This article is a history of liquidity presented as interaction between metaphors and theoretical concepts in social contexts. While taking note of Zygmunt Bauman’s metaphor “liquid modernity,” the study instead surveys the wider conceptual field. The text turns around mercantile liquidity (liquidity as clarification) and liquidity in modern economics (characteristic of all assets), as well as older metaphors, notably the famous phrase of the Communist Manifesto, “all that is solid melts into air” (Alles Ständische und Stehende verdampft), which is revealed to have resonance in texts by poets, notably Heinrich Heine. The main result is the historical consistency of the field, where liquidity is a promise of knowledge and clarity.
Keynes and Marx, Merchants, and Poets
Citizenship and Belonging among Former Burundian Refugees in Tanzania
Patricia Daley, Ng’wanza Kamata and Leiyo Singo
. This study shows that, in some contexts, ontological insecurity can be an important factor in re-imagining ethnic subjectivities and their self-actualization. Furthermore, it demonstrates the fluidity of identities among one group of people in everyday
the gendered body and that of contemporary feminist theorists. From Laura Mulvey's concept of the fetishistic male gaze to Luce Irigaray's symbolic ideas about female fluidity, to Adrienne Rich's discussion of feminine silence, changing perceptions of
Donatella della Porta
dialogue with the debates on memory distortion, memory contestation, and memory fluidity. Memory Distortion The official story that has been encoded, celebrated publicly in any number of mass media spectacles of commemoration, and handed down to us today
Gijs Mom, Georgine Clarsen, Liz Millward, Dorit Müller, Mimi Sheller and Heike Weber
The fluidity of modernity has surely reached the outskirts of the earth when even the new Pope Franciscus admonishes his cardinals that “our life is a journey and when we stop there is something wrong. […] If one does not walk, one gets stuck.” The current economic crisis has enhanced the fear of congestion and the interruption of flows: the circulation of capital in the first instance, but also of people and stuff, and of ideas and knowledge. It is time to rethink mobility.
Learning to Be a Man Again in Charles Reade's A Simpleton
Georgina O'Brien Hill
This article examines the role of the sensation novel in the construction of male identities in the Victorian period through an examination of Charles Reade's A Simpleton, a Story of the Day (1873). This novel exploits Victorian anxieties surrounding male identity and seeks to affirm unstable concepts of masculinity through dominant codes of imperialism. O'Brien Hill argues that Reade's novel is unusual in the sensation canon due to the combination of the adventure sub-plot and sensational narrative devices, serving to expose the fluidity of male identity and Victorian fascination with the spectacle of masculinity in crisis.
The Art of the Political Relationship in Lebanon
This article aims to analyse the patron–client relationship through a detailed ethnography of the everyday life of Walid Junblat's followers in Lebanon. It reveals how intimate people are with political figures, talking to them (in the form of their pictures), talking about them, thinking through them, playing off this intimacy to enter the political competition. Patrons also play their part in this relationship. The weekly political gatherings held at Junblat's Palace are the apex of this aesthetic of power. Detailed observations indicate how the lord orchestrates and varies the tempo of his interactions with the ritual audience, adding complexity and fluidity to the relation.
The Case of Female Curators in Postwar New Zealand
This article examines three remarkable New Zealand women, Nancy Adams, Rose Reynolds, and Edna Stephenson, who, as honorary or part-time staff, each began the systematic collecting and display of colonial history at museums in Wellington, Christchurch, and Auckland in the 1950s. Noting how little research has been published on women workers in museums, let alone women history curators, it offers an important correction to the usual story of the heroic, scientific endeavors of male museum directors and managers. Focusing largely on female interests in everyday domestic life, textiles, and clothing, their activities conformed to contemporary gendered norms and mirrored women’s contemporary household role with its emphasis on housekeeping, domestic interiors, and shopping and clothing. This article lays bare the often ad hoc process of “making history” in these museums, and adds complexity and a greater fluidity to the interpretations we have to date of women workers in postwar museums.
The Visitors' Book and Hotel Culture in Victorian Britain and Ireland
The visitors' book occupied a central place in the hotel and inn culture of Victorian Britain and Ireland, reflecting intertwined legal regimes and leisure practices that created distinctive space for inscription in, and reading of, the volume—acts that were portrayed as unique to the travel cultures of the United Kingdom. Contemporary commentators, while playfully critiquing vulgar “inn verse,“ nonetheless lamented its displacement by prescriptive regimes of guest registration, which marked intensifying corporate and continental influences over what they regarded as singular practices associated with British and Irish traveling culture. Indeed the social and cultural history of the visitors' book offers a window onto travel performances, the liminality of hotel and inn space, distinctive features of the Law of Innkeepers in the Anglo-American legal tradition, and contests over status and taste as guests placed their imprimatur on places of high physical circulation and social fluidity.
Teyyam in Malabar
This article focuses on Muttappan and the practice of teyyam in Kerala, South India. The growing power and increasing presence of this ritual practice and its transition from traditional sacred spaces into modern public spheres, including cyberspace, are analyzed in order to understand its inner dynamics and potentialities. Engaged with the quotidian aspects of human existence, the male divinity Muttappan-teyyam is a being of the moment who overcomes any bounding or hierarchizing force in his path. I argue that Muttappan's modernity has a decentering and destabilizing fluidity that appeals to all social classes. The ritual practice has put the arts and the state at odds, with the latter co-opting it to serve the state's purposes through tourism and spectacles that encourage national solidarity.