: Emergence, Techniques and Its Importance in Geography,” Human Geographies 9, no. 1 (2015): 97–107. 42 Michael Q. Patton, “Autoethnography,” in The SAGE Encyclopedia of Social Science Research Methods , ed. Michael S. Lewis-Beck, A. Bryman, and Tim Futing
Mobile Autoethnography on a South African Bus Service
Three Fandom Autoethnographies
Tamar Rapoport and Efrat Noy
This article advocates autoethnography as a critical feminist methodology for using personal testimony to investigate women’s experience and performance of fandom The article’s centerpiece is an analysis of the personal testimonies of three women—researcher-fans of different ages—of a fan-owned club Hapoel Katamon Jerusalem. In addition to revealing women’s gendered-based experiences and the different ways in which women acquire and perform fandom, their personal stories prove valuable for exposing the gendered regime of the football field. Moreover, they reveal how women who are not fluent in the hegemonic language of fandom make their way in the fandom field as they seek their own voice and position in it. The analysis suggests that women’s participation can disrupt the hegemonic masculinity of fandom and challenge its established boundaries, thereby problematizing accepted definitions of the authentic fan.
Auto-ethnographical Reflections at the Jewish Museum Berlin
Victoria Bishop Kendzia
This article explores the issue of ethnic attributions versus options pertaining to Jewishness in Germany. The methodology is a combination of standard ethnographic fieldwork with Berlin-based high-school students before, during and after visits to the Jewish Museum Berlin (JMB) and auto-ethnography detailing and analysing my own experiences in and outside of the research sites. My goal is to illustrate particularities of interactions in sites like the JMB by contrasting the way in which Jewishness is handled in and outside of the standardised research situation. Further, the material points to continuities between anti-Semitism and Islamophobia. My analysis aims to open up further, productive discussion on this point.
Samuel Baron's Description of Tonqueen (1686)
Samuel Baron's A Description of the Kingdom of Tonqueen (1686) contains many tropes of the European travel narrative. However, its author was no stranger to the country, but was born to a Vietnamese mother and Dutch father in mid-seventeenth-century Hanoi. Here I discuss how Baron fashioned his identity during his life to attract multiple patrons in the unstable maritime world of Southeast and East Asia. I re-read his Description as an example of “auto-ethnography,” showing how the author shaped his work to achieve certain ends. A comparison with a contemporary Chinese description of northern Vietnam reveals many similarities in tone and approach and helps situate Baron's text within the commercial and diplomatic exchanges of the region.
An Autoethnography of a Return of Human Remains
Lotten Gustafsson Reinius
article confirm his reasoning on the significance of temporal structure, ritual redundancy, and usages of metaphor. Using autoethnography, I have also tried to explore and convey the affective powers of presence and participation in ritual performance. As
A response to programme reform in higher education
Saran Stewart, Chayla Haynes, and Kristin Deal
practice of freedom’ ( Danowitz and Tuitt 2011: 49 )? We use collaborative autoethnography to share our experiences and revisit the article that inspired this study to engage in a dialogue with Professor Tuitt about our pursuit of education as the practice
Fieldwork, Biography, and Authorship in Southwest China and Beyond
explore too how this fascination yields additional heuristic leverage for acquiring the fullest understanding of the study of religion. My discussion pivots around how fieldwork-based studies may be paired with a brand of ‘auto-ethnography’ in which the
, and I recall several pivotal actions undertaken by event organizers (and some inaction) as I re-evaluate the political outcomes, and suggest new directions and opportunities for expanding girls’ political capital. Feminist autoethnography, as a
Linda Hose and E.J. Ford
Based on personal experiences garnered through years of adjunct instruction, the authors explore the challenges associated with working in academia without the guarantees of a long-term contract or tenure. Further, adjuncts are desperate to accept any position that is remunerative and this willingness undermines contract negotiation leverage of every member of the academic teaching community.
The Road to Wigan Pier and Down and Out in Paris and London
George Orwell is most widely known as the teller of dystopian tales of oppression. A closer look at his oeuvre reveals a courageous truth seeker who frequently lived and worked with his literary subjects. In his fieldwork he used the methods of classic ethnography including participant observation, semi-structured interviews and field notes. This article argues that Orwell was an ethnographer in his research methods and that both Down and Out in Paris and London and The Road to Wigan Pier are ethnographic texts with valuable insights into marginal groups in the early to mid-twentieth century in Europe. The writer’s clear-sighted and humane depiction of ‘otherness’ shows his skill as an ethnographer. His personal investment with his subject matter, reflexivity and attention to broader social and political phenomena in his narratives mark Orwell as an autoethnographer.