language, the book reveals her alienation from Bengali, from English, and her search for a new identity. Melissa Ragsdale observes: ‘A love letter to language, Lahiri delivers a stunning memoir about learning Italian … The journey of a writer seeking a new
Jhumpa Lahiri’s In Other Words
Mohammad Shafiqul Islam
Sketch of a Materialist Ethics
Translator : Marieke Mueller and Kate Kirkpatrick
specific historical horizon. The aim of the Sartrean variant of critique is thus emancipation, as it seeks to grasp the socio-historical foundations of alienation within a given society. To this end it is necessary to define more closely the usage and the
Habitual Voting, Political Alienation and Spectatorship
Anthony Lawrence A. Borja
Political Alienation and Democratisation in the Philippines The electoral process can be considered as a basic component of a democracy or, specifically, as a source of legitimacy for government authority and legislation. For this reason one way to
The Dynamics of Political Alienation
Gerry Stoker and Mark Evans
Contemporary political scientists have observed a democratic paradox that has crystallized around the disconnection between how citizens imagine their democracy and how politics is practiced. Citizens continue to believe in the values of liberal democracy but are increasingly disillusioned with how their political systems work and the politics that are practiced in the name of democracy. This article revisits the root causes of political alienation to better understand this democratic paradox. It provides both a conceptual understanding of political alienation and its domain of action and insights into how the concept can be operationalized and measured in empirical research. It argues that while democracy itself may not be in crisis, the politics on which its operation rests is in peril.
On Spectators, Spectacles and Public Protests
Anthony Lawrence A. Borja
Politics usually takes the form of brawls ranging from the verbal and civilised, to the physical and savage, if not deadly encounters. These public engagements are political spectacles projecting narratives that are attractive to people who share the sentiments made public in these spectacles, and a following of spectators that, in sustaining their spectatorship, keeps the spectacle in its status. I note that spectators are attached and concerned with the narratives (i.e.from the causes and actors involved to the eventual results) behind and projected by such spectacles, and that this attachment in turn defines and sustains their spectatorship. Political alienation is a condition shared by both the apathetic and spectators. However the case of spectators is more complex and merits closer analysis in order to attain an encompassing understanding of political alienation. In this article, I will argue and illustrate that political alienation must be understood as a sustainable process constituted and driven by sustained spectatorship (i.e.sustained relationship between spectators and a political spectacle) made possible by a habitus of disempowerment in everyday life.
Beauvoir, Sartre and Levinas on the Ageing Body
Kathleen Lennon and Anthony Wilde
In this article, we explore Beauvoir’s account of what she claims is an alienated relation to our ageing bodies. This body can inhibit an active engagement with the world, which marks our humanity. Her claims rest on the binary between the body-for-itself and the body-in-itself. She shares this binary with Sartre, but a perceptive phenomenology of the affective body can also be found, which works against this binary and allows her thought to be brought into conversation with Levinas. For Levinas, the susceptibility of the body is constitutive of our subjectivity, rather than a source of alienation. If we develop Beauvoir’s thought in the direction of his, an ontological structure is suggested, distinct from Sartre – a structure which makes room for her pervasive attention to affectivity.
Spatial and Social Alienation in the Documentary Film El tren blanco
Mixing transportation studies, film analysis, and urban geography, this article looks at El tren blanco (The white train), a documentary film from 2003 by directors Nahuel García, Sheila Pérez Giménez, and Ramiro García. In light of work by train theorist Wolfgang Schivelbusch and urban geographer Henri Lefebvre, the documentary's interviews with cartoneros—cardboard workers who ride daily into central Buenos Aires to pick up recyclable goods—speak to the alienation and spatialization of class that characterize the contemporary urban experience. Following an urban cultural studies approach, attention is balanced between the social context of Buenos Aires itself and the film as an item of aesthetic value. In the end, it is important to pay attention both to the train car as a space in itself and to the historical and contemporary positioning of the train in larger-scale urban shifts.
As an attempt to formulate epistemological boundaries (“que peut-on savoir d'un homme, aujourd'hui?”), for which Gustave Flaubert becomes a test-case, L'Idiot de la famille (1971-1972) can be seen simultaneously as the exemplification of a method and as a re-assertion and further development of Sartre's theory of subjectivity. This article proposes to approach the issue of Sartre's notion of human subjectivity in L'Idiot from the particular angle of the idea of “destiny.” It will be argued that the term “destin” provides a focal point for multiple visions of subjectivity as it contains at least three layers of meaning: firstly, Sartre's representation of Flaubert's idea of his life as predetermined destiny; secondly, Sartre's analysis of destiny as a situation created by others; and finally, an understanding of destiny which is close to the notion of the project. It will be argued that precisely the mutual interdependence of these terms is an expression of Sartre's conception of alienation and the possibility of freedom.
Alienation in Kerala's tea belt
payout was the only means to retain respect, sustain kinship relations, and engage with everyday sociality in the plantations. The payout was vital to fight the alienation resulting from being a Dalit-Tamil-underclass retiree in the plantations. Based on
A Sartrean Analysis of Filmic Violence
In Critique of Dialectical Reason Vol. 2, Sartre analyzes a boxing match in light of a typology of violence. He suggests that individual conflicts incarnate broader forces of structural violence. He distinguishes between incidents of incarnating violence in terms of their broader social effects, as either alienated – commoditized or “mystified” and rendered illicit – or emancipatory – embedded in a collectively willed political project. This conceptualization is used to analyze two films, Aronofsky’s The Wrestler and McQueen’s Hunger. The Wrestler is an excellent meditation on the ways in which the violence of the oppressed is alienated in contemporary U.S. culture, whereas Hunger gestures toward the possibility of emancipatory violence. The article finally considers the act of watching these films as a Sartrean incarnation of violence.