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This interview with Paul Schrader, conducted by Todd Berliner, took place on 19 June 2020 as part of the annual meeting of the Society for Cognitive Studies of the Moving Image (SCSMI). It has been edited and condensed for clarity. We are grateful

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Ann Miller

kind of information is a big leap in the right direction! AM: There are some questions, about influences and about your method of working, that I'm not going to ask you, because you give such a good account of that in an interview that was published

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Jonathan Magonet and Lionel Blue

end. Figure 4 Lionel Blue, The Battle of Cable Street – a childhood memory The following interview was published in the Liberal Jewish Monthly , April 1965, and at the same time in the Synagogue Review , the journal of the

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Professor Anna Stilz and Interviewed by Dr Christine Hobden

18 November 2019 CH: Thank you for agreeing to do this. The prompt for the interview was to talk about your recently published book, Territorial Sovereignty, but I thought before we got into that you could say something about your earlier

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Mark McKinney and Hervé (Baru) Baruleau

This is the second portion of an interview with Hervé Barulea, or Baru, one of the most accomplished French cartoonists living today, conducted at his home in France on 15 July 2011. The first part of the interview was published in European Comic Art 4.1 (fall 2011), 213-237. Baru talks here about a broad range of important topics, including autobiography, the roles of work and leisure in his comics, boxing (his focus in two comics), the society of the spectacle, representations of women and minorities in comics, the heritage of classic French and Belgian comics (series such as Tintin, Yves-le-Loup ['Ivan-the-Wolf'] and Spirou) and the clear-line drawing style, experimentation by Oubapo, space, his drawing style and techniques for making comics, his current and future projects, his former teaching position in the Ecole des beaux-arts in Nancy, and the relationship of comics to fine art.

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Pat Wheeler, Sharon Monteith, and Livi Michael

Livi Michael has written four highly acclaimed novels, Under a Thin Moon (London: Minerva, 1993), Their Angel Reach (London: Martin, Secker and Warburg Ltd, 1994), All the Dark Air (London: Martin, Secker and Warburg Ltd, 1996) and Inheritance (London: Penguin, 2000). This interview was conducted prior to the publication of Inheritance. She has been shortlisted for the John Steinbeck and the John Llewellyn Rhys Awards and is a winner of the Royal Society of Literature Arthur Welton Scholarship. Michael has also been awarded by the Geoffrey Faber Memorial Prize and the Society of Authors Award.

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Ann Miller and Joost Swarte

Joost Swarte, the Dutch comic artist, designer and architect, and inventor of the term ligne claire ['clear line'], played a major role in the conception of the new Hergé museum at Louvain-la-Neuve in Belgium. The museum website (http://www.museeherge.com) has details of the rooms and exhibits, and includes an explanation from Swarte about his role as scenographer. In this interview with European Comic Art, he further elaborates some of the points made in that text, and sheds interesting light upon issues raised by contributors to this volume.

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Mark McKinney and Farid Boudjellal

Farid Boudjellal (b. 1953), a French cartoonist of Algerian and Armenian heritage, outlines his approach to comics. He discusses important inspirations and influences, including cartoonists from France (Gébé), Italy (Hugo Pratt) and the United States (Milton Caniff). He speaks of themes that are important to his work, especially temporality, a multiplicity of characters, dreams and fantasy. Boudjellal also distinguishes his comics from autobiography, a genre that he shuns, and critiques the sociological reductionism often found in the critical reception of his comics. He discusses his artistic techniques, including black-and-white line drawing, watercolor, and interconnected speech balloons. His interview provides an overview of his career and his ongoing projects in comics, which he situates against the general evolution of comics in France from the 1960s up to the present.

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Mark McKinney and Hervé (Baru) Barulea

Hervé Barulea (b. 1947), known as Baru, is a French cartoonist of Italian and Breton heritage, who has spent much of his life in the metalworking region around Nancy, in northeastern France, his birthplace. He outlines his approach to comics, beginning with his vision of comics as essentially being images that speak to primal human urges. He finds this kind of imagery today mainly in American movies and novels, but not so much in American comics. He describes his tenure as president of the Festival International de la Bande Dessinée ['International Festival of Comics'] in Angoulême in January 2011, after having won the grand prize for his career's work in comics at the same festival in 2010. Baru then speaks of his approach to history and current events in his comics. He outlines how he has depicted immigrants of European and African heritage in his comics, and then explains why he has often returned to the Algerian War. Baru ends this first half of the interview by describing his views of the French Communist Party, and explaining his critical depiction of it in Les années Spoutnik ['The Spoutnik Years'].

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Ann Miller and Kaveri Gopalakrishnan

Abstract

In this interview, Kaveri Gopalakrishnan discusses childhood reading, formative influences and how her training in animation has impacted on her visual language as a comics artist. She describes the pleasures of collaborative work, but also gives a sense of the solitude necessarily involved in comics creation, and shares her insights into the artistic and technical challenges involved in conveying emotion and sensory experience. The theme of gender runs through the interview, both in relation to the models that she encountered as a child in Indian and American comics, and to her own satirical take on the rules of female decorum imposed upon Indian schoolgirls. Kaveri reflects on her choice of Instagram posts as a way of publishing a certain type of personal comic, and on the very different demands of producing illustrations for educational books. The current projects that she sets out at the end of the interview demonstrate the breadth and ambition of her work.