Lovelock, James. 2019. Novacene: The Coming Age of Hyperintelligence. Cambridge, MA: The MIT Press. McKibben, Bill. 2019. Falter: Has the Human Game Begun to Play Itself Out? New York: Holt. Artificial Intelligence (or AI) has mostly
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Humans “in the Loop”?
Human-Centrism, Posthumanism, and AI
Nandita Biswas Mellamphy
The Problem with “Human-Centered” AI Data-driven advances based on AI (artificial intelligence) are transforming societies and calls for more responsible and ethical use of technologies have emerged to deal with fears concerning the negative
Loneliness and Love
The Potential of Human-AI Relations as Explored by Contemporary Science Fiction Cinema
Abby Lauren Kidd
When thinking of science fiction films about artificial intelligence, we often recall enduring images, characters, and plots from a handful of iconic movies, such as Lana and Lilly Wachowskis’ Matrix ( 1999 ) and James Cameron's Terminator
The Face of the Future
An Ethical Examination of Lucrecia Martel's AI
Abby Sacks
In an interview promoting her short film AI , filmmaker Lucrecia Martel described her work as “artificial intelligence in the sense of a consciousness without an individual” ( McDowell 2020 ). She uses the found footage of a recorded psychiatric
Welcome to the Machine
Artificial Intelligence on Screen 1
Rebekah Brammer
, suggested a desire on our part for our futuristic companions to have at least an approximation of intelligence and personality. The human need to communicate is perhaps the genesis of artificial intelligence as we see it most often depicted on screen now
On Sinofuturism
Resisting Techno-Orientalism in Understanding Kuaishou, Douyin, and Chinese A.I.
Yunying Huang
orientalizing contexts. To envision equitable futures—and to avoid reinforcing stereotypes—we need more pluralistic understandings of Chinese cultures. In this article, I consider how Chinese internet and the forms and aesthetics of contemporary artificial
Reimagining Frankenstein
Otherness, Responsibility, and Visions of Future Technologies in Ahmed Saadawi's Frankenstein in Baghdad and Jeanette Winterson's Frankissstein
Amal Al Shamsi
by instability whether incited by warfare or the introduction of artificial intelligence. Although different in terms of geographical setting and genre, both texts are connected in their reinvestigation of Frankenstein' s core concerns of otherness
Voicing Pride and Futurity in the Age of A.I.
An Interview with Playwright Pao-Chang Tsai on Solo Date
Jing Chen and Pao-Chang Tsai
“How do you live without someone you love?” Set in a future where humankind lives alongside advanced artificial intelligence (A.I.), creator and performer Pao-Chang Tsai's theatrical production Solo Date (2016) responds to this question by
Editor's Introduction
Screening Transgression
Andrew J. Ball
, Pink Film, artificial intelligence, and video art. The bulk of this issue of Screen Bodies consists of three articles that examine cinematic transgression. Their authors look at the work of filmmakers who challenge taboos on the representation of
Andrew J. Ball
technologies, but with a renewed attention to such areas as intermediality, human–machine interface, virtual and augmented reality, artificial intelligence, generative art, smart environments, immersive and interactive installations, machine learning