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Noisy Lives, Noisy Bodies

Exploring the Sensorial Embodiment of Class

Camilla Hoffmann Merrild, Peter Vedsted, and Rikke Sand Andersen

sensations are turned into symptoms and how people move from feeling fine to feeling sick, we explore the situatedness of the body and its meaning in the making of symptoms. Inspired by what has been referred to as a medical anthropology of sensations (e

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John Eade

portraying dramatic events associated with them. Lourdes emerged as a particularly controversial shrine because of people's claims to having been miraculously healed there. The body became a prime focus of the photographic gaze in this context, and

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European Bodies?

Class and Gender Dynamics among EU Civil Servants in Brussels

Paweł Lewicki

Drawing upon ethnographic fieldwork between 2007 and 2011 in Brussels, this article shows how visual markers, class distinctions and classification of gender performances come together to create a ‘Euroclass’ among European civil servants. These markings, distinctions and classifications are denoted on bodily hexis and body performance and evoke stereotypes and essentialised representations of national cultures. However, after the enlargements of the EU in 2004 and 2007 they also reveal a postcolonial and imperial dynamic that perpetuates the division into ‘old’ and ‘new’ Europe and enables people from old member states to emerge as a different class that holds its cultural power firm in a dense political environment permeated by networks.

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The Body in Motion

Communism and Epistemology in Iva Pekárková's Novel Truck Stop Rainbows

Simona Fojtová

Drawing on feminist conceptualisations of the body, this essay analyses Iva Pekárková’s novel, Truck Stop Rainbows (published as Péra a Perutě [Feathers and wings] in 1989, translated into English in 1992), to show how this contemporary Czech writer challenges the metaphor of the female body as a container through which communist propaganda in Czechoslovakia offi cially sanctioned and established a normative female identity in maternal, economic and civic functions. I seek to demonstrate how Fialka, the female protagonist who lives under the Czechoslovak communist regime of the 1980s, critiques discursive and epistemic formations that conceptualised the female body as a vessel for reproduction and labour and denied the female body the authority to function as a source of knowledge. Striving to spotlight the body in its cognitive role, I argue for an understanding of the body not as an instrument of knowledge or a neutral medium that enables knowledge production but, rather, as a condition of the possibility of knowing.

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The Male Body as Vacillation

Disability, Gender, and Discourse in The Men

Elisabetta Girelli

This article considers the representation of gendered disability in The Men (Fred Zinnemann, 1950), Marlon Brando’s first film. A groundbreaking yet deeply ambiguous text, the film explores notions of normative and non-normative physicality through the lens of masculinity, sexuality, and their implications for human status. In the light of key works by disability scholars and of Judith Butler’s discussion of the cultural construction of the body, this article examines the multiple and subversive meanings made available by the film, and the extent to which The Men allows for a different bodily identity based on dissent.

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Jeff Hearn

In this contribution, I consider some appreciative links and qualified connections between Raewyn Connell’s work and my own. In particular, I use the example of sport, a key area in the making of boys and young men in many parts of the world, with special reference to body, practice, and theoretical and empirical conceptualizations of masculinity.

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Einat Bar-On Cohen

Training toward 'perfect timing' in karate entails deciphering small movements and interpreting them as signs of an opponent's decision to launch an attack. It includes the aptitude to perceive those signs and react to them before the attacker is aware of her own decision. It also depends on the ability of the body to perceive and move without recourse to cognition. This article considers the body in its own right as well as how it is involved in social construction. Following Sheet-Johnstone, the article contends that movement as it is performed is a tool of data collecting, sense making, and action. It attempts to show how movement organizes a social setting that enables intentionality and also opens up the possibility of violence obstructing that intentionality.

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Laura Verdi

In this article I will discuss the human body, both physical and social, as an instrument of political and aesthetic power and will analyze the processes of its social construction, starting with the notion of Corpus Mysticum Christi as the metaphoric organizational structure of consensus to power. From the Low Middle Ages to the present day, we will observe how the treatment of the body has evolved and how present-day show business and politics make use of charisma, from typically conceived 'concentrated stardom' to a conception of 'diffused stardom'. Both models are given aesthetic significance and rhetorical amplification, thus resulting in images of power and a means of social control. The conclusion of the article examines how power relations are currently being affected in a social environment that is highly influenced by the media and how, no matter which era is being discussed, the existence of the social body still depends on the physical body.

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European Bodies

Who Embodies europe? Explorations into the Construction of european Bodies

Anika Keinz and Paweł Lewicki

Is there a ‘european body’, 1 and how is europeanisation embodied? What is a ‘european body’ then? Jean Comaroff (1993) has once shown that: ‘nationality, culture and physical type are condensed into the language that [ … ] would mature

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Porous Bodies

Corporeal Intimacies, Disgust and Violence in a COVID-19 World

Cynthia Sear

Masked-up, gloved-up and wearing a pair of sunglasses, I am ready for my walk to the local shopping strip. As I approach the grocery shop, I see a broken line of waiting shoppers. I stop two metres behind the last body, staking my place in the