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Listening with Displacement

Sound, Citizenship, and Disruptive Representations of Migration

Tom Western

] 2016: 23) . Athens. Late 1930s. I begin here, as this article takes up some of the themes that resonate from Miller's writing: sound and listening, migration and memory, technology and territory. This article attempts two things. First, it argues for

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Rihab Azar

A few days after participating in the Beyond Borders Scotland festival, I finally started writing this response to Tom Western's article, “Listening with Displacement,” with (personally) much-needed conviction. Having been in the inspiring company

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Livia Jiménez Sedano

This is a brief reflection on the consequences of the commodification of dance cultures from the former colonised world and the ways they are consumed in Europe. Inspired from ten years of fieldwork, the ethnic structuring of postcolonial dance floors in European cities proves an empirical basis to start this line of thought. Instead of promoting respect and interest in the dance forms and the cultural contexts in which these dance forms developed, aficionados tend to consider that these are less evolved, beautiful and interesting than the appropriations they develop in their home countries. As a result, commodification leads to reinforcing previous stereotypes and emic hierarchies of value. The kinetic metaphor of the bodies that scream but cannot listen structures the text and its arguments.

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Kasey Butcher

Lorena Garcia. 2012. Respect Yourself, Protect Yourself: Latina Girls and Sexual Identity. New York: NYU Press.

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Lawrence Cohen

This chapter engages both the irony of old age and the old age of irony. Building on an understanding of senility and dementia as reg- isters of voice, it makes three principal assertions: first, that a form of listeningwe might term ironic may allow for less depersonaliza- tion of those we hear to be senile; second, that an ironic relationship to the biologization of everythingavoids a return to nature/culture binaries; and third, that irony for both Plato and for Vico is framed as a temporal register of the aging of things. Using Socrates as an example of a figure whose aging is outside of nature yet under the law, the essay explores the tension between living with the difficult elderly and seeking to displace them in order to maintain the time- lessness of culture.

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Listening to Youth

The Experiences of Young Women in Northern Uganda

Jenny Perlman Robinson

In May 2007, the Women’s Commission for Refugee Women and Children traveled to the Acholi districts of northern Uganda and met with more than 100 young women, aged from ten to thirty years, to gather their views, opinions and perceptions.

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Benno Nietzel

This article examines the intellectual discourse in West Germany on the role of entertainment in radio programs during the 1950s. Although accounting for most of the airtime and being an assigned mission of public broadcasters, many radio officials and experts continued to be suspicious of entertainment. Strongly adhering to the classical tradition of highbrow culture, these humanistic intellectuals had difficulties accepting entertainment as an integral component of broadcasting. The only discursive path for them to adopt entertainment as a legitimate concept was to discuss its specific contribution in the context of Bildung and Kultur. The article thus provides insight into how members of the cultural elites came-to-terms with the rise of popular culture during the 1950s.

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Listening to the Troubled Waters

Ethnographical Work as a Reciprocal Activity

Jaana Kouri

The history of Lypyrtti, an old pilot village in the southwestern coast of Finland, is for many villagers a story of depopulation of a vital community during the last fifty years. In 2005 the villagers of Lypyrtti expressed their interest in collecting the oral history of their village. This material is gathered, edited and released in the context of research on the topic of 'narrated environment', which draws attention to the interdisciplinary methods and theories of the practices of place making

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'I Listen to the Soundtrack and I'm Back There in the Day'

Impacts of Performing Memory in Northern Ireland

Magdalena Weiglhofer

This article addresses the function of public presentations of personal memory in a post-conflict context and explores whether they may contribute to a preservation of that conflict. In particular, it examines the reception of performed memories of violence and its aftermath by audiences who have lived through similar experiences. To do this, it will discuss observations from empirical research on a verbatim theatre production in Northern Ireland, Heroes with Their Hands in the Air, that used interviews with relatives of those killed or wounded in an incident that came to be known as 'Bloody Sunday'. Drawing on the responses to the stories portrayed, it argues that, although such performative re-enactment of memory may contribute to an affirmation of collective identity and thus to preserving boundaries, it allows a community of memory to examine past events of suffering and explore impacts that reach into the present.

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Jeff Smith, Dominic Topp, Jason Gendler, and Francesco Sticchi

Giorgio Biancorosso, Situated Listening: The Sound of Absorption in Classical Cinema (Oxford: Oxford University Press, 2016), xi +246 pp., $55 (hardback), ISBN: 9780195374711. Reviewed by Jeff Smith The field of sound studies has been