This article studies the transformation of the debate about national culture in twentieth-century Mexico by looking at the complex relationship between discourses of authenticity and mestizaje. The article firstly demonstrates how in the first half of the twentieth century, Mexican national identity was constructed out of a state-led program of mestizaje, thereby supposedly giving rise to a new and authentic identity, the mestizo (nation). Secondly, it is argued that the authentication project around mestizaje is riddled with paradoxes that require explanation. Thirdly, the article studies the political dimension of the authenticity discourse and demonstrates how the homogenizing and unifying forces that spring from the process of authentication played an important role in buttressing an authoritarian regime. Fourthly, the article looks at two recent developments: indigenous cultural politics and transnationalism. Here it is shown how discourses of difference, pluralism, and transnationalism are challenging the central tenets of Mexican post-revolutionary national culture and the boundaries of the national Self.
Debating national identity in twentieth-century Mexico
Wil G. Pansters
Textbooks during French Colonization and the Modern Literature of Global Tourism
*Article translated by Francine Tolron
This article explores the French fascination with “the primitive” and “the exotic” in the post–World War I years through a study of representations of the French colonies in textbooks intended for primary and secondary schoolchildren. It then compares these representations with contemporary French-language tourist literature in Ontario, Canada, demonstrating continuities between these “exotic” representations of the colonial other and contemporary discourses centered on “authenticity” in the world of international tourism.
While the notion of “bad faith” remains stable in Jean-Paul Sartre’s early philosophy, the notions of “pure reflection” and “good faith” undergo significant changes. In Being and Nothingness,2 pure reflection was presented as a necessary but not sufficient condition for authenticity,3 whereas in Notebooks for an Ethics ,4 ‘pure reflection’ and ‘authenticity’ seemed to refer to the same consciousness (although with different emphasis)5 (NE, 12, 472-482, 515). In Being and Nothingness, the project of good faith was introduced as a corrupted mode of being, which, like bad faith, stands in contrast to authenticity (EN, 108-111; BN, 113-116), whereas in Notebooks for an Ethics, Sartre did not seem to distinguish good faith from authenticity (NE, 12).
Exploring the CBBC Television Tween
In this article, I argue that while the tween is understood as having transnational relevance and mobility, this is often emphasized in ways that overlook the national and cultural specificities of tween culture. I argue that the distinctive context of British television history augments the connections between national and transnational paradigms of tween culture in important ways. While authenticity, friendships, and honesty remain foregrounded in a number of Children’s British Broadcasting Corporation (CBBC) shows, these are constructed through a national discourse that connects to transnational models of the tween girl but also mobilizes a cultural specificity that is inextricable from the broadcasting context in which it is produced.
T. Storm Heter
This article presents a novel defense of Sartrean ethics based on the concept of interpersonal recognition. The immediate post-war texts Anti-Semite and Jew, What is Literature? and Notebooks for an Ethics express Sartre's inchoate yet ultimately defensible view of obligations to others. Such obligations are not best understood as Kantian duties, but rather as Hegelian obligations of mutual recognition. The emerging portrait of Sartrean ethics offers a strong reply to the classical criticism that authenticity would license vicious lifestyles like serial killing. In addition to acting with clarity and responsibility, existentially authentic individuals must respect others.
Drawing on Sartre’s account of violence, I argue that not only is bad faith inevitable in practice, but a limited bad faith is necessary for authenticity. Although violating the freedom of others is bad faith, it is impossible to never violate anyone’s freedom. Moreover, and more fundamentally, the ontological structure of the for-itself entails that the for-itself can only be authentic in the mode of not being authentic. Seeking to altogether avoid bad faith is bad faith, for it is an attempt to constitute oneself as essentially authentic, yet the for-itself has no preexisting essence. By recognizing one’s complete responsibility for choosing bad faith, however, one limits one’s bad faith. This limited bad faith is in fact necessary to authenticity, which is a project lived out in concrete situations and not a categorical moral law that forbids bad faith.
Czech heritage management at the former Liechtenstein estate of Lednice-Valtice
Veronica E. Aplenc
The Lednice-Valtice area, Southern Moravia, represents over 220 square kilometers of vast architectural and landscape heritage. As the former Liechtenstein ducal seat nationalized in 1945 and a major tourist attraction throughout the twentieth century, this site embodies the complex issues of heritage and authenticity. Post-war Czech preservationists incorporated pre-socialist legislative systems and beliefs into their socialist-era professional praxis, in a striking use of Habsburg-era, modernist cultural capital. Central to this borrowing was preservationists' casting themselves as state-legislated experts in heritage management, using an almost exclusively aesthetics-focused presentation in messy ideological situations.
In this article, I explore the question of whether authentic love is possible in Jean-Paul Sartre’s early philosophy. In Being and Nothingness, Sartre claims that love is inauthentic and doomed to failure. I dismiss a prominent view that is built upon Sartre’s account of love in Notebooks for an Ethics, which states that authentic love is possible after a radical conversion to authenticity. The continued existence of patriarchal oppression prevents men and women from undergoing such a conversion. Adopting a different approach, I examine a form of love which Sartre largely overlooks: the love between mother and child. Before the boundaries between Self and Other are fully formed, mother and child exist in an ambiguous union. It is here, I argue, that the existence of authentic love is possible.
Tensions between Ideologies of Authenticity and Anonymity
This article looks at the historicisation of the native speaker and ideologies of authenticity and anonymity in Europe's language revitalisation movements. It focuses specifically on the case of Irish in the Republic of Ireland and examines how the native speaker ideology and the opposing ideological constructs of authenticity and anonymity filter down to the belief systems and are discursively produced by social actors on the ground. For this I draw on data from ongoing fieldwork in the Republic of Ireland, drawing on interviews with a group of Irish language enthusiasts located outside the officially designated Irish-speaking Gaeltacht.
The Rękawka Fair in Cracow
The article aims to show how ethnographic data concerning religious rites, both Catholic and pagan, circulate in culture and thus become a kind of historical source for re-enacting other, invented religious rites. In the example of the Rękawka fair in Cracow, it is demonstrated how religious content present in nineteenth-century ethnographic descriptions, originally ascribed to pre-Christian paganism but incorporated into a Catholic fair, was separated from it and used in recreating and performing a neopagan rite. Investigating an Early Middle Ages re-enactment movement, the author focuses on the process of transforming ethnographic data into historical ones. Analysing the problem of authenticity of such sources, she points out the particularities of achieving authenticity in a re-enactment movement: to some, the contemporary Rękawka fair remains only a kind of historical re-enactment, while according to others it is a true neopagan rite.