to see creative ways in which Qatari women combined forms of capital, such as cultural capital or access to higher education, with ‘kinship capital’ or access to family ties in the space of the home majlis . This is seen in the situation above, where
How Qatari Women Combine Cultural and Kinship Capital in the Home Majlis
The Hogarth Project and the Modern Shakespeare Novel
Laurie E. Osborne
a collectively created, adaptational rhizome rather than a body of texts appropriated by single adaptors, we may be able better to chart the ever-nomadic paths of Shakespearean cultural capital. 1 Drawing on Pierre Bourdieu and Gilles Deleuze
An Exploratory Study of Degree Choice
Social anthropology in the U.K. is largely absent from the pre-university curriculum, contributing to the discipline's marginal status within higher education. My paper reports a small-scale empirical study of the transition to undergraduate anthropology as a socializing process that begins with the choice of discipline, continues as a learning experience and enables students to acquire elements of the discipline's 'culture'. The study identified 'chance' factors, serendipity and opportunism as important influences on choice of degree. These factors reflected the availability to applicants of cultural and economic capital. Students demonstrated varying degrees of socialization in identifying with anthropology's epistemological and social norms and values. My findings justify current attempts to increase the visibility of anthropology among pre-university students. They also support teaching initiatives that promote deep learning at undergraduate level. Both developments are necessary to sustain anthropology as a university discipline.
France Compared to Britain and Germany
Thanks to a comparison of social and educational characteristics of elites in France, Germany and UK at the end of the nineteenth century, this contribution shows the specificities of the French case: a mixture of persistent traditional elites, akin to British and German ones, and the growing domination of a more recent economic and meritocratic bourgeoisie pushing for liberalism and democracy. Nevertheless, evolutions in the same direction as France are also perceptible in the two monarchies and give birth to a new divergence when after WWI the democratization of elites go faster in UK and Germany than in France where the law bourgeoisie remain dominant and blocks the reforms asked by more popular or petit bourgeois groups present in the political parties on the left.
On the Creation of New Urban Museumscapes in Hong Kong and Seoul
Driven by global economic and cultural competition, Asian megacities seek future-oriented local and global self-representation using cutting-edge museums of contemporary art. This article analyzes the embedding of two vanguard museum projects, the “Museum+” in Hong Kong, China, and the new Museum of Modern and Contemporary Art in Seoul, South Korea, into long-term urban planning strategies and concepts. In order to understand the intended purpose and process of how the new museums of contemporary art are devised as public spaces of cultural selfrepresentation and urban identity building, the study monitors the complete design process from the city government’s urban and institutional planning strategies over architectural design to the museum’s mission statement and collection strategy. By comparatively tracing the museum projects in Hong Kong and Seoul, the evidence shows that, although they share a common global cities agenda, their pathways of urban place-making and community-building vary greatly. These variations depend on the historical role and current geopolitical repositioning of each city.
, therefore, be viewed as an act of political positioning, a response to what Pierre Bourdieu and Jean-Claude Passeron have defined as “symbolic violence” ( 1977: 4 ). This maneuver validated the cultural capital of Latin American geocultural space in
Radical Rewritings of Shakespeare's Tragedy in Japan
‘cultural capital’ of the work. The notion of looking through one's legs captures the ambivalence nicely: it acknowledges the object as something worth looking at, but involves a seemingly defiant and irreverent attitude, sticking your posterior towards the
Czech heritage management at the former Liechtenstein estate of Lednice-Valtice
Veronica E. Aplenc
The Lednice-Valtice area, Southern Moravia, represents over 220 square kilometers of vast architectural and landscape heritage. As the former Liechtenstein ducal seat nationalized in 1945 and a major tourist attraction throughout the twentieth century, this site embodies the complex issues of heritage and authenticity. Post-war Czech preservationists incorporated pre-socialist legislative systems and beliefs into their socialist-era professional praxis, in a striking use of Habsburg-era, modernist cultural capital. Central to this borrowing was preservationists' casting themselves as state-legislated experts in heritage management, using an almost exclusively aesthetics-focused presentation in messy ideological situations.
The Caucasus was a zone of encounters for centuries, generating images of regional cosmopolitanism in the past. This vision creates expectations for the present, when it is included in the wider discussion about the meanings of cosmopolitanism today, its relation to modern geopolitics, and issues of social and political co-existence and recognition. This essay focuses on two different photographs that belong to different Greek families in Georgia. These photographs represent two different historical experiences of migration and pinpoint different understandings of cosmopolitanism. However, they both seem to stem from specific discourses about diasporas and their cosmopolitan character. The role of language in the construction of these discourses is fundamental. The essay compares photographic representations of the 'Greek Diaspora' in order to trace the perceptions of cosmopolitanism they generate, the cultural capital they carry, and its outcome in relation to Greek diaspora politics.
The Intellectuals, the Masses and Gentlemen Prefer Blondes
Anita Loos's tribute to Aldous Huxley appeared in a memorial volume compiled by Julian Huxley in 1966. Among the contributors were Lord David Cecil, Stephen Spender, T.S. Eliot, Osbert Sitwell, Leonard Woolf and Isaiah Berlin. Loos was on eof Aldous Huxley's most famous friends: she was a successful and well connected screenwriter, and the astonishing sales of her novel Gentlemen Prefer Blondes (1925) made her a millionaire and a celebrity. The novel also significantly increased her cultural capital, since it was admired by eminent writers and thinkers including James Joyce, Edith Wharton, H.L. Mencken, William Faulkner, Sherwood Anderson, William Empson, George Santayana and Rose Macaulay. For many years, Loos was one of the best known women in the United States, and 1966 was the year she published her autobiographical volume A Girl Like I, which received enthusiastic reviews and led to retrospectives of her films. And yet, if Anita Loos today stands out from the list of Julian Huxley's contributors, it is because the other names are still so familiar, while hers has become obscure.