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Steen Ledet Christiansen

suddenly the image leaps out at us at engages us at a higher degree of intensity. These muscular shocks address us directly and bodily. Such physical impact is best thought of in terms of mimetic innervation, a concept Miriam B. Hansen (2012) takes from

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The Cine-Fist

Eisenstein’s Attractions, Mirror Neurons, and Contemporary Action Cinema

Maria Belodubrovskaya

: Oxford University Press . Rutherford , Anne . 2011 . What Makes a Film Tick? Cinematic Affect, Materiality and Mimetic Innervation . Bern : Peter Lang . Shaw , Dan . 2016 . “Mirror Neurons and Simulation Theory: A Neurophysiological Foundation for