This article is about the meaning of mandinga in Afro-Brazilian capoeira as it is practiced in the city of Salvador, Brazil. Capoeira is an art form that combines elements of ritual, play, and fight. My main argument focuses on the mandinga as an indigenous form of power that shapes social relations, bodily interaction, magic acts, and the definition of a person. The concept of mandinga offers an understanding of the deceptive logic of capoeira and contributes to the development of an ethnographic theory of power. The emphasis here is on the importance of mandinga as a strategy for fighting and as a principle for social interaction with strong ontological implications. It is considered a cosmological force that affects the foundations of subjective reality and the perception of the world.
Power and Deception in Afro-Brazilian Capoeira
Sergio González Varela
Adeel Hamza and John Gannon
sociological approach. Three of his works have become especially prominent in this context – his essay on the gift (1925a, tr. 1954), his lectures on bodily techniques (1935, tr. 1973) and his paper on the person as a category of the human mind (1938, tr. 1979
The “Asian city of tomorrow?”
materiality of the body as an ongoing site of care and present-day renegotiation. Indeed, other businesses offer services of negotiating futures through bodily techniques: near the ground floor entrance of the PPC are also various mole removal shops, each