This article analyzes a series of stories and artworks that were produced in a collective biography workshop. It explores Judith Butler's concept of the heterosexual matrix combined with a Deleuzian theoretical framework. The article begins with an overview of Butler's concept of the heterosexual matrix and her theorizations on how it might be disrupted. It then suggests how a Deleuzian framework offers other tools for analyzing these ruptures at the micro level of girls' everyday interactions.
Bronwyn Davies, Marnina Gonick, Kristina Gottschall and Jo Lampert
Eva Gore-Booth, A Biographical Case Study
In 1925 Virginia Woolf described, with a hint of humor, how biography “is only at the beginning of its career; it has a long and active life before it, we may be sure—a life full of difficulty, danger, and hard work.“ 1 Recent debates suggest that one difficulty in writing a biography is deciding just what issues should be included. Sexuality may not always be of primary importance for a biographical study, but what if a subject's homosexuality is willfully ignored or vehemently denied by a biographer? Using the life of Irish poet and political activist Eva Gore-Booth as a case study, this article examines how misnaming Gore-Booth's relationship with her partner, Esther Roper, has helped to erase both women from the histories of Ireland and England.
Non-Metropolitan Representations of Homosexuality in Three French Films
This article offers a reflection on the ways in which the representation of gays and lesbians in contemporary French cinema has mostly focused on specific and limiting traits. With their choice of locales (Paris and other cities) and bodily characteristics (young, fit), these films convey a restrictive view of homosexuality. Such portrayals have gained traction due to their numerous iterations in films and in the media. By focusing on the works of three directors who have adopted a radically different perspective in their portrayals of homosexuality, this article will highlight the close ties that exist between sexuality and topography. Providing a more true-to-life account of homosexuality, the films move away from cities to investigate the geographical margins. In so doing, they question the tenets of France’s republican ideals, where differences tend to be smoothed out in favor of unity and homogeneity. These films reinstate diversity and individuality at the heart of their narratives.
A Study of Inclusive Masculinities among High School Cross-Country Runners
Luis Morales and Edward Caffyn-Parsons
Theory (IMT). Developed by Eric Anderson (2009) , IMT describes the way in which decreasing attitudinal homophobia has contributed to the softening of heterosexual men’s gendered expression. This research contributes to the scholarship on masculinities
Women Beauty Vloggers’ Self-Representations, Transformations, and #thepowerofmakeup
heterosexual men. However, women beauty vloggers provide a more expansive notion of embodiment and beauty than television makeover programs. Women beauty vloggers convey their pleasure in recurrent and changing makeovers and celebrate cosmetic skills. They use
Consent and Gendered Power Dynamics in Sex
Katrín Ólafsdottir and Jón Ingvar Kjaran
Sexual consent determines if sex is consensual, but the concept is under-researched globally. In this article, we focus on heterosexual young men and how they negotiate sex and consent. We draw on peer group interviews to understand how young men are constituted by the dominant discourses at play in shaping their realities. We have identified two different discourses that inform consent, the discourse of consent (based on legal, educational, and grassroots discourses), and the discourse of heterosexuality (based on the heterosexual script, porn, and gender roles) resulting in conflicting messages for boys. They are supposed to take responsibility for sex to be consensual as well as being gentle partners, but at the same time, the heterosexual discourse itself produces power imbalances in sex and dating.
Teen Girls Negotiating Discourses of Competitive, Heterosexualized Aggression
In this paper I explore the themes of heterosexualized competition and aggression in Avril Lavigne's music video Girlfriend (2007) as representative of the violent heterosexualized politics within which girls are incited to compete in contemporary schooling and popular culture. I argue that psycho-educational discourses attempting to explain girls' aggression and bullying fail to account for the heterosexualized, classed or racialized power dynamics of social competition that organize heteronormative femininity. Then I elaborate a psychosocial approach using psychoanalytic concepts to trace how teen girls negotiate contemporary discourses of sexual aggression and competition. Drawing on findings from a study with racially and economically marginalized girls aged thirteen to fourteen attending an innercity school in South Wales, I suggest that the girls enact regulatory, classed discourses like slut to manage performances of heterosexualized aggression. However, alongside their demonstration of the impetus toward sexual regulation of one another, I show how the girls in my study are also attempting to challenge heteronormative formations of performing sexy-aggressive. Moments of critical resistance in their narratives, when they refuse to pathologize aggressive girls as mean and/or bullies, and in their fantasies, when they reject heterosexual relationships like marriage are explored.
Queering the One Direction Fangirl
Hannah McCann and Clare Southerton
Like other fangirls, fans of former boyband One Direction (“Directioners”) have often been represented in media discourse as obsessive and hysterical, with fan behaviour interpreted as longing for heterosexual intimacy with band members. Subverting this heteronormative framing, a group of Directioners known as “Larries” have built a sub-fandom around imagining a relationship (“ship”) between two of the band members, Harry Styles and Louis Tomlinson. Representation of the Larry fandom has gone beyond pathologizing fangirls to framing their shipping practice in terms of “fake news.” The conspiracy theory panic around Larries misses the complex ways that subtext and queer reading are mobilized within the fandom to invoke feelings of queer intimacy and belonging. Drawing on a digital ethnography conducted on Twitter with Larries, we argue that these fans engage in queer reading strategies to explicitly imagine and interrupt dominant heterosexual narratives, and thus queer the figure of the fangirl.
Statutory Rape or Postfeminism in Pretty Little Liars?
In this article I explore the highly problematic but wildly acclaimed romantic relationship between Aria Montgomery, a high school junior, and her English teacher Ezra Fitz in the television series Pretty Little Liars. This partnership normalizes gendered power imbalances often common to heterosexual partnerships, yet fervent fans have supported the duo enthusiastically, dubbing the couple #Ezria in blogs and social media. As we know, much research shows that along with unintended pregnancy, young girls who are victims of child sexual abuse by adult males suffer from depression. These outcomes are not shown in Pretty Little Liars: the series ends with Aria marrying her teacher in an example of a happily-ever- after ending, thereby reinforcing postfeminist ideas that Aria’s self-efficacy has never been compromised. I argue that in the era of #Metoo, the exploration of power in heterosexual romantic relationships on television shows aimed at adolescent girl audiences is a site for critical analysis.
Reproducing heteronormative femininity on gURL.com
Jacqueline Ryan Vickery
This article examines the prominent romantic and sexual scripts—the most common being that of a "prince charming" waiting for a girl—found on the "being single" message board of gURL.com. A discourse and textual analysis of the message board is conducted in order to analyze how girls are performing their (hetero)sexual identities. This provides insight into current notions of contemporary girlhood and romantic/sexual expectations. Findings suggest that girls believe that being single is "caused" by something—most often that a girl is not pretty enough or not outgoing enough—so singledom is "blamed" on a lack of (appropriate) femininity. Also, if a girl fails at femininity then it is assumed that she might also be failing at heterosexuality. Girls seem to believe that by becoming more conventionally feminine (outgoing and attractive), singledom can be "fixed" and thus heteronormativity and femininity are reaffirmed.