This article reports on the impact of a school based father and son, “rites of passage” program on its participants in two Australian Catholic boys’ schools. The author conducted a mixed methodology study investigating quantitative differences between 15- to 17-year-old adolescent participants and non-participants in how they rated their “father relationships” and the impact that specific program elements (the “rite of passage,” planned conversations, and public acknowledgements) had on both program participants. The research found evidence to support the program’s positive impact on father-son relationships. As a result of planned conversations with their fathers in the program, participants reported feeling “older” and more mature.
Investigating the Impact of a Father and Son
William John Jennings
On Roles, Goals, and Imagos in Boyhood—An Evolving Psychoanalytic Vision
Clifton Edward Watkins
The psychoanalytic vision of the father-son relationship, for far too long, remained yoked to patrifocal, patriarchal, phallocentric, and heteronormative biases. Fathers were seen as the paragons of masculinity, providing their sons with rescue and salvation from the sinister specter of enmeshment with and engulfment by mother. Only in the last approximate 25 to 30 years have we seen a significant shift in that vision of fathers begin to occur in psychoanalysis. In this paper, I consider some of the essentials that appear to now define that ever-evolving psychoanalytic vision of fathers. Some ways in which fathers seemingly contribute to boys’ development will be examined, and the roles, goals, and imagos that characterize the father-son relationship during boyhood will be accentuated. This current vision, still very much a work in progress, reflects earnest efforts to contemporize an antiquated and gender biased psychoanalytic perspective and render it relevant for the twenty-first century father, fathering, and father-son relationship. Upending psychoanalytic overemphases on pathology, misery, and negativity, it is an optimistic iconoclasm that challenges and questions tradition, proposes an alternative path to explanatory possibilities and conceptualizations, and above all else, embraces and celebrates “more life,” joy, happiness, health, and positivity in fathering.
The Second World War According to Achtung Zelig! (2004)
down but failed to recognise. The anthropomorphic bodies of the father and son (the retrospective narrator of the story) are overshadowed by their monstrous faces. While Zelig Jr resembles a frog, Zelig Sr has the oversized, elongated head of an alien
The present article discusses the importance of age in the construction of masculinities during the Hellenistic period. Focusing on the comedies of Menander, it aims to show how not only chronological or physical age, but also mental age, that is, maturity, modifies different concepts of masculinity, especially “ideal masculinity.” Other important factors in the construction of gender such as social and economic standing, class and education are also discussed. The relationship between fathers and sons is of particular interest and importance as it exemplifies how the masculinities represented in Menander were dynamic, not only developing but also changing between groups of different age and social importance.
Gijs Mom, Georgine Clarsen, and Cotten Seiler
At Eindhoven University of Technology, which has a modest reputation for collecting contemporary art, an exhibition of large machines and poetic video clips by father and son Van Bakel invites passersby to reflect on mobility. Gerrit van Bakel, who died more than a quarter century ago, became known for his Tarim Machine, a vehicle that moves at such a low speed that it almost does not matter whether it moves or not. The propulsion principle—for those who love technology—rests on the dilatation energy of oil in tubes propelling (if propelling is the right word …) the contraption a couple of centimeters over a hundred years or so, as long as there is change in temperature to trigger the dilatation. Emphasizing his father’s insights, Michiel van Bakel, exhibits a video clip of a horse and rider galloping over a square in Rotterdam, where the position and camera work are operated so that the horse seems to turn around its axis while the environment rotates at a different tempo. Mobility, these Dutch artists convey, is often not what it seems to be.
Comics and Transnational Exchanges
Lawrence Grove, Anne Magnussen, and Ann Miller
Jewish father and son who have grotesque faces, resembling an alien and a frog, respectively, echoes of a carnivalesque tradition of performance that can be tracked through manifestations such as the commedia dell'arte Pierrot and the Joker, traces of
From National Catastrophes to Ecological Disasters
Netta Bar Yosef-Paz
McCarthy’s (2006) The Road . The novel—which follows a father and son, both nameless, as they wander through a post-apocalyptic American wasteland—was a best-seller in the US and in Israel, and the film version was screened in Israeli theaters. When the
and pupils mentioned in the chapter, a name of particular interest is that of the Gleys, father and son. The father, Pierre-Gérard or Gérard Gley, taught class 3, notably Durkheim. He spent almost forty years on the school’s staff, but was also a town
Gregory Doran’s Henriad
Hollow Crown (1H4 3.2.1–2). In Doran’s 1 Henry IV , these lines were cut and the scene took place entirely in private, with father and son sitting side by side on a bench centre-stage. The blocking created an unexpected filial intimacy between Henry and
Can Levinas’ Beloved Be Queer?
fathers and sons – ‘The love of the father for the son accomplishes the sole relation possible with the very unicity of another’ – even though he generalizes that, ‘in this sense, every love must approach paternal love’. 56 The father rejoices in the