: colonialism, the state, and their entanglements with mimetic processes. Main Themes Although we acknowledge and address the resistance aspects of mimesis and imitation on the part of the colonized, our main aim is to investigate, on the one hand, how the
Mimetic Governmentality, Colonialism, and the State
Patrice Ladwig and Ricardo Roque
travels from the most destitute parts of the country’s northeast to the plantations of rural São Paulo, which now dominates in agricultural productivity. Rooted in colonialism, Brazil’s contemporary social and economic structures have facilitated the stark
Indigeneity, Ontology, and Hybridity in Settler Colonialism
Paul Berne Burow, Samara Brock, and Michael R. Dove
What are the stakes of different ontologies of land in settler colonialism and Indigenous movements for decolonization and environmental justice? Settler colonialism describes a structure of exogenous domination in which Indigenous inhabitants of a
This article compares and contrasts liberal democracy and national democracy. It attempts this by focusing on each of these as specific state forms with an effectivity or 'tilt' of their own which includes a determinate preconstruction of the category of the People. It is argued, inter alia, that internal to national democracy is a conception of colonialism (and anti-colonialism) and that the national-racial reference is thus internal to the national democratic conception of equality. In conclusion it is proposed that the tilt of a state form is expressed via the distinction of grammatical mood between the imperative and the subjunctive and that the 1994 South African Constitution, when read in this way, is more liberal democratic than national democratic.
This article examines the role played by the nòva cançon occitana (new Occitan song) in disseminating post-1968 regionalist ideologies, particularly the contention that Occitanie constituted an “internal colony” of France. While both the nòva cançon and the internal colonialism thesis proved instrumental in advancing the Occitanist cause, they also raised intractable problems. The depiction of Occitanie as a colonized territory consolidated a fragile sense of regional identity, but in so doing demanded that individuals repress the French dimensions of their identity. In addition, nòva cançon performers did not simply convey regionalist ideals through music, but were compelled to embody these ideals in their behavior, ideological stance, and self-presentation. To illuminate such tensions, the article considerers the controversy triggered when one Occitan singer-songwriter, Joan Pau Verdier, signed with an international label, thereby opening himself up to charges of having betrayed the Occitanist cause.
Land, Settler Colonialism, and Security for Indigenous Peoples
Indigenous and settler claims to authority over land that is central to settler colonialism, this inhibiting condition is especially relevant with respect to security claims in relation to the natural environment. In addition to contributing to the inclusion
“colonial ecological violence” as a process of “disrupt[ing] Indigenous eco-social relations” (2018: 1). I seek to investigate philosophically one dimension of how settler colonialism commits environmental injustice through the violent disruption of human
This article reconstructs the evolution of the representation of Italian colonialism in history textbooks for upper secondary schools from the Fascist era to the present day. Textbook analysis is conducted here in parallel with the development of Italian historiography, with special attention being paid to the myth of the "good Italian", incapable of war crimes and violence against civilians, that has been cherished by Italian public opinion for a long time. Italian historians have thoroughly reconstructed the crimes perpetrated by the Italian army both in the colonies and in Yugoslavia and Greece during the Second World War, and this issue has slowly entered history textbooks.
Theory and Interpretation in the Justification of Colonialism
collapses and is replaced by another’ ( Collingwood 1998: 48 , fn.). The most controversial aspect of the contention is that the modifications may not be consciously formulated. The question of the truth of claims made in justification of colonialism is not
German Television and Colonialism
Over the last decade, an increasing number of documentaries and fictional films broadcast on German television has established an image of German colonialism that claims to be informed by postcolonial criticism but, as I argue in this article, often resembles the image created by colonialism itself. Das Weltreich der Deutschen (The Global German Empire, 2010), a documentation produced by Guido Knopp, serves as an example for the close connection between practices of representation and colonial fantasies, and demonstrates how the combination of entertainment and education obscures the fact that colonialism has been not only a practice of political domination and economical exploitation, but also a practice of representation.