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Film, Art, and the Third Culture

A Naturalized Aesthetics of Film—Précis

Murray Smith

a critical task . Cover of Film, Art, and the Third Culture: A Naturalized Aesthetics of Film by Murray Smith. Photo provided by the author . Working out how the “scientific” and everyday or “manifestimages of the world—to use the terms of Snow

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Postmodern Depthlessness and the Psyche

Therapy, Displacement and Emotional Simulacra in Carrie Fisher's Postcards From the Edge

Jo Trevenna

of Suzanne flying through the air until she is shot down and another in which she is driven through a dark tunnel by a shadowy man. These abstract manifest images are easily interpreted to reveal Suzanne's vulnerability and anxiety about emotional

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Anthony Enns

endorsing the idea that the retina potentially could manifest images generated from within the mind, film narratives more often reinforce the notion of the eye as an automatic optomechanical recording device by equating vision with retinal images or