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Timo Pankakoski and Antto Vihma

Fragmentation has become a key concept in the analysis of international law and global governance in recent years. For many, fragmentation has both positive and negative aspects, but scholars are divided over which aspect is predominant. The

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Fabrizio Di Mascio and Alessandro Natalini

The modernization of the public administration has been one of the main objectives pursued by the Renzi government. What distinguishes the reform cycle launched in 2015 is the emphasis on centralization, unification, and the reduction of institutional fragmentation in the public sector after a long period in which autonomy and the organizational pluralism of administrations and government levels were enhanced. This reform strategy is consistent with the underlying trends of transformation in the political and institutional systems, in which the power of the prime minister has gradually increased. The actual impact of these reform measures, however, depends on concrete organizational instruments of subsequent implementing legislation in a context characterized by persistent spending cuts, which are necessary to maintain financial stability.

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Christianity and the City

Simmel, Space, and Urban Subjectivities

Anna Strhan

This article examines the growing scholarly interest in urban religion, situating the topic in relation to the contemporary analytical significance of cities as sites where processes of social change, such as globalization, transnationalism, and the influence of new media technologies, materialize in interrelated ways. I argue that Georg Simmel's writing on cities offers resources to draw out further the significance of “the urban” in this emerging field. I bring together Simmel's urban analysis with his approach to religion, focusing on Christianities and individuals' relations with sacred figures, and suggest this perspective opens up how forms of religious practice respond to experiences of cultural fragmentation in complex urban environments. Drawing on his analysis of individuals' engagement with the coherence of God, I explore conservative evangelicals' systems of religious intersubjectivity to show how attention to the social effects of relations with sacred figures can deepen understanding of the formation of urban religious subjectivities.

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Francesco Raniolo

This chapter deals with the political crisis of the Italian center-right that started with the fall of the Berlusconi IV government and the 2013 general elections. In 2015, the struggle for leadership of the center-right took place between Matteo Salvini and Silvio Berlusconi, resulting in the reversal of the balance of power between Forza Italia and the Lega Nord. Based on election results and some electoral surveys, Lega Nord seems to have become the third party at the national level and, through a process of radicalization, also the party of the new Italian right. From an organizational point of view, Salvini’s leadership can be defined as a personalized and postmodern media leadership. The systemic risks of this scenario are the absence of a center-right party that can compete with the Partito Democratico led by Matteo Renzi, the growing fragmentation of the center-right, and the conflict between moderate and radical tendencies. All these factors challenge the return to an alternating democracy.

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Sex and Death in Quebec

Female AutobioBD and Julie Doucet's Changements d'adresses

Catriona MacLeod

In comparison to the U.S. market, the trend for autobiographical sequential art arrived late within the history of the francophone bande dessinée. Its rising popularity throughout the 1990s and into the new millennium coincided, and to an extent connected, with another belated development in the French-language industry however: that of the growing presence of the female artist. This article considers the strong presence of life narratives in bandes dessinées created by women, before presenting a case-study examining the manipulation of the medium to an autobiographical end in Québécoise artist Julie Doucet's 1998 Changements d'adresses ['Changes of Addresses']. It considers how, in this coming-of-age narrative set first in Montreal and then New York, Doucet utilises the formal specificity of the bande dessinée to emphasise both the fragmentation and then reintegration of her hybrid enunciating instances. It further examines Doucet's usage of the life-narrative bande dessinée to oppose her representation from that of the disruptive male figures in her life, whose sexual presence in her personal evolution is often connected to images of dysfunction and death, finally suggesting via this examination of Julie Doucet and Changements d'adresses the particular suitability of female-created life narratives to feminist reappropriations of the francophone bande dessinée.

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Coalition Politics in Crisis?

The German Party System Before and After the 2017 Federal Election

Frank Decker and Philipp Adorf

Abstract

The 2017 federal election illustrated the transformation of Germany’s political party system with six parties managing to enter the Bundestag. With the Christian and Social Democrats finally coming to an agreement almost half a year after the election, a grand coalition is set to govern for two consecutive terms for the very first time. The Alternative for Germany’s success also signaled the definite parliamentary establishment of right-wing populism in Germany. Multiparty coalitions that bridge ideological gulfs as the political fringe has grown in size are a new reality that must be accommodated. The 2017 election and subsequent arduous negotiations point towards a period of uncertainty and further upheaval for Germany’s party system.

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Adrienne Harris

This article examines Jonathan Caouette's Tarnation as a creative enterprise that opens up new ideas about documentary film and insights into working with new media. It considers how the making of this film worked as a prosthetic aspect to the filmmaker's identity and stability. In examining the interplay of sound, image, and written text, I note how Tarnation develops an artistic meditation on a number of important topics: the representation of trauma, the abstract and formal means of expressing the fragility of survival, the damage to memory and to identity that family dys-function causes, the technical demands of creating narratives of broken and contested lives. The material in the film and its mode of composition from the perspective of psychoanalytic studies of mourning, gay performance and identity, gender dysphoria and its relation to loss, and artistic projects as acts of healing are also considered.

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“Going vertical” in times of insecurity

Constructing proximity and distance through a Kenyan gated high-rise

Zoë Goodman

such as Jaffery strive to construct. Elite stacked housing solutions should not simply be analyzed as evidence of urban failure and fragmentation; rather, these infrastructures may attempt to perpetuate various forms of social division while reducing

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Renaud Chavanne

In this article, I set out to establish the principles underlying the composition of images on the comics page, not by predetermining in advance what such principles might be, but by empirical investigation of the works of artists. I arrive at three major categories of page composition: to the terms 'regular' and 'rhetorical', used respectively by Thierry Groensteen and Benoît Peeters, I add the category of 'semiregular', the transformation of a regular composition as the effect of merging or splitting of panels. However, in both rhetorical and semiregular compositions, panels within the same strip may be vertically aligned according to a further principle that I designate as 'fragmentation'. I propose a notation system to account for patterns produced by fragmentation, including second- (and nth-) degree fragmentation, whereby a vertically aligned panel is split into two (or more) horizontally aligned ones, one or more of which may then be vertically split and so on. The article ends with a consideration and critique of the work of Groensteen, Peeters and Neil Cohn on page composition.

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Mark E. Spicka

Perhaps the most remarkable development in the Federal Republic

of Germany since World War II has been the creation of its stable

democracy. Already by the second half of the 1950s, political commentators

proclaimed that “Bonn is not Weimar.” Whereas the

Weimar Republic faced the proliferation of splinter parties, the rise

of extremist parties, and the fragmentation of support for liberal and

conservative parties—conditions that led to its ultimate collapse—the

Federal Republic witnessed the blossoming of moderate, broadbased

parties.1 By the end of the 1950s the Christian Democratic

Union/Christian Social Union (CDU), Social Democratic Party

(SPD) and Free Democratic Party (FDP) had formed the basis of a

stable party system that would continue through the 1980s.