The rescue of downed Anglo-American aircrews in France during the Second World War highlights the transnational nature of this kind of resistance. From their training to their evasion, flight crews themselves experienced the Second World War without traditional national borders. Moreover, their successful rescue in Occupied France depended on the ability of civilian helpers to think transnationally and to operate with little regard for the nation-state. This article focuses on evasion training, rescue, and postwar attempts to honor civilians for their assistance to highlight these themes of transnational resistance.
Escape, Evasion, and Resistance in France, 1940–1945
The importance of passenger transport companies to facilitating mass migration have generally been acknowledged. Their paradoxal role as obstructers of the same, being an integral part of our modern day border enforcement system, has received much less attention. This article analyses the use of transport companies by states to monitor and restrict migration. It focuses on the recent historiography of the role of shipping companies in regulating migratory movements during the long nineteenth century. It stresses the importance of acknowledging the influence that transport companies had on the enactment, enforcement, and evasion of human mobility controls in future research.
'National' culture, one that is linked to the daily perception of cultural artefacts and inevitably affected by the context of globalisation, can be considered through the optic of Belgian comics. And although Belgian national culture escapes easy characterisation, it can at least be explored from three different angles. Firstly, Flemish comics will be discussed in terms of the Flemish way of 'doing comics' or, more broadly, anti-Belgicism, in terms of both political subtext and language issues. Secondly, francophone Belgian comics can be approached as an example of cultural blindness, marked by 'evasion' or the playing-down of Belgian specificity in broad cultural as well as more precise linguistic terms. Drawing upon the works of Deleuze and Guattari, these examples can then be used as an outline for a framework of broader analysis regarding national cultures in peripheral situations.
Danielle M. LaSusa
This article explores the Sartrean concept of the spirit of seriousness so as to better understand contemporary sightseeing tourism. Sartre's spirit of seriousness involves two central characteristics: the first understands values as transcendent, fixed objects, and the second—less acknowledged—understands material, physical objects as instantiating these transcendent values. I interpret the behavior of at least some contemporary tourists who travel to “mustsee” destinations as a subscription to both aspects of the spirit of seriousness and to a belief that the objects and destinations of tourist sites contain these transcendent, immutable values, such as “Art,” “Culture,” “Liberty,” etc. These “must-see” objects and destinations can thereby be understood to make “obligatory demands” of tourists, compelling them to visit. I argue that this serious mode of traveling to “must-see” sites is a form of Sartrean bad faith, as well as an evasion of the potential existential anguish that travel can evoke.
Tax Evasion, the State, and Commoning in a Catalonian Cooperative
Vinzenz Bäumer Escobar
This article challenges the seemingly inseparable conceptual link between tax and the state by drawing on fieldwork carried out with an anti-capitalist cooperative in Barcelona, where tax evasion went hand in hand with the pooling of common monetary resources used for the creation of semi-public goods managed by non-state actors. Drawing on theoretical insights from the commons, I will put forward the concept of the ‘fiscal commons’ in order to decenter tax as an analytic for making sense of the relation between the state and civil society. In so doing, I will argue that taxes are part of a broader repertoire of financial contributions that people draw on to actively create different fiscal commons that operate alongside and in relation to the state’s tax regime.
On 22 October 2003, Michael Khodorkovsky, the richest man in Russia and the director of Yukos, one of the largest Russian companies, was arrested at gunpoint in Novosibirsk airport and transferred to Moscow. A few months earlier, one of his deputies, Platon Lebedev, had been arrested on 3 July 2003. In the months that followed the arrest of Lebedev, the general prosecutor raided the offices of Yukos and Menatep, a major shareholder of Yukos. On 17 October 2003, Vasily Shakhnovsky, a Yukos shareholder, was detained for tax evasion. Another major shareholder, Leonid Nevzlin, was accused of conspiracy to commit murder and fled to Israel. One of Yukos’s security guards was also accused as a culprit in this conspiracy and was imprisoned. The general prosecutor subjected the company to a series of raids and restrictions that led to the decline of the value of its shares and brought it to the verge of bankruptcy by the middle of August 2004. Officially, all of these actions occurred because of Yukos’s illegal economic dealings and tax frauds, but the real reasons were that Khodorkovsky had dared to criticize publicly the president of the Russian Federation, Vladimir Putin; that he had funded rival political parties; and that he had also toyed with the idea of entering politics himself and becoming a presidential candidate. Since the conflict between Yukos and the state is a good illustration of the contradictory relation between state and capital in Russia, let me give a brief description of Yukos’s history.
English abstract: European immigration policy making has often been characterized either as a largely spill-over driven process or as “venue shopping,” a way to escape from the confines of national capitals. This article suggests that success in policy creation hinges crucially on the presence of a policy entrepreneur; while the European Commission faced propitious conditions for acting in this fashion, it did not always manage to do so. Drawing on the creation of key directives on asylum and labor migration as empirical case studies, the argument is developed that only when the European Commission exhibits the core characteristics of successful policy entrepreneurs does it succeed in shaping migration directives.
Spanish abstract: La formulación de la política migratoria europea a menudo se ha caracterizado ya sea como un gran proceso conducido por el desborde (“spillover”), o como un lugar de escape (“venue shopping”) de los confines de capitales nacionales. Este artículo sugiere que el éxito en la creación de políticas se basa esencialmente en la presencia de un emprendedor político, y mientras que la Comisión Europea enfrenta condiciones propicias para actuar de esa manera, no siempre logra hacerlo. Sobre la base de la creación de directivas centrales sobre asilo y migración laboral como casos empíricos de estudio, el argumento se desarrolla cuando la Comisión Europea presenta las características esenciales de un emprendedor político y logra éxitos en la conformación de las directivas de migración.
French abstract: L'élaboration de la politique migratoire européenne a souvent été caractérisée comme un processus piloté par spillover ou encore comme « venue shopping » d'évasion aux confins des capitales nationales. Cet article suggère que le succès de l'élaboration d'une politique dépend crucialement de la présence d'un entrepreneur politique ; et que, bien que la Commission européenne ait eu des conditions favorables pour agir dans ce sens, elle ne l'a pas toujours fait. S'appuyant sur la création des directives clés en matière d'asile et de la circulation de la main-d'œuvre comme sur des études de cas empiriques, l'argument ici développé montre que ce n'est que lorsque la Commission européenne aura réuni avec succès les qualités de base relatives à l'entrepreneuriat politique qu'elle parviendra à modeler les directives européennes sur la migration.
, I will draw on my own media arts practice where, in collaboration with Anna Munster, I have explored a new approach to creating moving-with images. The still moving image in media art évasion ( Barker and Munster, 2014 ) is a multichannel moving
of won wars and lost peaces leading to another tragedy for our people. In order to prevent evasion of the real issues, I make it clear that I too am a friend of Israel. Every Rabbi in the Diaspora knows the attachment of Jewish life here to the Hebrew
matrix, yet no theory of reading or of poetry can achieve consistency if … it responds to its powers only by a figural evasion which, in this case, takes the subtly effective form of evading the figural . ( de Man 1986: 51 ; emphasis added) The