of knowledge accretion in which facts about the offense radiate ever further outward, ultimately becoming reconfigured in explanations of the client’s humanity that span his full life and beyond. Anything about that life has the potential to be
Culture Theory in US Death Penalty Mitigation
Convicted Military Officers in Post-authoritarian Argentina
Eva van Roekel and Valentina Salvi
In post-authoritarian Argentina, veterans who participated in the brutal counterinsurgency of the last dictatorship (1976–1983) inhabit an extremely inconsistent citizenship, alternatively violating and respecting legal rights and entitlements. This article looks at how alternating transitional justice practices and the ever-changing moral discourses about warfare and accountability create highly unstable access to rights, resources, and entitlements for these veterans in Argentina. Th e recent shift toward retribution for crimes against humanity in Argentina has legally consolidated their moral downfall. From being untouchable and exemplary officers until the early 1980s, the now convicted military officers have been demoted twice by the state and the military institution. Based on long-term fieldwork with the convicted officers and their kin, this article traces the contingent relation between the moral and legal practices that underlie this double downfall that constitutes a fluctuating process of un/becoming veteranship for these veterans. Their veteranship, for that matter, depends on highly conflictive and transformative sociopolitical processes that speak to broader moral dispositions surrounding legal rights, entitlements, and worthiness for veterans.
A celebration of humanity’s place in the world
conditions but also to engage readers through photography and prose in a dialogue focusing on the evolution of our world and humanity’s place in it. Selected photos will be published periodically in the Leadership Forum section of Regions & Cohesion
A celebration of humanity’s place in the world
/social conditions but to engage readers through photography and prose in a dialogue focusing on the evolution of our world and humanity’s place in it. Selected photos will be published periodically in the Leadership Forum section of Regions & Cohesion . Interested
Bryan L. Moore
Early science fiction (SF) is noted for, among other things, its conservatism and lack of interest in ecology. Brian Stableford, a well-known SF writer and critic, writes that "there are very few early stories with ecological themes" (1993, 395). This article shows that, in fact, many early SF works (those written between the Enlightenment and World War II) employ ecological themes, especially as applied to questioning our anthropocentrism. These works suggest that humans are but one species among many, that we are not the end of nature/history, that the natural world may be better off without us, and, in some cases, that humanity is fated to go extinct, the result of its own hubris. Such views are undoubtedly pessimistic, yet these works may also be read as warnings for humans to seek a more humble view of ourselves as members of what Aldo Leopold calls the land community.
A celebration of humanity's place in the world
In 2014, the Regional Integration and Social Cohesion (RISC) Consortium launched an ongoing interactive initiative entitled A World Family Portrait. This call for contributions invites scholars, practitioners, journalists, photographers, and so forth, to submit written and photographic contributions in English, French or Spanish that provoke a contemporary reflection on the human condition through the presentation and analysis of life challenges and opportunities. The goal of these publications is not simply to document world events/social conditions but also to engage readers through photography and prose in a dialogue focusing on the evolution of our world and humanity’s place in it.
There has been much discussion concerning whether or not some of Sartre's views on morality may be understood as endorsing Kant's views. Perhaps the most controversial issue has been whether in various places in his corpus Sartre invokes Kant's “universalizability principle.” Indeed, Sartre's frequent use of Kantian language, including the idea of universalizability and “kingdom of ends,” strongly suggests that there is some appreciable convergence between his views and those of Kant. While it is true that Sartre borrows Kant's language and expressions, he does not, I argue, use them in the same sense as Kant does.
Humanity's Role in Changing the Face of the Earth
Andrea Behrends, Stephen P. Reyna, and Günther Schlee, eds., Crude Domination: An Anthropology of Oil (New York: Berghahn Books, 2011), 325 pp.
John-Andrew McNeish and Owen Logan, eds., Flammable Societies: Studies on the Socio-economics of Oil and Gas (London: Pluto Press, 2012), 370 pp
Looking at the Disability Arts Movement from an Anthropological Perspective
This article will bring together two strands of anthropological theories on art and artefacts, the disability arts movement and the phenomenological approach to the study of material things. All three of these different perspectives have one thing in common: they seek to understand entities – be they human or nonhuman – as defined by their agency and their intentionality. Looking at the disability arts movement, I will examine how the anthropology of art and agency, following Alfred Gell's theorem, is indeed the 'mobilisation of aesthetic principles in the course of social interaction', as Gell argued in Art and Agency. Art, thus, should be studied as a space in which agency, intention, causation, result and transformation are enacted and imagined. This has a striking resonance with debates within the disability arts movement, which suggests an affirmative model of disability and impairment, and in which art is seen as a tool to affirm, celebrate and transform rather than a way of expressing pain and sorrow. I will use case studies of Tanya Raabe-Webber's work and of artistic representations of the wheelchair in order to further explore these striking similarities and their potential to redefine the role of art in imagining the relationship between technology and personhood. I will finish by looking at Martin Heidegger's conceptualisation of the intentionality of things, as opposed to objects, and will apply this to some artwork rooted in the disability arts movement.
Friedrich Ratzel’s Impact on German Education from the Wilhelmine Empire to the Third Reich
body. The state is a piece of humanity, a human creation, and at the same time a piece of the earth. According to Ratzel’s understanding of bio-geography, the state is created by man to help facilitate his spread across the earth’s surface. The laws