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Héctor J. Pérez

successful and important TV serials of the current decade have made use of this narrative feature: Game of Thrones (David Benioff and D. B. Weiss, 2011–2019); Homeland (Alex Gansa and Howard Gordon, 2011–2020); Mr.Robot (Sam Esmail, 2015–2019); The

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Stephen Prince

symposium and especially Malcolm Turvey for his efforts to organize it. Long-form television serials offer viewers opportunities for becoming attached to and involved with characters that differ from what can be achieved in a stand-alone feature film. Jason

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Margrethe Bruun Vaage and Gabriella Blasi

kinds of serial storytelling, some are specific to television serial storytelling, and some perhaps only apply to the more narrowly defined narrative complexity or subtypes thereof. Second, there is a tension in the reception-oriented approach he takes

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Malcolm Turvey

's Batman films. In fact, as I write, there is a fierce argument occurring about Daenerys Targaryen's (Emilia Clarke) decision, in the penultimate episode of the television serial Game of Thrones (HBO, 2011–2019), to massacre innocent people in using her

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Farideh Pourgiv

passion of saving beautiful old houses from the clutches of Westernised high-rise builders and helping to heal people in need. After taking Tahmineh’s addict brother to a rehabilitation centre, Mahmonir makes fun of Arezu as ‘Doctor Mike’ of the television

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‘Abd al-Raḥīm Kamāl’s Dahsha

An Upper Egyptian Lear

Noha Mohamad Mohamad Ibraheem

street credibility, broad intelligibility, and celebrity’. 59 Lila Abu-Lughod argues that ‘the best television serials are gripping spectacles with moral truths that move their audience to tears, tensions and plots that keep them interested, loveable

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Jeff Smith, Dominic Topp, Jason Gendler, and Francesco Sticchi

theoretical instruments that can live up to the challenges of contemporary screen culture. Indeed, the role of digital technologies, the extended timing and articulated construction of television serials, and the constant blurring of what was once intended as

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Ayşe Durakbaşa, Rochelle Goldberg Ruthchild, Ana Pajvančić-Cizelj, Evgenia Sifaki, Maria Repoussi, Emilia Salvanou, Tatyana Kotzeva, Tamara Zlobina, Maria Bucur, Anna Muller, Katarzyna Stańczak-Wiślicz, Lukas Schretter, Iza Desperak, Susan Zimmermann, and Marina Soroka

his son Nicholas II. Also, academics’ views make no impact on society unless they are broadcast on the screen. So long as the public continues to watch TV serials about Katya and the emperor cut along the lines of Cinderella and her prince, the author