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Claiming Space

Documenting Second-generation Iranian Americans in Los Angeles

Amy Malek

In 2009–2010 I collaborated with four Iranian documentary photographers to document everyday lives of the second-generation Iranian-American community in Los Angeles (LA). This article offers an overview of that project and exhibition, along with a selection of images, and presents interview data that suggests several impacts of place and of representations of Iranians on second generation Iranian-American identity. Youth experiences of geopolitical, community and familial struggles have motivated many in this generation to re-mould the image of ‘LA Persians’ by claiming space in diaspora for themselves and their children, the growing third generation.

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Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

-Masculinist Perspectives ; Urban Photography in Argentina: Nine Artists of the Post-Dictatorship Era ; and the forthcoming The City as Photographic Text: Urban Documentary Photography of São Paulo . Additionally, he authored important books in film studies, such as

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Religious Plurality, Interreligious Pluralism, and Spatialities of Religious Difference

Jeremy F. Walton and Neena Mahadev

documentary photography from a wide range of places categorized according to themes such as ‘walls’, ‘caves’, and ‘islands’. Finally, the Yeni Camii (New Mosque), a site of religious syncretism in its own right during the final decades of Ottoman Salonika in

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Why “Dissident” Irish Republicans Haven't Gone Away

A Visual Study of the Persistence of “Terrorism”

Robert W. White

( 6 ): 1054 – 1074 . 10.1080/09612025.2020.1745414 Becker , Howard S. 1998 . “ Visual Sociology, Documentary Photography, and Photojournalism: It's (Almost) All a Matter of Context .” In Image-Based Research: A Sourcebook for Qualitative