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Chloe Krystyna Garcia and Ayesha Vemuri

Sexual violence continues to be normalized in modern society through heterosexist jokes and problematic portrayals of female sexuality. A number of young female activists use YouTube as a technology of nonviolence to share their thoughts about rape culture and how it can be transformed. We performed a thematic analysis of 10 videos produced by young women and girls to investigate what they identify as rape culture and how they use videos to communicate their messages. We argue that they offer meaningful insight into the institutions that contribute to the normalization of sexual violence, including schools and universities, the media, and legal and political systems. We believe that stakeholders interested in dismantling rape culture can use these videos to educate themselves and others about the concerns voiced by women and girls, who are, arguably, the population most affected by sexual violence.

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Allison Macleod

As I enter the Centre for Contemporary Arts (CCA) in Glasgow for the opening night of the Scottish Queer International Film Festival (SQIFF), two giant pink poodles (actually festival volunteers dressed as characters from the festival’s opening film, Dyke Hard [Bitte Andersson, 2014]), greet me enthusiastically. They gesture me toward the CCA Theatre where a sold-out crowd has assembled for the festival’s opening screening of the Swedish lesbian fiction film Dyke Hard. The plastic chairs we sit on are closely packed together to maximize audience space, and yet even as I bang elbows with those on either side of me and feel my knees pressed up against the seat in front of me, the excited and jovial mood of the surrounding crowd overcomes immediate feelings of physical discomfort.

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Ana Kolarić

Slobodanka Peković, Časopisi po meri dostojanstvenog ženskinja: Ženski časopisi na početku 20. veka (Journals suited for respectable women: Women’s journals from the early twentieth century), Novi Sad-Beograd: Matica srpska, Institut za književnost i umetnost, 2015, 378 pp., RSD 550 (paperback), ISBN 978-86-7946-154-4.

Stanislava Barać, Feministička kontrajavnost: Žanr ženskog portreta u srpskoj periodici 1920–1941 (The feminist counterpublic: A genre of woman’s portrait in the Serbian periodical press from 1920 to 1941), Beograd: Institut za književnost i umetnost, 2015, 436 pp., RSD 1100 (paperback), ISBN 978-86-7095-224-9.

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Khaled Furani

Proselytism: Reflexive Questions for a Hare Krishna Ethnography .” Australian Journal of Anthropology 24 ( 3 ): 250 – 269 . Hirschkind , Charles . 2006 . The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics . New York : Columbia