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Rethinking the Margins with André Schwarz-Bart

From The Last of the Just and A Woman Named Solitude to the Posthumous Narratives

Kathleen Gyssels


Fifty years after his Goncourt Prize-winning début, and three years after the author’s death, a first posthumous novel, L’Etoile du matin (Morning Star) was published by André Schwarz-Bart and his wife and co-author, Simone Schwarz-Bart. Their respective roles in the writing process have never been transparent, and the lack of interviews, as well as limited correspondence, keep this situation unchanged today. A new volume of their unfinished cycle, entitled L’Ancêtre en solitude (The Ancestor in solitude), came out in 2015. The new narratives continue to explore how margins can be minimized in order to make us see similarities rather than differences. Critics have marginalized an ‘extravagant stranger’ who has been misunderstood for his biracial and bicultural transracial imagery, a ‘Fremdkörper’ in the canon of both Caribbean and French-Jewish literature. His manifold displacements allow us not only to ‘read with different eyes’, but also to read one historical trauma in and through another (Mary Jacobus).

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Anna Edmundson, Margo Neale, Michèle Rivet, Brett Mason, Katie Kyung, Rebecca Gibson, Alison K. Brown, Tatiana Argounova-Low, Maria Lucia de Niemeyer Matheus Loureiro, Charlotte Hyltén-Cavallius, and Fredrik Svanberg


Return of the Native: Contestation, Collaboration, and Co-authorship in Museum Spaces, Australian National University, 18–19 June 2015

Access Is a Human Right: The Federation of International Human Rights Museums Conference, Te Papa, Wellington, 23–25 September 2015


Narrative Objects: The Sakha Summer Festival and Cultural Revitalization

Object, Document, and Materiality: Outline of an Ongoing Research Project

Museums Beyond Homogeneity: Museums and Diversity in Sweden

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Anthropological Knowledge Making, the Reflexive Feedback Loop, and Conceptualizations of the Soul

Katherine Swancutt and Mireille Mazard

between native thinkers, professional anthropologists, and the numerous epistemologies that inform anthropological perspectives on the human condition. These dynamic modes of co-authorship have been, we suggest, important catalysts to the ‘invention of

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From Risk to Resistance

Girls and Technologies of Nonviolence

Laurel Hart

“Networked Technologies as Sites and Means of Nonviolence: Interdisciplinary Perspectives,” use transdisciplinary co-authorship as a form of research through writing. In developing this article, they drew on personal experiences, looked toward employing

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Rane Willerslev

-seated implications for how anthropologists can go about studying animism, since it implies novel forms of dialogue, partnership, and perhaps even co-authorship—that is, all the reflexive concerns of the ‘anthropology of anthropology’. This leads me to the next

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From rite of passage to a mentored educational activity

Fieldwork for master’s students of anthropology

Helle Bundgaard and Cecilie Rubow

imply co-authorship? There is a wide gap between participating in a fieldwork school and carrying out fieldwork alone, without regular contact with a teacher or co-students. We suggest this gap can be decreased by using an Internet-based course. In the

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Nicholas Robinette

was to insist on her contributions, Gifford erred in assigning full co-authorship to Duval. For a full account see David Kunzle, ‘Marie Duval: A Caricaturist Rediscovered’, Woman’s Art Journal 7 (1986), 26–31. 20 David Kunzle, ‘Marie Duval and Ally

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Ann Grodzins Gold

Ann Grodzins Gold, Bhrigupati Singh, Farhana Ibrahim, Edward Simpson, and Kirin Narayan

these writings were based. I offer a partial reckoning of my practice as rooted in relationships that were forged in fieldwork but overflowed it in various ways, transformed into family bonds, enduring friendships, collaborative co-authorship. These