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Representing the Sensory Home

Ethnographic Experience and Anthropological Hypermedia

Sarah Pink

In this article I draw from my research about gender, identity, and the home, to discuss the visual and the other senses in ethnographic experience and anthropological representation. First, I discuss how visual ethnographic research might appreciate the sensory nature of experience. Seeing the home as both the context and subject of field- work, I shall introduce the idea of the ‘sensory home’. This refers to the home as a domain composed of different sensory elements (smell, touch, taste, vision, sound) that is simultaneously understood and created through the sensory experience and manipulation of these elements. I then explore how such visual and sensory research might best be represented as text that is conversant with mainstream anthropology. I shall suggest that while film and writing have both tackled this theme, hypermedia offers new possibilities that might bridge the gap between written and visual anthropology.

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Todd Samuel Presner

In this article, I will discuss how my own work on a project called "Hypermedia Berlin"—a Web-based study of Berlin's "cultural geography"—can be situated in a lineage that goes back to Hoffmann's reflection on media and represents another instantiation of what Hinrich Seeba has called "Berlin" as a site for the development of new cultural-critical methodologies for interdisciplinary German Studies.

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Barbara Robertson and Mark J. Flowers

. Holshausen ( 2010 ), ‘ Podcasts: Are they an effective tool to enhance student learning? A case study from McMaster University, Hamilton Canada ’, Journal of Educational Multimedia and Hypermedia 19 , no. 3 : 349 – 362 .

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Synthetic Beings and Synthespian Ethics

Embodiment Technologies in Science/Fiction

Jane Stadler

-Hinrik Schmidt . 2011 . “ Produsage: A Closer Look at Continuing Developments .” New Review of Hypermedia and Multimedia , 17 ( 1 ): 3 – 7 . doi: 10.1080/13614568.2011.563626 . 10.1080/13614568.2011.563626 Burden , David , and Maggi Savin-Baden . 2019