Framed by questions concerning the normal biography and its distortion in late modernity, this article examines the biographical narratives of two different generations of Czechs. Through a parallel analysis of retrospective and future-oriented imaginations of life, the article explores the extent to which the two generations' narratives are structured along the expectations implicated in the normal biography and the kinds of disturbances to the “normal“ pattern that surface in these accounts. Moreover, it explores intergenerational dynamics by examining the narratives' generational tropes and the level of generational reflexivity they display. I argue that while their key tropes of narration have changed substantially, people of both generations share an adherence to the normal biography as well as a lack of interest in placing their own biography in relation to the history of the nation.
Narratives of hope, loss, and "normality" across two generations of Czechs
Intimacy, Relatedness and Boundaries in the Life of Hanoi's Migrant Domestic Workers
Minh T. N. Nguyen
This article argues that migrant domestic workers in Hanoi practise a form of fictitious kinship to carve out personal spaces away from their rural home. Biographical narratives of domestic workers who are unusually devoted to forging emotional ties with their employers indicate that they tend to have problematic private lives. Beyond emotional labour, the performance of fictitious kinship entails significant personal investment on the part of women, at times generating mutual feelings and relationships between them and certain members of the employers' household. These relationships are crucial to their personal transformations, helping them construct new identities and opening up possibilities for challenging the power hierarchy in their home. Yet such constructed kinship is treacherous and uncertain, not just because of its foundation is their commodified labour, subject to the rules of the market, but also due to the dangers of intimate encounters in the private sphere.
A report on my experience with Shakespeare: A Life may not be generally useful, but I shall touch on factors that are changing our view of literary biography. It helps to refer to oneself and to the matter of a biographer’s outlook and feelings, no matter how deplorable the feelings. Of course, what a biographer thinks or feels is irrelevant, in one sense.We don’t care what you may have felt, for heaven’s sake; we judge your work! That is proper as far as it goes, but outlook and preparedness count in this field and so I shall allude to those. My general view is that biography thrives when we regard it as highly sophisticated, entertaining, and moving, and able to depict as much about life as works of fiction can. This genre has a certain relation to music and painting in its possible intensity. ‘All that is not useful’, says Matisse, ‘is detrimental to the effect’; the same applies to biographical narratives. Shakespeare’s life offers a special challenge, but not for any dire lack of evidence. Much depends on what use is made of abundant facts about Tudor Stratford, for example, and so on a personal attitude. My early attitude to Shakespeare was romantic and poor. For some time I thought of him as semi-divine, or as being ‘more than a man’. If I liked ‘Prufrock’, that was for its Hamlet allusions mainly. Later at University College in London, I was taken aback when my supervisor asked me to read something besides Shakespeare before trying to write a PhD thesis on the tragedies. I wrote two plays, both staged by London groups, but reviewed harshly in student newspapers, except for a remark to the effect that ‘Honan is incapable of writing anything but duologues, rather like Shakespeare in Two Gentlemen of Verona’. Finally I wrote a thesis on Browning partly because ‘Caliban upon Setebos’ reminded me of The Tempest.
Mbororo Nomads Facing and Adapting to Conflict in Central Africa
illustrate my argument, I focus on two biographic narratives that are contextualized in the present day and in the history of the region. This allows an understanding of the pathways of the Mbororo who fled the CAR. Pathways are historically inspired ways of
Duress and the Palimpsest of Violence of Two CAR Student Refugees in the DRC
Maria Catherina Wilson Janssens
a palimpsest. The data for this article are based on the biographic narratives of Euloge and Le Firmin and were collected during a multisited fieldwork period of one year in total from 2013 to 2015, with an additional follow-up visit in August 2016
Ivan Jablonka and the Life of a Nobody
cradle-to-the-grave structure of traditional biographical narrative. Chances are, if you set out to read about the life of Napoleon or Joan of Arc, you already know the story. You know what becomes of the person, and you know how it’s going to end. So you
On the Temporalities of the Media Event
Gjinaj, would be invited to perform at weddings and funerals. Yet, as we have seen, in the context of the spaces produced by mobility and mobile media, the song was being heard in new ways. Even though the song is presented as a long biographical
justest war’. 4 The other notable attempt to read Shakespeare as a pacifist is that of R. S. White, who rejects Marx’s biographical narrative of a change of heart. As an alternative, White sees conflicting statements about war in Shakespeare’s plays as a
Portraits of an Economic Persona
and, on the other, from prevailingly speculative cradle-to-grave biographical narratives; and it is probably also by devoting attention to what is tangential and circumstantial that biography can reveal, to go back to my initial quote, ‘what remains
Methodologies and Practicalities
. London : Comics Campaign Council . Ramone , Jenni , and Helen Cousins , eds. 2011 . The Richard and Judy Reader: Popular Texts and the Practices of Reading . Farnham, UK : Ashgate . Russell , Polly . 2012 . “Using Biographical Narrative and