“dependence effect,” which posits that increased consumption is driven by increased production and the artificial desires created through advertising: “wants thus come to depend on output.” A more precise way to model the relationship between production and
Implications for Addressing Global Climate Change
Diana Stuart, Ryan Gunderson, and Brian Petersen
Osnat Roth-Cohen and Yehiel Limor
the development of the Israeli advertising industry. Indeed, the impact of the ‘Yekkes’ (the nickname given to newcomers from Germany) on Israel’s advertising industry was tremendous. These immigrants proved instrumental in instilling and shaping the
being widely accepted within Scotland as a totemic marker of national identity. 1 However, for much of this period, the drink was reliant on a caricatural representation of Otherness as the basis of its advertising. Barr's promoted the drink via a long
Anat First and Eli Avraham
American values, symbols, landscapes, and lifestyles have been widely used in Israeli advertisements to market a vast array of consumer goods. An analysis of advertisements that appeared in Israeli newspapers during the 1990s reveals that American symbols were invoked to promote products produced in the United States, Israel, or even a third country. By examining the relationship between advertising and culture, along with the changes that have occurred in Israeli society during this period, this analysis focuses on two interlocking spheres: capitalist-economic (labor and production, consumption, and technology) and cultural (cultural heroes and symbols, language, and lifestyle). Using both qualitative and quantitative methods, it is the authors' goal to show how social values have changed over time, losing their Israeliness and taking on an American flavor. This article seeks to present the manifestation of the American image in Israeli advertisements and thereby fuel a discussion on the Americanization of Israeli society.
From a Fragmented to an Integrated Approach in France and Europe (1972–1998)
Most research into road safety in Europe has focused chiefly on public action, without closely examining the role of car manufacturers or their coordination with public initiatives. This article explores how manufacturers transitioned from a fragmented conception of road safety in the 1970s—with vehicles being the responsibility of manufacturers, and prevention and roads that of institutions—to an increasingly integrated approach in the twenty-first century. The study uses industry archives to present manufacturer strategies from 1972 onward, which at first exclusively focused on vehicle safety standards. After 1986, the European Year of Road Safety, manufacturers’ official discourse increasingly stressed user education, as opposed to technical improvements to the product. Th is article will use the French case, as well as a more European approach to the automobile lobby in Brussels, to chart the gradual emergence of an integrated approach to safety combining the vehicle, infrastructure, and user behavior.
Jonathan A. Allan, Chris Haywood, and Frank G. Karioris
1980's. The image is a reworking of the “Creation of Adam” by Michelangelo and was used as part of HIV/AIDS prevention advertising campaign. Although used in the context of HIV/AIDS prevention in the 1990’s, the image has resonance with current
An Essay Exploring Dominant Values and Representations of the Driver in Driverless Technology
article presents an analysis of representations of drivers in advertising and promotion of motor vehicles and changes in technology. The dominant representation of the driver is what I refer to as combustion masculinity, where the emphasis in advertising
This article investigates direct-to-consumer advertising in Sweden for Gardasil, the HPV vaccine, as a contemporary gendered technology of the adolescent girl body. It explores how, by constructing girls as ideal users of the vaccine, advertising campaigns encourage adolescent girls to vaccinate themselves. Using a feminist visual discourse analysis, the article examines how different girl subjectivities are constructed through advertising, and presented as fit for Gardasil use and consumption. It highlights how, along with their parents, adolescent girls in Sweden are encouraged to assume responsibility for managing the risks of cervical cancer in order to help secure their future health, sexuality and normality. It argues that the Gardasil campaign, in being addressed to individual members of the population, serves to articulate global and national discourses of girlhood, sexuality, (sexual) health responsibility, risk management and consumption.
Metropolitan Bike-sharing Schemes and Outdoor Advertising in Paris, Montreal, New York, and San Juan
Large-scale public bicycle rental programs represent the latest grand venture for outdoor advertising corporations. By supporting these programs, advertisers gain unfettered access to street furniture and municipal billboard space and thus acquire the power to transform the city dwellers' experience of the urban landscape both visually and kinetically. These public-private bike rental programs have mushroomed around the world due in part to the impact of Paris' Vélib, which is the world's largest. This paper discusses the role of outdoor advertising in this trend, and focuses on two existing and two projected public bicycle programs. The existing programs are Vélib and Montreal's Bixi; and the projected ones are slated for New York and San Juan, Puerto Rico.1
Debates about little girls' loss of innocence, and the sexualization of girls have become an integral part of media in contemporary culture. Fashion advertising representing young girls and certain types of clothes are specifically prone to generate debates about sexualization. This article looks at the sexualization argument through two sets of fashion editorials, one in a December–January 2011 issue of French Vogue, and another in the December–January 1978 issue of the same magazine. The article exposes the problem of sexualization discourse that relates images to lived experiences of girls even though fashion advertising rarely, if ever, is interested in depicting reality. Sexualization is revealed to be a value statement—the Other of innocence which is set up as the norm. Furthermore, fashion photography is shown to be intertextual; images refer to other fashion photographs. In looking at these issues this article opens up space for discussing the visual and sartorial history of the sexual girl.