Mexican emotional standard of child-rearing that promoted the individual cultivation of honor, the management of anger, and the use of fear as discipline, drawing on well-known European pedagogic theories on boyhood in late nineteenth-century Mexico
The Emotional Education of Boys in Mexico during the Early Porfiriato, 1876–1884
Carlos Zúñiga Nieto
Anger in Popular Hindi Cinema
The article advocates the importance of studying conceptual meaning and change in modern mass media and highlights the significance of conceptual intermediality. The article first analyzes anger in Hindi cinema as an audiovisual key concept within the framework of an Indian national ideology. It explores how anger and the Indian angry young man became popularized, politicized, and stereotyped by popular films and print media in India in the 1970s and 1980s. The article goes on to advocate for extending conceptual history beyond language on theoretical grounds and identifies two major obstacles in political iconography: the methodological subordination of visuals to language in the negotiation of meaning, and the distinction of emotion and reason by assigning them functionally to different sign systems.
the human condition’ (and this is what the Book of Jonah is also intent on, in its own disguised way), then we will have to be exposed to states of mind far from serene: we will have to encounter fear and denial, anger and despair, vulnerability and
The 2013 Anti-Government Protests in Istanbul, Turkey
Colin W. Leach, Ayşe Betül Çelik, Rezarta Bilali, Atilla Cidam, and Andrew L. Stewart
By happenstance, we found ourselves in Istanbul, Turkey in early June 2013 only days after a mass anti-government protest developed in and around Gezi Park. In addition to informal discussions and interviews with academics and others, we visited the protest site and traveled throughout Istanbul to directly experience the atmosphere and events. We also conducted two studies of Turks’ participation in, and views of, the protests. This paper recounts the events in Istanbul that summer and reviews our own, and other, social science research on the protests and the protestors. We focus on who the protestors were and why they protested, as opposed to the less engaged actions of visiting the protests or following them in the media.
Bringing rape stories into popular discussion was a crucial success of the Second Wave Women’s Liberation movement. Popular culture is now inundated with rape stories. However, the repetitive scripts and schemas that dominate these are often informed by neoliberal individualism that is antithetical to feminism. The contradictions that characterize the tensions between feminism and neoliberalism in these texts are typically postfeminist, combining often inconsistent feminist rhetoric with neoliberal ideology. By examining the use of the silent victim script in young adult rape fiction, in this article I argue that most young adult rape fiction presents rape as an individual, pathological defect and a precondition to be managed by girls on an individual basis, rather than an act of violence committed against them.
Alan Voodla, Elen Lotman, Martin Kolnes, Richard Naar, and Andero Uusberg
actors gradually displaying the facial expressions of happiness, anger, and disgust recorded under high- and low-contrast lighting. To unobtrusively assess the empathic reactions, we recorded facial electromyography (EMG) from three facial muscles known
language of emotionality in public discourse about it. The protracted event that we now call “Brexit” has been characterized by particular psychic reactions and affective states: shock, perplexity, anxiety, guilt, paranoia, anger, depression, delusion, and
, so Timur Kodori asks in a Facebook post from 24 July 2017. The author, most likely using a pseudonym, is angered by the involvement of his Abkhaz compatriots in an international research project designed to preserve the Abkhaz language. 3 The project
Environmental Activism, Moral Shocks, and the Coal Industry
Alison E. Adams, Thomas E. Shriver, and Landen Longest
emotions play in the mobilization of grievances. Activists can tap into emotions to inspire and recruit members and gain traction for their causes. One way they can do this is through the use of moral shocks , or events that can make people feel anger and
Girlhood Identity in The Craft
2002 ; Short 2006 ). Academic consensus is that The Craft reaffirms patriarchy through its treatment of Nancy, whose anger, sexuality, and hunger for power leads to her undoing ( Godwin 2012 ; San Filippo 2013 ; Stephens 2003 ; Johnston 2007