The Smithsonian Museum of Natural History hosted Foxfire, a 187.7 carat uncut diamond, as a temporary guest in its gem collection in November 2016. Foxfire is the biggest rough stone mined in North America. It came from the Diavik Diamond Mine, one
Making diamonds ethical in Canada’s Northwest Territories
Lindsay A. Bell
Materializing CSR in the diamond supply chain
This article examines efforts by De Beers, the world’s largest supplier of rough diamonds, to better regulate the conditions under which its stones are cut and polished across a global network of buyers, contractors, and subcontractors. Drawing on ethnographic fieldwork at an offshore processing unit in South India that was built to service De Beers’ buyers, this article explores how ethical accounting regimes are materialized on the floor of a global factory and how they are grounded in an industrial bureaucracy. In a global supply chain like this one, I argue, codes of practice and audit checklists demand to be understood as material technologies that afford companies and individuals new purchase on an ethic of detachment.
Faithless, which centers on themes of fidelity and infidelity, was scripted by Ingmar Bergman and directed by Liv Ullmann, his muse and former lover. The film crosscuts between the ongoing dialogues of an aging director, named Bergman, and his created character, based on a woman with whom he has had a previous relationship, and flashbacks from the story they piece together. Just as the female figure emerges from the shadows of the director's workroom to spark his creativity and counter his loneliness by describing the major characters in his new screen play, so does Ullmann, through her direction, bring the real Bergman “face-to-face“ with a dissociated, unformulated aspect of his own experience. The filmic characters, a mix of the autobiographical and the imagined, are used by Bergman to illuminate and articulate the transformations in internal objects and one's relation to them that occur in the processes of loss and reparation, as well as the reparative function of the creative process itself. Having characters emerge to take form as the narrative unfolds illuminates the power of the erotic imagination to represent, sustain, and restore the inner world. The intertextuality between Faithless and a number of previous Bergman films highlights the way that the film is a homage to Bergman and a reflection on the creative process itself.
Crowd Photography and the Liberation in Toulouse, 1944–1945
During the Liberation of Toulouse, crowd photography dominated the local press rather than the scenes of combat and barricades that marked coverage in Paris and elsewhere. This article shows how crowd photography contributed to a common construction of republicanism across the Toulouse press and exhibitions. It argues that the circulation of these images not only communicated the message that the “people” were once again sovereign, but also implied that these populations had been instrumental in their liberation, thereby contributing to the mythology of “la France résistante.” Editors mobilized crowd photography to convey to viewers the importance of adopting their republican roles at a time of community reconstruction. Reading the photography of the Liberation of Toulouse reveals that while photographic messaging in Liberation France varied in line with local circumstances, it nonetheless played a potent role in contributing to democratic resurgence.
Eric Jennings, Hanna Diamond, Constance Pâris de Bollardière, and Jessica Lynne Pearson
State University Press, 2016). Review by Hanna Diamond, Cardiff University This monograph centers on some of the ideological supporters of the Extreme Right who contributed to the French Resistance. In seeking to fill a gap in the existing literature
Laurel Hart, Pamela Lamb, and Joshua Cader
education knowledge sharing and alternative media” (Hart and Mitchell 2013: 140), networks for safety, and forms of technologies employed for nonviolence. I reconsider these categories using Neal Stephenson’s (1995) cyberpunk thriller, The Diamond Age: Or
Improving on crumbling democratic practices
A. Stepan (ed.). (2009). Democracies in danger. Baltimore: The Johns Hopkins University Press.
L. Diamond and M.F. Plattner (eds.). (2009). Democracy: A reader. Baltimore: The Johns Hopkins University Press.
A. Jeeves and G. Cuthbertson (eds.). (2008). Fragile freedom: South African democracy 1994–2004. Pretoria: University of South Africa Press.
Todd Gitlin and Liel Leibovitz, The Chosen Peoples: America, Israel, and the Ordeals of Divine Election Review by Kenneth Waltzer
Reuven Shapira, Transforming Kibbutz Research: Trust and Moral Leadership in the Rise and Decline of Democratic Cultures Review by Julia Chaitin
Baruch Gilead, ed., Documents of the Foreign Policy of Israel, vol. 11, January–October 1956
Nana Sagi ed., Documents of the Foreign Policy of Israel, vol. 12, The Sinai Campaign: The Political Struggle, October 1956–March 1957 Review by Motti Golani
David De Vries, Diamonds and War: State, Capital, and Labor in British-Ruled Palestine Review by Kenneth Stammerman
The emergence of an ‘Asian’ form of democracy in distinction to a liberal Western one has called into question longstanding assumptions that economic development leads to democracy, which was a mainstay of modernisation theory from the early 1960s to the present day (i.e. Lipset 1959; Diamond 1992).2 This article will examine some of the assumptions behind Asian democracy (sometimes called ‘illiberal democracy’), its relationship with economic development and the difficulties and tensions between these propositions in Southeast Asia in relation to modernisation and political change.
This contribution revisits the dictum "history is the teacher of life" (historia magistra vitae) and shows that modern knowledge-societies are beginning to use their growing information about natural and human history to address present-day problems. Starting with Leopold von Ranke's refusal to investigate history for the benefit of learning from it, the essay cites two contemporary attempts at extracting useful knowledge from history: "real-world experiments" and "natural experiments." Wolfgang Krohn developed the former with collaborators in Bielefeld and Jared Diamond features the latter.