A pragmatist study of art in regeneration, this article contributes a nuanced understanding of how art works as an ingredient of regeneration practice. To ameliorate post-industrial decline, commissioning art has become part of the work of the planner. In planning studies art is usually accounted for as completed artworks in relation to socio-economic agendas. But what of the effects produced in their making? Inspired by Actor-Network Theory, by tracing associations between human and non-human actors I reveal art as part of the translation process of regeneration. Drawing on a one-year ethnography of a regeneration office in North East England, I describe how art mediates collaboration with and in planning practice as a catalyst for professionals to re-consider their professional remit anew.
Tracing the Making of Public Art as Part of Regeneration Practice
Fieldwork with a Dog as Research Assistant
My research seeks out muted narratives that struggle to be heard in the contested city of Belfast. My dog is one of my ethnographic methods: dog-walking is rarely a direct journey from A to B and she can 'authenticate' my lingering presence in unfamiliar places; she is a gateway to dog-focused communal activities; and her categorisation of people is based on smell, not politics, religion or country of origin. When encountering random strangers with an attractive and friendly dog, her role is obvious: introduction enacted, anthropologist takes over. But does she simply mediate the encounter or does she shape what happens? The relationship between dog and person is reciprocal and the extent to which each actor responds to the other prolongs and moulds the encounter. Can she elicit stories that may not otherwise be told, do more than 'only connect'? This article draws on actor-network theory and cosmopolitanism.
Cartographic Enactments of the German-Polish Border among German and Polish High-school Pupils
On the basis of fieldwork conducted in the two towns Görlitz and Zgorzelec, situated directly on the German-Polish border, this article explores how different versions of the border are enacted among Polish and German high-school pupils. As is usually the case with borders, the German-Polish border has a multiple, even ambivalent character. Inspired by the performative approach within actor-network theory, this article aims to qualify the concept of the multiple border, where multiplicity is understood as heterogeneous practices and patterns of absences and presences that constitute the border. The data, based on ethnographic fieldwork, consist of 'cartographies', maps made by the pupils, followed up by 'walking conversations' in the two towns on the border. The analysis shows that the border is not only enacted differently; also it is suggested that the performances all deal with and constitute an ambivalent border.
Posthumanism, Memory, and Exclusion
Bruno Latour’s “Socratic dialogue” in Reassembling the Social ( 2005 ) is a useful means of orienting one’s self and one’s work. This is where the clearest articulation of the purpose of Actor-Network Theory (ANT) is made: “it’s a theory, and a
A materialist critique of brute materialities, flat infrastructures, fuzzy property, and complexified cities
Latour , Bruno . 2005 . Reassembling the social: An introduction to actor-network-theory . Oxford : Oxford University Press . Latour , Bruno . 2006 . Paris: Invisible city . Paris : La Découverte . Leach , Edmund Ronald . 1984 . “ Glimpses of
Setting a New Agenda
Nicholas J. Long and Henrietta L. Moore
It is time for a revitalized theory of human sociality. This theory recognizes that humans are always embedded in a dynamic matrix of relations with human, non-human, and inhuman others, but combines this recognition with attention to the distinctive capacities of human subjects. It thus builds on recent theories of actor-networks and affect, whilst going beyond their limitations.
Museums, Power, Knowledge
Michel Foucault argues that truth is not to be emancipated from power. Given that museums have played a central role in these “regimes of truth,” Foucault’s work was a reference point for the debates around “the new museology” in the 1980s and remains so for contemporary debates in the field. In this introduction to a new volume of selected essays, the use of Foucault’s work in my previous research is considered in terms of the relations between museums, heritage, anthropology, and government. In addition, concepts from Pierre Bourdieu, science and technology studies, Actor Network Theory, assemblage theory, and the post-Foucaultian literature on governmentality are employed to examine various topics, including the complex situation of Indigenous people in contemporary Australia.
The Seventh International Road Congress, Germany 1934
In transnational history of traffic, transport, and mobility, historians have been arguing for studying organizations as “transnational system builders” in the establishment and modification of transnational infrastructure. Emphasis has been placed on examining human actors. Here, I argue that the role of material objects, the nonhuman actors, should also be taken into account by investigating how a particular map matters. The major research issue is, therefore: How can we understand and analyze how the Nazi regime put the map Deutschlandkarte displayed at the exhibition Die Strasse (Munich, 1934) into play? In addition, how did the map figure in transnational system building during and after the seventh International Road Congress arranged by the Permanent International Association of Road Congresses? Insights from transnational history in the fields of traffic, transport, and mobility as well as material cultural studies, critical mapping, and actor-network theory inform this article.
Media, Actor-worlds, and Infrastructures
The article deals with the relationship between media and transportation infrastructures and analyzes their links to the concept of mobility. It examines the assumption that infrastructure systems themselves are mobile, in the sense that they develop and have to be maintained constantly. According to such a perspective, they are to be considered not primarily as “structures,“ but as specific processes of mobilization (infrastructuring) that constitute the basis for mobility in the sense of transport and movement. Drawing on historical knowledge of transportation, it will be shown that a broad understanding of traffic as exchange, communication, and transportation has narrowed in the twentieth century, whereby the originally implied idea of transport as transformation became suppressed. Recent approaches in mobility studies, Science and Technology Studies (STS) and Actor-Network-Theory (ANT) can be combined in a fruitful way to unfold the specific dynamics of infrastructure as a process of mobilization (Callon) and technical mediation (Latour).
Philipp W. Stockhammer
In recent times, archaeology has seen continuously growing interest from neighboring disciplines desiring to capitalize on archaeology's experience with the evaluation of material culture. In order to be able to answer the questions now posed to our field of research, we have to be conscious of our methods and their epistemological potential. On the basis of a characterization of archaeological sources, this article focuses on four relevant fields of inquiry with regard to the archaeological analysis of an object, that is, its materiality, archaeological context, spatial distribution, meanings, and power. Moreover, I suggest that an integration of aspects of Bruno Latour's Actor-Network Theory will enable archaeologists to gain further insights into the complex entanglement of humans and objects in the past.