This article deals with the history of underwater film and the role that increased mobility plays in the exploration of nature. Drawing on research on the exploration of the ocean, it analyzes the production of popular images of the sea. The entry of humans into the depths of the oceans in the twentieth century did not revitalize myths of mermaids but rather retold oceanic myths in a modern fashion. Three stages stand out in this evolution of diving mobility. In the 1920s and 1930s, scenes of divers walking under water were the dominant motif. From the 1940s to the 1960s, use of autonomous diving equipment led to a modern incarnation of the “mermen“ myth. From the 1950s to the 1970s, cinematic technology was able to create visions of entire oceanic ecosystems. Underwater films contributed to the period of machine-age exploration in a very particular way: they made virtual voyages of the ocean possible and thus helped to shape the current understanding of the oceans as part of Planet Earth.
On Diving Mobility in Underwater Films (1920s to 1970s)
From Vermin to Conservation Emblem
Margarida Lopes-Fernandes and Amélia Frazão-Moreira
Not much is known about how the cultural image of predators has been constructed in Western contexts and changed through time. This article reviews representations of lynx in Western Europe. A ‘cultural map’ of lynx in historical contexts is presented, and the ‘social visibility’ of the Iberian lynx in Portugal explored. Since prehistoric times the lynx has been an inspiration, an amulet, a creature gifted with extraordinary capacities but also a food item, and a ‘vermin’ to eliminate. Recently, the Iberian lynx has become a global conservation emblem; once a noxious predator, it is now a symbol of wilderness. Examples show how the species acquired visibility and has been appropriated in contemporary contexts such as logos, ‘green’ marketing, urban art or political campaigns. There is also evidence of a new identity construction in Portuguese rural areas where lynx is being reintroduced, exemplifying a process of objectification of nature.
Kate Pride Brown
on this question, but the current article will examine a factor that the literature on sustainable water consumption has not yet recognized: the visibility of water stress. I suggest that when water stress results in visible change to water supplies
Tracking the Circuits of Mobility, Visibility, and Sexuality in Settler Nation-Making
The late nineteenth century saw a wave of Indian migrants arrive in Victoria, many of whom took up the occupation of hawking. These often-described “turban-clad hawkers” regularly became visible to settlers as they moved through public space en route to the properties of their rural customers. This article explores how the turban became a symbol of the masculine threat Indians posed to the settler order of late nineteenth-century Victoria, Australia. This symbolism was tied up with the two-fold terrestrial and oceanic mobility of 'turban-clad' men; mobilities that took on particular meanings in a settler-colonial context where sedentarism was privileged over movement, and in a decade when legislators in Victoria and across the Australian colonies were working out ways to exclude Indian British subjects from the imagined Australian nation. I argue that European settlers' anxieties about the movements of Indian British subjects over sea and over land became metonymically conflated in ways that expressed and informed the late nineteenth-century project to create a settled and purely white nation. These findings have repercussions for understandings of the contemporaneous emergence of nationalisms in other British settler colonies.
Optics of regulation and control
Ieva Jusionyte and Daniel M. Goldstein
As a contribution to the development of the critical anthropology of security, this theme section explores the uncertain yet complementary relationships between security and visibility, or rather—to highlight the ambiguity of the connection
An Analytical Review of Coastal Eutrophication and Social Conflict
Alix Levain, Carole Barthélémy, Magalie Bourblanc, Jean-Marc Douguet, Agathe Euzen, and Yves Souchon
Despite harmful local consequences on coastal communities and biodiversity for many decades, eutrophication of marine systems due to high levels of nutrient loading of human origin has only recently gained public visibility ( Diaz and Rosenberg
Sarah E. Whitney
’ contributions, strength, and resilience. Black Girl Magic creates visibility for girls of color in a primarily white postfeminist space by demanding affirmative recognition, and by claiming an aesthetic of sparkly brilliance which, as Mary Celeste Kearney (2015
body of work that explores girls’ self-representation practices in relation to discourses of visibility, selfhood, and surveillance while also exploring the intersection between girls’ media studies, disability studies, and feminist work on the body
Culture, Life and Intersectional Identity in Israeli Druze Photography
is home to approximately 17,000 members of the Druze faith. I locate these photographs of Druze life within the overlapping discourses of decolonialism and visibility. Scholars of decolonialism and visibility have engaged with Israeli
Melanie Kennedy and Natalie Coulter
debates in the articles in this special issue.) Projansky argues that “whiteness and ambivalent anxiety (primarily about the relationships among childhood, sexuality, and/or gender) precondition [the girl star’s] visibility” (Projansky 2014: 28) in media