themselves. Digital media makers can be less concerned with creating content that reaches privileged out-group members and create content that is for their own networks. This work is less about creating positive or respectable images that would appeal to
Black Trans and Queer Women’s Digital Media Production
Collaboration and Digital Media in (Re)making Boas’s 1897 Book
Aaron Glass, Judith Berman, and Rainer Hatoum
realize some part of Boas and Hunt’s long-deferred vision for their work while retaining their collaborative approach. The project explores the potentials—and pitfalls—of using digital media to mobilize past collections in the present and to imagine the
Framing 30 June 1941 in Wikipedia
-Soviet countries, where digital media platforms such as Wikipedia serve both as a major space for cultural and social self-expression and “a pivotal discursive territory” 12 for assessing the region’s turbulent present and past. In order to examine how Wikipedia
Grace Helbig’s Affective Aesthetics
, screen, and digital media are beginning to express a dissatisfaction with postfeminist “happiness scripts” ( Ahmed 2010: 59 ). 1 For instance, I argue elsewhere ( McDermott 2017 ) that the television series Girls (20122017) is characterized by
Reading the Self into Girlfriendship
explores the possibilities of digital media in helping to transcend those restrictions on femininity that aim to render girls docile and passive (see, for example, Keller 2015 ). Other discussions have focused explicitly on girls’ online negotiations of
Digital Media and Contested Visions of Education
Wesley Shumar and Susan Wright
information and knowledge transfer via products labelled ‘intellectual property’, digital media technologies open up new avenues for different kinds of communication and the easy sharing of ideas and resources in order to make an even more robust social space
Transnational Mobilities of Moroccan Middle-class Professionals in Istanbul
This article explores the ways Moroccan middle-class professionals residing in Istanbul have forged transnational connections since the 2006 free trade agreement between Turkey and Morocco. Based on ethnographic fieldwork, the article finds that research participants embrace three interdependent mobilities – imaginative, corporeal and virtual. First, Moroccan television viewers imaginatively internalise images of Turkish society through Turkish programmes broadcast in Morocco. Then, Moroccan nationals engage in physical travel to Turkey, initially as tourists, but later also as job seekers. Finally, Moroccan residents of Istanbul travel virtually to keep in touch with friends and family through media such as online platforms and instant messaging applications. In this article I argue that users of virtual environments have developed into new transnational brokers, facilitating the spatial extension of border-crossing networks.
Mobile-Digital-Networked-Technologies and Networked Orientations
Joseph F. Turcotte and M. Len Ball
In an increasingly mediated situation, mobile, digital, and networked technologies (MDNTs) prompt individuals to orient themselves in new ways to the spaces they traverse. How users and communities experience these technologies in relation to the environments around them subsequently affects mentalities, including perceptions of space and mobility. The mediating presence of digital technology interconnects internal and external factors through diverse social and technological networks. This paper uses interdisciplinary theoretical perspectives to argue that ubiquitous MDNTs alter the ways that individuals orient themselves in relation to the spaces, both on- and offline, that they traverse. By mediating various visual, audible, and informational aspects of daily life while remaining implicated within external networks of related experiences, individuals move through on- and offline spaces in ways that allow the subject to negotiate her local environment(s). Experiences of mobility and space become more fluid as spatial subjectivities and mobility become integrated.
The Digital Heritage Sustainability (DHS) Framework
Ana Luisa Sánchez Laws
Digital materials, the primary resources for the production of contemporary culture, have brought many challenges to the heritage sector in relation to their curation, conservation, and dissemination. Digital heritage sustainability involves practices that help ensure the maintenance, enrichment, and enjoyment of digital heritage resources over periods of time that span across generations. The digital heritage sustainability (DHS) framework presented in this article provides an analytic basis for understanding the challenges associated with the use of digital materials in museums and for assessing how digital heritage resources can be sustained over time. As an example of use, the framework is applied to the Museum of London's digital resources.
The Adolescent Female Body in YA Fantasy
In this article I explore how mythopoeic Young Adult (YA) fantasy offers examples of living and being an adolescent female body that challenge the dominant, hegemonic discourses dictating the adolescent girl's appearance in the West's imagesaturated culture. I begin by establishing the features of mythopoeic YA fantasy, before looking at Daine in Tamora Pierce's Immortals quartet and Cinder(ella) in Marissa Meyer's The Lunar Chronicles. Daine's shape-shifting body and Cinder's cybernetic one offer bodily change as an integral part of the (adolescent female) body, as opposed to the fixed perfection required by the fantasy femininity on offer in popular culture, including print, televisual, and social media. Employing a reading of touch in order to explore the multiplicity that is available on, and through, these bodies, I question the representational economy dominating the hegemonic discursive construction of the adolescent girl.