data are interrogated through scholarship