Functioning as a socio-political resource and method of discipline and control over women's bodies and sexualities, mandatory Islamic dress in Iran has been a central feature of the Islamic Regime's policy towards women. Intended to stand as a symbolic discourse of women's social and sexual submissiveness and docility, those who resist dress codes are subjected to severe punishment as well as stigmatisation. Despite repercussions, increasing numbers of urban Iranian women are refashioning their public bodies in new styles and appearances to not only resist dress codes but to more importantly challenge the regime's patriarchal discourses regarding women. This article seeks to examine the politicisation of Iranian women's bodies and sexualities through the emergence of this innovating women's resistance movement termed 'alternative dress'.
Women, Dress and Sexuality in Iran
An Inquiry into the Adultification of Tween Girls’ Dressing in Singapore
that there are complexities to tween girls’ fashioning of themselves after adults which does not necessarily mean that they are being sexualized, and conversely, that tween girls do not need to fashion themselves sexily in order to fashion themselves
Embodied Diplomacy and the Assemblages of Dress in Tajikistan
emphasize their attempts to use their bodies in a manner that helps them to become devout Muslims who are also representatives of the Tajik nation, the government, by contrast, seeks to fashion them simply as the incarnation of a national, modern and secular
Narratives of Romanian Construction Workers in London
The present article aims to show that, for migrant men working in London in low- and mid-skilled jobs, migration is a path for fashioning the self as gendered actors striving to improve their livelihoods. The present article describes their
Samuel Baron's Description of Tonqueen (1686)
Samuel Baron's A Description of the Kingdom of Tonqueen (1686) contains many tropes of the European travel narrative. However, its author was no stranger to the country, but was born to a Vietnamese mother and Dutch father in mid-seventeenth-century Hanoi. Here I discuss how Baron fashioned his identity during his life to attract multiple patrons in the unstable maritime world of Southeast and East Asia. I re-read his Description as an example of “auto-ethnography,” showing how the author shaped his work to achieve certain ends. A comparison with a contemporary Chinese description of northern Vietnam reveals many similarities in tone and approach and helps situate Baron's text within the commercial and diplomatic exchanges of the region.
Revisiting the German Model
Christien van den Anker and Jeroen Doomernik, eds., Trafficking and Women’s Rights, New York: Palgrave Macmillan, 2006, 256 pp., $74.95 (hb), ISBN 10-1-4039-4995-6; ISBN 13-978-1-4039-4995-0.
Audrey Guichon, Christien van den Anker and Irina Novikova, eds., Women’s Social Rights and Entitlements, New York: Palgrave Macmillan, 2006, 255 pp., $74.95 (hb), ISBN 10-1-4039- 4992-1; ISBN 13-978-1-4039-4992-9.
Sirkku K. Hellsten, Anne Maria Holli and Krassimira Daskalova, eds., Women’s Citizenship and Political Rights, New York: Palgrave Macmillan, 2006, 240 pp., $79.95 (hb), ISBN 10-1-4039-4994-8; ISBN 13-978-14-039-4994-3.
Jasmina Lukić, Joanna Regulska and Darja Zavirsek, eds., Women and Citizenship in Central and Eastern Europe, Burlington, VT: Ashgate Publishing, 2006, 319 pp., $114.95 (hb), ISBN 10-0-7546-4662-9; ISBN 13-978-0-7546-4662-4.
Heather Widdows, Itziar Alkorta Idiakez and Aitziber Emaldi Cirión, eds., Women’s Reproductive Rights, New York: Palgrave Macmillan, 2006, 264 pp., $79.95 (hb), ISBN 10-1-4039-4993-X; ISBN 13-978-1-4039-4993-6.
The Case of Female Curators in Postwar New Zealand
This article examines three remarkable New Zealand women, Nancy Adams, Rose Reynolds, and Edna Stephenson, who, as honorary or part-time staff, each began the systematic collecting and display of colonial history at museums in Wellington, Christchurch, and Auckland in the 1950s. Noting how little research has been published on women workers in museums, let alone women history curators, it offers an important correction to the usual story of the heroic, scientific endeavors of male museum directors and managers. Focusing largely on female interests in everyday domestic life, textiles, and clothing, their activities conformed to contemporary gendered norms and mirrored women’s contemporary household role with its emphasis on housekeeping, domestic interiors, and shopping and clothing. This article lays bare the often ad hoc process of “making history” in these museums, and adds complexity and a greater fluidity to the interpretations we have to date of women workers in postwar museums.
Repatriating Folly in France in the Aftermath of the Napoleonic Wars
At the beginning of the Second Restoration, Paris was swept by a mania for roller coasters, which were dubbed montagnes russes after a Russian tradition of sledding on ice hills. Situating this phenomenon in the context of the military occupation of France following the defeat of Napoleon, this article analyzes one of the many plays featuring these “mountains,” Le Combat des montagnes (“The Battle of the Mountains”), and especially two of its main characters, La Folie (Folly) and Calicot (Calico Salesman). The “battle” over the roller coasters, it argues, was really a contest over how to redefine national identity around consumer culture rather than military glory. Through the lens of the montagnes russes, the article offers a new perspective on the early Restoration as an aftermath of war.
Reading Wittgenstein Against Lyotard
There can be no doubt that Jean-Francois Lyotard’s The Postmodern Condition has more than lived up to its title insofar as it has been taken up as the signal explication, if not example, of the condition that the ‘globalised’ world finds itself in today.1 This paper attempts to demonstrate the incoherence of at least one of its arguments, namely that the postmodern marks the relegation of the social bond not only to the past but also to what is passé.