development in his introduction to Across the Ussuri Kray , which reads almost like a eulogy. He lamented the loss of wildness, writing: “Where before a tiger roared now a locomotive whistles, and where there was once a sparse scattering of Chinese trappers
A Century of Change to Wildlife and Wild Places in Primorye, Russia
Jonathan C. Slaght
Lamenting and Photographing the Dead in Serbia, 1914–1941
This article is part of a larger research project on the political, cultural, and social implications of interwar Yugoslavia’s remembrance and mourning of its war dead. Es- chewing a focus on state-centered commemorative practices, this article focuses on two types of sources, laments of Serbian women and photographs by Serbian military photographers, as entry points into understanding the private, cultural, and religious arenas of Serbian wartime and interwar remembrances. Drawing on research examining the political uses of lament and grief, the article considers the role Serbian women played in controlling and directing the “passion of grief and anger” within their communities as they remembered the dead. The photographic evidence reveals that traditional death rituals and laments were performed and that these rituals were significant socio-political spaces where women, families, and communities of soldiers advanced claims for recognition of their wartime experiences and memories. However, the photographs themselves are sites of memory and this article examines how military photographers, acting on behalf of the state, sought to control the representation of grief and by doing so politicized and secularized the way grief was expressed. Placing these sources side by side illustrates the intermingling of forms of mourning and remembrance that existed not only in the Balkans, but also in many other communities throughout Europe, especially among its rural inhabitants.
of meditation can be found in Faith Adiele's (2004) memoir, Meeting Faith: An Inward Odyssey . It was the late, much-lamented Steve Collins who drew my attention to this arresting memoir. 8 ‘Buddhism’ refers to an enormously varied and complex
“Taking the Waters” in Tunka Valley, Russia
This article examines the sacred mineral springs in Arshan, Buriatiia. These springs have been inscribed as sacred due to their medicinal properties and are marked as sacred through rituals and material offerings. Residents lament the loss of healing, and implicitly sacred, strength of Arshan. The author argues that the sense of loss is due to the medicalization of healing in Tsarist and Soviet times and from the commodification of this type of sacred site through bottling and tourism.
This article is an overview of the characteristics, history and the diffusion of the different types of Judeo-Spanish songs of mourning and dirges: Sephardic quinot in Judeo-Spanish for Tisha beab festivity, dirges for endechar (that is, to lament the death of a person), ballads used as songs of mourning and satirical dirges that were published in Sephardic newspapers at the beginning of the twentieth century.
This article suggests that our current (fearful) preoccupation with climate change emerges from two paradoxical desires: the desire to recover some mythical benign stable state for the world's climate and the desire to assert ourselves over the world's climate by engineering our way to achieve this outcome. But by seeing climate either as something to be idealized or as something to master, we fail to see what is happening to the world's climate. It is being reinvented as a novel entity, now co-produced between human and nonhuman actors. Rather than resist and lament the results of this new creative force, we must learn to live with them.
Richard Allen and Ira Bhaskar
This article describes how Kamal Amrohi's Pakeezah distils the idioms of the historical courtesan film, poised as they are between the glorification of courtesan culture and lamenting the debased status of the courtesan; between a nostalgic yearning for the feudal world of the kotha and a utopian desire to escape from it. The article argues that Pakeezah self-consciously defines the particular “chronotope”, or space-time, of the historical courtesan genre by showing that nothing less than a transformation of the idioms of that genre is required to liberate the courtesan from her claustrophobic milieu—whose underlying state is one of enervation and death—into the open space and lived time of modernity.
Tourist Practices and Photographic Representations of Tourists in Small World by Martin Parr
There are few places where a contemporary traveller can ignore the fact that tourism has become much more than an individual act. The tourism industry has grown rapidly, in particular since the 1950s (Smith 1989: 1) and tourism is currently one of the largest sectors of the global economy. More people engage in leisure travel today than ever before, a result of increased affluence and leisure time among inhabitants of the world’s most wealthy countries. If you have the money, it is easier now than ever to travel to far-away places. The flip-side of this coin of mobility is an increased pressure on host cultures (Smith 1989: 17) and the transformation of the most visited places into attractions (MacCannell 1976: 52) catering to the ever-increasing number of tourists. Some critics, like Urry, see the growth of tourism as a democratisation of travel (1990: 156) while others, including Smith and MacCannell, lament the homogenisation and commercialisation of tourist attractions.
The Visitors' Book and Hotel Culture in Victorian Britain and Ireland
The visitors' book occupied a central place in the hotel and inn culture of Victorian Britain and Ireland, reflecting intertwined legal regimes and leisure practices that created distinctive space for inscription in, and reading of, the volume—acts that were portrayed as unique to the travel cultures of the United Kingdom. Contemporary commentators, while playfully critiquing vulgar “inn verse,“ nonetheless lamented its displacement by prescriptive regimes of guest registration, which marked intensifying corporate and continental influences over what they regarded as singular practices associated with British and Irish traveling culture. Indeed the social and cultural history of the visitors' book offers a window onto travel performances, the liminality of hotel and inn space, distinctive features of the Law of Innkeepers in the Anglo-American legal tradition, and contests over status and taste as guests placed their imprimatur on places of high physical circulation and social fluidity.
Death and Grief Rituals
Aref Abu-Rabia and Nibal Khalil
This article presents various mourning rituals and death rites as they are practised in Palestine. It focuses on differences in the mourning experience among fellahin and Bedouin Arabs but also shows certain parallels in their mourning and grieving customs. The article provides information on the prescribed set of rituals that Palestinians perform, beginning with how the body is treated and the way that it is prepared for burial. Combinations of mourning practices, which vary from rending one's garments to throwing earth on one's head, provide socially sanctioned expressions of grief and sorrow. Mourning practices differ between women and men: the former lament loudly and scratch their faces, while among the latter tears are neither encouraged nor welcomed. Parallels can be seen in these rituals with mourning for Palestine.