Critics have argued that a shift toward the “inward” occurred later in eighteenthcentury travel writing in part because of earlier questions of credibility. However, John Campbell’s fictional The Travels and Adventures of Edward Brown (1739) focuses upon the “inward” by drawing upon a technique already used in novels—that is, depicting the narrator as a consciousness. Consciousness, or personal identity, derives from John Locke and appears in Campbell’s travel account to demonstrate how circumstances define the narrator’s travel experiences. These circumstances at once establish the credibility of the narrator’s descriptions and also promote Campbell’s Tory commercialism. For the first, the narrator’s consciousness offers a credible account by describing how people live in time and place; for the second, the narrator demonstrates how personal identity and political ideology were attached from the outset, promoting commerce and colonialism through the narrator’s depiction of a nation’s circumstances that produce unique customs and commodities.
Text, and Pretexts for Changing Subtext
The Merchant of Venice remains a ‘problem play’ for contemporary production. Whether the play is inherently antisemitic or not, it remains one of the most popular of the canon. I will consider how actors and their directors can, with the wisdom imparted by twentieth-century psychology and Stanislavskian-derived ideas of objectives, circumstances and subtext, seek to circumvent the challenges and infuse problematic text with more acceptable interpretations. Possible reinterpretations of Shylock are centrally considered, but the characters and motives of Jessica, Portia, Antonio and Bassanio are also scrutinized. Such re-evaluation of the underlying motivations seems a reasonable resolution for keeping the text intact while undermining any inherent negative stereotyping. However, once we admit of this subversion of a writer’s intentions, what might the consequences be if there are those who wish to use the same tools to create anti-humanitarian theatre?
New Theoretical and Methodological Challenges
Laurent J.G. van der Maesen
This article reviews the development of social quality indicators and the challenges ahead. First, through a review of recent Asian and Australian work carried out on social quality indicators, and the World Bank related work on “social development indicators,” the article argues that social quality indicators research should move beyond the empirical level of particular policy areas. Therefore, it should be guided by a clear methodological perspective regarding the role of indicators as part of a social quality theory (SQT) and their relation to the social quality approach (SQA). Second, the article opens a debate about the rationale behind distinguishing between three different functions of social quality indicators. Indicators should address the change in the conditional factors in daily life, as manifested in its economic, socio-political, socio-cultural and environmental dimensions, in order to examine the consequences of general trends and contradictions in (1) societal circumstances, (2) the development (or lack of development) toward sustainability, and (3) the related issue of sustainable urban development. Before 2010 social quality scholars mainly concentrated on the first issue. Recently, however, they are approaching all three issues. It is essential to delve deeper into SQT and the SQA for understanding these three issues separately and integrally. This has implications for the nature of social quality indicators and their comparison to those of other mainstream approaches; the article introduces this agenda of work.
The journal’s subtitle—“movies and mind”—points to the intersection of cinema and its viewers. Although it works in foreseeable ways, mind is not a machine. Its constituents include the unique sets of circumstances that define a person; thus there are many routes to revealing the intersection of movies and mind.
The Jewish Museum in Prague has as many as 40,000 items in its collections, the uniqueness of which is underlined by the exceptional circumstances under which most of them were acquired by the museum. Nearly all of the items were confiscated during the Second World War from Jews who were sent to concentration camps and from Jewish communities that were closed down.
We are writing this note in late July, during a temporary cease-fire in this summer’s Gaza War, and wondering how and when this particular subwar will end. We dare not even think about long-range peace solution in the current circumstances.
Elizabeth Justice’s A Voyage to Russia and Amelia
Matthew W. Binney
Despite the fact that others questioned her credibility in the two editions of A Voyage to Russia (1739 and 1746) and her semi-autobiography, Amelia (1751), particularly her use of biographical details, Elizabeth Justice increases “subjective” descriptions with each successive publication. These “subjective” details offer the credibility for her travel experiences by depicting the circumstances in which the author-narrator’s persona experiences phenomena. Her life’s circumstances depict a coherent persona and consequently reflect John Locke’s notion of personal identity, which defines a consciousness through its temporality. This temporally defined consciousness at once demonstrates how and why she describes phenomena in relation to her singular perspective and affirms her independence, indicating the authority and authenticity of her “objective” travel experiences.
The ambitions of this journal include the goal of stimulating a debate about the similarities and differences between various approaches dedicated to current major societal challenges. As well as social quality thinking, the human security approach and the related human development/capability approach aim to understand changes in daily circumstances and to contribute in one or another way to new politics and policies. General questions regarding all these approaches include: What is the scientific quality of their conceptual framework? Which instruments do they apply to analyze changes in people’s daily circumstances? To what policies do they contribute in order to further their normative ideals? What are those ideals? Answers to these questions will help one recognise the similarities of and differences between the approaches and what they can offer each other.
Statistical representation of young Indigenous women in Canada presents an alarming picture of adversity characterized by addiction, pregnancy, and academic underachievement. Using Photovoice as a vehicle for community dialogue and education, the goal of this project was not to further the literature that examines the limitations of young Indigenous women, but to examine their strengths and their resilience. The project intended to document the lived experiences of young Indigenous women and comment on youth-identified issues and responses to the challenges experienced by Indigenous girls residing in urban centres. The level of insight and maturity demonstrated by the photographers was astounding; these young girls were able to consider their own circumstances within the broader context of family and community. Further, they examined their circumstances critically in relation to the historical consequences of past generations. In doing this, the photographers, rather than getting trapped in a cycle of negativity reminiscing about past wrongs, created opportunity for positive change and raised hope for this generation.
Defining Politics in the Emerging Global Order
In the wake of globalisation different social science disciplines have found themselves entering into similar terrains of inquiry. However, each discipline tends to draw on different and often contradictory understandings of the political, and of related notions such as power. The lack of a shared notion of politics may prevent social scientists from gaining important insights from other disciplines. In this paper I therefore seek to demonstrate that seemingly contradictory notions of politics are better seen as different forms of political interaction. I define politics as activities through which people and groups articulate, negotiate, implement and enforce competing claims. By distinguishing different types of claims made within different institutional circumstances, I outline three basic forms of political interaction: governance, stalemate and social dilemma, and give examples of how each of these forms of political interaction has emerged in response to the global integration of market in different circumstances and areas of the world.