, this article makes a critique of recent and growing anthropological literature on the subject of hope (e.g., Di Nunzio 2019 ; Kavedžija 2016 ; Mains 2011 ; Masquelier 2013 ; Moore 2011 ; Pedersen 2012 ; Schielke 2015 ), which I see as coming to
Problems with Money and Hope in Central Kenya
Catherine N. Butcher
adopted and adapted across the sector. These exemplars I considered to be ‘resources for hope’ ( Kenway, Boden and Fahey, 2014 ). For this research I spent ten days in the U.S.A visiting two liberal arts colleges that are near-unique in U.S. higher
An Interview with Ishmael Hope and Will Geiger on Tlingit House Screens and Indigenous Phenomenology
Sol Neely, Ishmael Hope, and Will Geiger
On a cold, snowy January night in Juneau, Alaska, Will Geiger and I convened at Ishmael Hope’s home—with his wife, Lily, and their five children—for dinner and cordiality in advance of our recording session. The Hope family is exceedingly generous with their time and knowledge, and, as is the case whenever we gather at the Hope home, one can palpably discern the multigenerational inspirations and relations that sustain their work, artistry, and community involvement. Once the children went to bed, we dimmed the lights and pulled out our books.
When the editors of Screen Bodies told me that the journal was interested in expanding notions of screen beyond cinema, I inquired about the possibility of interviewing Ishmael Hope and others on Tlingit house screens and, by a kind of phenomenological appeal, of focusing the conversation through a concern for embodiment. Originally, Ishmael and I invited Will Geiger and Forest Haven, a brilliant Tsimshian PhD candidate from University of California, Irvine, to participate, but Forest was unfortunately unable to attend. Over the years, I have worked closely with these three on a number of academic projects, developing a tight and trusted friendship sustained by mutual respect and interwoven eruditions.
Wicken Fen Stories of Anthropogenic Nature
Through a series of stories about the U.K. National Trust nature reserve known as Wicken Fen, this article seeks to contextualize the coining of the word 'anthropogenic' and to highlight some possible 'resources for a journey of hope' (to use the words of Raymond Williams). Although o en portrayed as 'wilderness' and the last wetland remnant of the drained Great Fenland, Wicken Fen is also acknowledged to be one of the most intensively managed reserves in the U.K. This article is therefore an exploration of human-made nature which seeks to understand what it might mean - and has meant - to live in the Anthropocene.
Toward a Time Perspective on Protracted Displacement
This article introduces a time perspective on 'protracted displacement' and seeks to theorize 'agency-in-waiting' through a focus on the ways in which people simultaneously carry on during displacement, feel trapped in the present, and actively relate to alternative notions of the future. The article analyzes the protracted case of internally displaced Georgians from Abkhazia and the dominant discourse of return that characterizes their lives in displacement. Changing notions of hope are analyzed in order to understand the role that an uncertain future plays and the potential for agency that people develop during displacement. Agency-in-waiting and future perspectives, it is suggested, contribute valuable conceptual and political dimensions to the ways in which protracted displacement can be understood and addressed.
The Work of Hope in Urban Mongolia
Morten Axel Pedersen
Based on fieldwork among Ulaanbaatar's dispossessed youth, this article explores the 'work of hope' in post-socialist Mongolia. Using anthropological writings on presentism and hope as my theoretical point of departure, I show how the concept of hope allows for the potentials of the moment to overflow the possibilities of the present. The article describes a number of lucky-and not so lucky-events that took place during a day spent with a group of young men cruising around the city in an old Cadillac. Hope emerges as a social method for momentarily integrating heterogeneous assemblages otherwise dispersed across the post-socialist city-in this case, people's metaphysical capacities and their economic assets-into chains of creditors and debtors, which are only barely holding together within an overarching context of failure.
Jonathan Judaken, Rebecca Pitt, and Ronald Aronson
These articles deal with the theme of revolutionary hope in Ron Aronson’s work. Jonathan Judaken looks at Aronson’s conception of the politics of everyday life, or existentialist politics, inspired by Herbert Marcuse’s Marxism, which offered an explanation for inequality, privilege, and other social evils, as well as pointing the way to a solution to those problems. Rebecca Pitt deals with Aronson’s activism and commitment to changing the world, contextualizing this in Aronson’s work: his book on Sartre’s Second Critique, as well as his most recent work on social progress and hope.
Critical Notes on Agamben’s Political Messianism
Throughout history, Jewish conceptions of justice, hope and redemption have inspired political and cultural visions within as well as beyond the Jewish tradition. Examples from the past century range from Ernst Bloch to Walter Benjamin and Jacques
Hope, confinement, and virtuality among youth on the Georgian Black Sea coast
Martin Demant Frederiksen
Among young unemployed or underemployed men in the port city of Batumi, the regional center of the Autonomous Republic of Ajara in Georgia, the Black Sea is a social and imaginary horizon that signifies both geographical mobility and confinement. Since Georgia gained independence, Batumi went from being a Soviet borderland to being an opening to the West. However, due to visa regulations, “the West”—and the opportunities associated with it—has long been limited to the other Black Sea countries of Turkey and Ukraine. Following the August 2008 war, Russia, although being a much more desirable destination, became out of reach for the majority of these men. Through the notions of social and geographical horizons, this article argues that the young men, despite their sense of confinement, manage to forge alternative connections to Russia via Internet sites, where the online dating of Russian women was used as a means to gain access to Russia via marriage.
Demythologizing Girlhood in Kate Bernheimer’s Trilogy
keeps her alive. One nested theme that unites the three Gold sisters, and their slippery spectrum of narrative growth, is that of the hope chest. 3 It serves as a recurrent motif throughout the trilogy as both a memory vessel and a prophetic device, a