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‘Archive Man’

Stephen Poliakoff and the Archive

Elizabeth Robertson

‘Dusty archives are one powerful recurring symbol.’ 1 In 2003, the journalist Johann Hari noted the central importance of the archive to the writer-director Stephen Poliakoff's work. Since the turn of the century, Poliakoff's work has become

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Austrian “Gypsies” in the Italian archives

Historical ethnography on multiple border crossings at the beginning of the twentieth century

Paola Trevisan

anthropologists in archival sources—interrogated from an ethnographic perspective—which have shown themselves to be indispensable for the historical anthropology of the Romani worlds ( Tauber and Trevisan, 2019: 3–12 ). The current work is part of this

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From Archive to Print

The Diarist Victor Klemperer and the Isakowitz Family

Monica Petzal

printmaking, taking a part-time MA in Printmaking at Camberwell School of Art between 1998 and 2000. It was at this time and with a young family that I started to explore the use of family archive documents and photographs in my work and to investigate the

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Archives, Heritage, and Communities

Elizabeth C. Macknight

This article presents two case studies, from Scotland and the Scottish Islands, of communities' engagement with archives and their attitudes toward heritage. The case studies arise out of knowledge transfer between an historian employed in an academic role at a Scottish university and two “third sector“ organizations. By comparing the perspectives of historians, archivists, and community organizations the article shows the different ways in which these separate interest groups perceive the value of archives. It then points to some of the possibilities and challenges of working collaboratively to deepen understanding about the past and to create wider opportunities, now and in the future, for historical interpretation, teaching, learning, and research. In the era of digital technologies, it is recommended that undergraduate students be taught the key concepts of archival theory and practice, while also being encouraged to experience working with original archival documents.

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The colonial archival imaginaire at home

Elizabeth Edwards

This paper addresses ways in which the aphasic nature of the colonial archive in postcolonial Britain causes a displacement in the archival imagination as ‘elsewhere’. I use the concept of the historical elsewhere to demonstrate the deep structural patterns in the denial of the relevance of the potentially dystopic colonial archive in public historical narratives. Looking especially at the photographic archive, I explore ways in which photographs cut across these mechanisms of disavowal, as the visual both challenges the aphasic through its insistent claims to presence, and through its ambiguous relationship to the time and space that constitute the elsewhere.

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Utopian archives, decolonial affordances Introduction to special issue

Paul Basu and Ferdinand De Jong

Colonial archives constituted a technology that enabled the collection, storage, ordering, retrieval and exchange of knowledge as an instrument of colonial governance. It is not surprising that when such archives were inherited by independent nation‐states they were not given the authority previously granted them and have often been neglected. What, then, is the future of colonial archives in postcolonial nations? How should we rethink these archives in relation to decolonial futures? This essay introduces a collection of articles that explore the repertoires of action latent in archives and how colonial archives are being reconfigured to imagine decolonial futures.

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Dystopian realities and archival dreams in the Purari Delta of Papua New Guinea

Joshua A. Bell

Years of resource extraction by multinational corporations have transformed the Purari Delta into a resource frontier where communities’ desires, subjectivities and histories are being unevenly reconfigured. Focusing on the struggles of I'ai communities for recognition by the Papua New Guinean government as traditional resource owners, I examine how, in the wake of the destruction of regional archives and the perceived inaccessibility of PNG's National Archives, men are marshalling new assemblages of evidence: written ancestral histories, heirloom objects, found images and maps. I explore how I'ai men are strategically deploying these materials to actualise their utopian dreams of recognition.

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RETURNING TO THE ARCHIVE IN SEARCH OF EVERYDAY PRACTICES IN FIELDWORK

Karin Gustavsson

This article concerns itself with the early twentieth-century documentation of different phenomena in the Swedish countryside considered crucial to an understanding of rural lifestyle in the past. This research was motivated out of a concern for a vanishing peasant culture. Vast quantities of photographs, drawings and descriptions of houses and settlements were compiled into archives and later on, this material was used as the base for the Atlas of Swedish folk culture published in 1957. Inspired by Fleck’s notion of “thought collective” and Latour’s ideas of “craftsmanship”, the article returns to the archives in order to examine the everyday practices of the fieldworkers and the different tools and techniques used to document the vanishing peasant material culture.

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Archival Resistance

Reading the New Right

Annika Orich

, people turned to the archives of the Frankfurt School to find explanations for the recent ascent of right-wing radicalism as well as the drastically changing electoral landscape of present-day Germany. The 2019 rediscovery and publication of Adorno

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Gendered Images and Soviet Subjects

How the Komsomol Archive Enriched My Understanding of Gender in Soviet War Culture

Adrienne M. Harris

with the methods of gender history. As I evolved from a graduate student in a Slavic languages and literatures program to a scholar who publishes on gender history, two archives have shaped the development of my research questions; I will discuss these