It is probably more often the case than not that scholars of religion command the power of fascination across continents, time zones, memories, collegial relations, friendships, and the imagined gulf between themselves and the religions they study
Fieldwork, Biography, and Authorship in Southwest China and Beyond
Sartre and Barthes on Memory and Fascination
continuous temporality. Temporal continuity is a necessary marker for distinguishing memory from imagination. It seems, however, that certain memories constitute a discontinuous form of temporality. Specifically, a structure of fascination can be manifest
Textbooks during French Colonization and the Modern Literature of Global Tourism
After World War I, exoticism asserted itself in myriad ways, from colonial exhibitions to Negro dances, from schoolbooks to literature. It revealed itself through various scientific and artistic forms and in a fascination for otherness and the
The Elsewhere beyond Religious Concerns
Annalisa Butticci and Amira Mittermaier
of Europe's so-called migrant crisis and border-crossing pandemic viruses, a moral and racist panic feeds off the supposed collapse of those ‘other places’ into ‘our society’. But other places can also be sites of fascination and longing. Think of the
accompagné son évolution. Tout comme l’écriture littéraire, elle reste un objet fascinant et séducteur. Son capital de séduction, c’est « la fascination érotique de Cassandre, qui se précipite dans le lit d’Agamemnon ». Mais c’est la noce de sang, et elle
Travel, Travel Writing, and Old Age
the real energy of his life, the fascination of his calling that has driven him with so much satisfaction for so many years, is never going to be resumed. (2001: 153) Here, it would seem, is another point of identification between author and city
Learning to Be a Man Again in Charles Reade's A Simpleton
Georgina O'Brien Hill
This article examines the role of the sensation novel in the construction of male identities in the Victorian period through an examination of Charles Reade's A Simpleton, a Story of the Day (1873). This novel exploits Victorian anxieties surrounding male identity and seeks to affirm unstable concepts of masculinity through dominant codes of imperialism. O'Brien Hill argues that Reade's novel is unusual in the sensation canon due to the combination of the adventure sub-plot and sensational narrative devices, serving to expose the fluidity of male identity and Victorian fascination with the spectacle of masculinity in crisis.
Carrie A. Rentschler and Claudia Mitchell
Girlhood Studies scholars respond to an overwhelming portrayal of girls as either bad or needing rescue in, for example, mainstream films on mean girls, popular psychology texts on primarily light-skinned middle class girls’ plummeting self-esteem, and media panics about teen girl sexting. According to Sharon Mazzarella and Norma Pecora, “In response to public anxiety and cultural fascination,” in “academic studies of girls…the emphasis has shifted slightly so that the discourse is no longer linked primarily to crisis” (2007: 105). Still, in popular and policy discourse today, girls are often unfairly and inaccurately cast as either super agents or failing subjects.
Today there is a fascination with a new category of elites: the globalized management businessman. The notion of “elite” refers here to a group of people believed to be more competent in a particular field than others; Jack Welsh (GEC), Bill Gates (Microsoft) are among the best-known examples. The members of this social group have their own perception of reality and they also have a distinct class identity, recognizing themselves as separate and superior to the rest of society. Newcomers are socialized and co-opted by the group on the basis of internal criteria established by the existing group members. Therefore group members are more or less interchangeable and may move from one institution—in this case a corporation—to another within the group. Whether defined as heterogeneous or homogeneous, this group utilizes cultural mythologies that serve to legitimize their status and power: these are the focus of this article.
This study of Sartre's first novel seeks to move beyond the metaphysical constraints that are implicit when specifically focusing on either the work's literary or philosophical qualities, instead approaching the text as metafiction. Through an understanding of the novel's self-referentiality, its awareness of its accordance to narrative technique or reliance on existential verbatim, one gains an understanding of Sartre's fascination with the dialogue that exists between literature and philosophy. The examination of La Nausée and its Anglo-American criticism leads to a re-evaluation of the role of bad faith, in which character, author and, particularly, reader, are implicit. For reading is, like Roquentin's concluding understanding of existence, a balancing-act between the in-itself and the for-itself; an interaction with bad faith in which it is the individual/the reader that is responsible for attributing meaning to experience/La Nausée.