When Craig, an oft-humiliated and unsuccessful street puppeteer, discovers a portal into the body of John Malkovich, he finds that fusion with a live “celebrity puppet” offers a solution to the dilemmas of being human— imperfection, vulnerability, and death. In this fantastical context, the filmmakers raise questions about intention, identity, authorship, and the wisdom of elevating narcissism over Eros. Although a desire to transcend the limitations of the mortal body may be ubiquitous, the unique solution offered in Being John Malkovich is the apparent triumph of this narcissistic fantasy, rather than an acceptance of reality. This article first explores the film's use of the universal imagery of narcissism and then examines how technology, which allows widespread access to a visually oriented media culture, and changes in the meaning of fame have altered the expression of narcissistic fantasies, as well as the anxieties that accompany their fulfillment.
Lissa Weinstein and Banu Seckin
Exploring the celebrity culture and lion-hunting associated with Alfred Tennyson and Henry Wadsworth Longfellow, this article argues that while both poets experienced enormous literary fame during their lifetimes, the celebrity culture surrounding them might have been a motivating factor in their subsequent decline in popularity, and the Modernist depreciation of nineteenth-century poetry. Exploring the ways in which Longfellow courted celebrity culture, the article turns to the lion-hunting exploits of Edward Bok, a Dutch-American magazine editor, to demonstrate the desire of Longfellow's readers to physically encounter him. Examining the intense media coverage attending Longfellow's travels to Britain in 1868–69, the article underlines his status as the ultimate American literary celebrity of the period, but also positions Longfellow as a 'lion-hunter' by focusing on his meeting with Tennyson on the Isle of Wight in 1868, and on the way in which their encounters in person and in print reveal contrasting attitudes to celebrity.
Figuring the Girl Activist as Global Savior
Jessica K. Taft
example of an empowered girl, no different from performers, athletes, or other celebrities. She's Extraordinary: Figuring Girl Activists as Heroes Hopefulness and harmlessness work together to produce the figure of the girl activist as an easily
Mobility and the Geographical Imaginaries of Interwar Australian Magazines
Victoria Kuttainen and Susann Liebich
celebrities. Looking at a sample issue of The Home in 1937 gives a good sense of the thematic dominance of travel within the gossip pages. The February 1937 issue devotes seven pages to social notes: of the one hundred and twenty individual “news” items
Fame and Notability in Henry James's Roderick Hudson and The American
This article examines Henry James's deployment of imagery of statuary, performance, and display to foreground conflicts between emergent forms of notability and older ideas of aristocratic renown, and his use of the figure of the American in Europe to draw attention to the complex intersections of nationality and gender in constructions of public recognition. Roderick Hudson (1875) positions the eponymous American sculptor as a lion in Europe, but reveals his fatal attempts to transcend the objectification and commodification accompanying fame. In The American (1877) Christopher Newman is briefly lionized by a French aristocratic family, but afterwards publicly spurned. Both novels contrast the fate of American men with the successful use of mechanisms of fame by women. Roderick Hudson's Christina Light successfully markets her beauty, becoming through marriage a figure of aristocratic renown, while The American's Noémie Nioche negotiates her rise in the world through self-promotion, finally passing as a noblewoman.
Global Narratives of Girls at Risk and Celebrity Philanthropy
component of celebrity branding and corporate public relations that seek representation of their actions as cosmopolitan morality and global citizenry. Focusing on the Half the Sky ( HTS ) phenomenon that culminated in a documentary by Maro Chermayeff
Representations of Gender-Nonconforming Identities in Argentinian Telenovelas
In 2004, Florencia de la V became the first travesti 1 celebrity to star on a mainstream serial. Her success on Los Roldán (2004–, Telefe) allowed her to have a lucrative career spanning multiple projects, including talk shows and films, and
Graphic Constructions of the Carceral Archipelago
, the daily life of convicts and the customary aspects of carceral exoticism, such as the guillotine and the prisoner's desire for escape (known as la belle ). Gaston focuses on celebrity prisoners, highlighting accordingly the customary eclipsing of
This article examines Robert Browning's and Henry James's writings to consider their responses to, and implication in, the production, circulation, and consumption of late nineteenth-century celebrity. For James, there were two Brownings – the private, unknowable genius and the social personality. From the time he first met Browning until 1912, James held to this theory in letters, essays, biography, and fiction; the Browning 'problem' became integral to James's fascinated engagement with other problems at the heart of celebrity culture. Both writers attacked celebrity discourses and practices (biography, interviews, literary tourism) that constructed the life as a vital source of meaning, thus threatening to displace the writer's work as privileged object of literary interpretation. Browning preceded James in insisting that the separation of public and private life was foundational to an impersonal aesthetics, and in exploring the fatal confusion between art and life that has been identified by theorists as central to celebrity culture.
William Harrison Riley, Transatlantic Celebrity, and the Perils of Working-Class Fandom
This article focuses on attempts by working-class intellectual, William Harrison Riley, to act as a transatlantic bridge connecting John Ruskin and Walt Whitman, and on what this reveals about nineteenth-century celebrity culture. Despite contrasting attitudes to fame, Ruskin and Whitman both constructed public profiles as generational prophets with broad appeal to the working classes, at the same time pursuing rhetorical strategies stressing their own exceptionalism. Because their lofty elevation depended upon the existence of disciples, their public outreach only seemed to offer disciples opportunities to transcend the hierarchical structures underpinning celebrity culture. Riley is of particular interest as a marginalized working-class writer who sought equality with Ruskin and Whitman by joining Ruskin's Utopian Guild of St George, and by attempting to negotiate Ruskin's support in raising Whitman's profile. The costly failure of these enterprises suggests that celebrity culture often reflects, reinforces, and polices prevailing social divisions of late nineteenth-century capitalism.