Introduction: Picture This In a collection of photographs—taken by and of girls participating in a creative methods study—appears a striking image of two thirteen-year-old girls, Alicia and Megan. It is technically sophisticated in that Chloe, the
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Sharing Images, Spoiling Meanings?
Class, Gender, and Ethics in Visual Research with Girls
Janet Fink and Helen Lomax
Stocks of Images
Stephan Feuchtwang
of inquirers. Interpretation is phased through a series of refinements of what the images conjured by the result might signify in relation to the question to which the diviner refers the inquirer. The process is dialogical, a performance of the
The Ecology of Images
Seeing and the Study of Religion
David Morgan
Opening with a review of leading accounts of the image as an object with agency, this article proposes to study religious images within the webs or networks that endow them with agency. The example of a well-known medieval reliquary serves to show how what I refer to as 'focal objects' participate in the creation of assemblages that engage human and non-human actors in the social construction of the sacred. Focal objects are nodal points that act as interfaces with the network, particularly with invisible agents within it. As participants in a network, images are like masks, offering access to what looks through the mask at viewers engaged in a complex of relations that constructs a visual field or the ecology of an image.
About the Cover Image
Jonathan A. Allan, Chris Haywood, and Frank G. Karioris
On the cover of this issue, we have another image from the Wellcome Collection. This image by ABIA (Associação Brasileira Interdisciplinar de AIDS/Grupo) is a not-for-profit organization mobilized in response to the emergence of HIV/AIDS in the
About the Cover Image
Andrea Waling and Jennifer Power
://wellcomecollection.org/works/yc56wkz9 It was difficult to determine the right cover for this special issue. The purpose of the issue was to encourage new ways of thinking about the phallus, and the aim was to find an image that did just this—ask people to wonder what the
About the Cover Image
Jonathan A. Allan, Chris Haywood, and Frank G. Karioris
, our goal in the Journal of Bodies, Sexualities, and Masculinities is to do things differently. Each of our covers has featured a new image that sheds distinct light onto the topic of the articles and the broader journal as a whole. Throughout our
About the Cover Image
Phillip Joy
This image, Challenging Masculine Constructs by Oliver, is part of a photovoice project (see the article by Phillip Joy, Matthew Numer, Sara F. L. Kirk, and Megan Aston, Embracing a New Day: Exploring the Connections of Culture, Masculinities
About the Cover Image
Frank G. Karioris, Jonathan A. Allan, and Chris Haywood
forum genre, and—something that has been consistent—in continually working towards having a cover image that provides some insight or connection (or even new angle) on the issue at hand. Our cover image this time comes from The New York Public Library
Sight Unseen
Re-viewing Images of Girls' Education
Cathryn Magno and Jackie Kirk
In this article we discuss the ways in which images of girls are understood to represent broader international development discourses related to girls' education. This piece was originally written for the United Nations Girls' Education Initiative (UNGEI), conceived with UNICEF out of their interest in determining whether images they produce accurately represent policies and processes they engage in on behalf of girls' education; that report was UNICEF's contribution to the UNGEI partnership. The premise that visual analysis contributes to the study of girlhood was reified in this study which revealed the many deep and sometimes conflicting meanings that diverse viewers place on images.
About the Cover Image
Chris Haywood
The image is of a locker in a changing room. Men, bodies and changing rooms have historically been associated with sports, homosociality and homophobia. In such instances, the locker room has become a space where men learn how to be men where