discontent with democratic governments’ performance in consolidated democracies lead the editors of these journals to conclude that democracy is indeed facing a crisis. As a matter of fact, surveys, essays, and talks on the “crisis of democracy” have boomed
Which Crisis? Which Democracy?
Selen A. Ercan and Jean-Paul Gagnon
The introductory article to this special issue highlights three fundamental yet often neglected questions related to the current diagnosis of a crisis of democracy: What is meant by the term “crisis”? Which democracy is in crisis? And what, if anything, is “new” about the current crisis of democracy? We answer these questions by considering the multi-vocal contribution of purposefully curated short articles in this special issue. We argue that when engaging with the “crisis of democracy” diagnosis, it is important to unpack not only the normative presumptions one has in relation to what democracy is and should be, but also the recent transformations in the way politics is understood and practiced in contemporary societies.
Recognizing the Democratic Potential of Alternative Forms of Political Participation
Brendan McCaffrie and Sadiya Akram
According to the mainstream literature on political participation, declining rates of voting and party and interest group membership reflect a crisis of democracy in Western democracies. In this article, we challenge this view by highlighting the rise of alternative forms of political participation that operate outside formal arenas. We suggest that the mainstream approach ignores such forms of political participation for two reasons: First, it operates with a narrow arena definition of politics; second, it is based on the assumption that non-participation in arena politics results from political apathy. We suggest that there is not a crisis of political participation, but there is a growing crisis in engagement resulting from an uncoupling between citizens and the state. Halting this form of democratic decline through a recoupling process will require changes on the part of governments and citizens.
Democracy seems to be inextricably linked to crisis. This is true since the ancient writings of Plato and Aristotle. More recently, the debate over the crisis of democracy goes on under the heading of “postdemocracy.” This article addresses the question of whether the crisis of democracy is an invention of theoretically complex but empirically ignorant theorists who adhere to an excessively normative ideal of democracy, on three levels: first, on the level of quality of democracy indices developed by experts; second, on the basis of the survey reports on the opinion of the demos; third, on a deeper analyses of crucial spheres of democracy. The results hint in different directions. According to expert indices and polls, the message is: there is no crisis of democracy. However, the partial analyses on participation, representation, and effective power to govern reveal unresolved democratic challenges, such as an increasing level of exclusion of the lower third of the demos from participation, an inferior representation of their interests, and a loss of democratic sovereignty in policy making.
Rethinking Aesthetic Politics
This essay reassesses the German-Jewish social and cultural critic, Walter Benjamin's famous, yet widely misunderstood thesis of the aestheticisation of politics with reference to the development of the mass media and the crisis of democracy. I argue that his thesis of the aestheticisation of politics represents the focal point of his account of both the crisis of liberal democracy as a deliberative and representative political system and the emergence of fascism as a form of direct political communication between a political power and the public. My examination of Benjamin's analysis of the interplay between fascist politics and the mass media leads to a wider critical consideration of the function of political spectacle in the media age. In so doing, I seek to draw out its theoretical relevance for our critical understanding of the linkage between new media and democracy, be it 'new' or 'old' democracy.
Jean-Paul Gagnon and George Vasilev
The literature on the crisis of democracy is booming. Take a glance, for instance, at the number of publications stating “crisis of democracy” in their titles. Close to 50 such publications have appeared in the last two years alone (2014
This article suggests that a “crisis of democracy” can be understood not simply as a deterioration of specific representative institutions but as a repositioning of democratic politics vis-à-vis other principles of social coordination, most notably the capitalist market, and the attendant decline of democratic subjectivity—people’s attunement to claims appealing to the common good. I trace this process to the post–World War II era. I show that the crisis of democracy was shaped by the substantive imperative of fusing democracy with free-market capitalism. Many postwar democratic theorists believed that the welfare state could manage the tension latent in this fusion. But an analysis of Friedrich Hayek’s theory of neoliberal democracy, which recognizes that tension more acutely, reveals that the incorporation of free-market capitalism creates tendencies that undermine democracy from within.
Wolfgang Merkel and Jean-Paul Gagnon
Sozialforschung (or WZB), is focused on dispelling the hysteria involved in the crisis of democracy. This aligns with a recent argument that Stephen Levitsky and Lucan Way (2015) made about how much of the empirical work measuring democracy across the last 25
The Case of Germany
: Germany . in: J. Linz / A. Stepan (Hrsg.): The Breakdown of Democratic Regimes: Europe . Baltimore : The Johns Hopkins University Press . S.34 – 79 . Merkel , Wolfgang . 2018 . “ Conclusion: Is the Crisis of Democracy an Invention? ” In
Liberalism and Its Others
profiles on the back of democracy's woes, a generation earlier The Crisis of Democracy report crystalized fears about democracies becoming unworkable, with one of the lead authors, Samuel Huntington, mistakenly suggesting in 1984 that, “with a few