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Pain and the Cinesthetic Subject in Black Swan

Steen Ledet Christiansen

physical impact is best thought of in terms of mimetic innervation, a concept Miriam B. Hansen (2012) takes from Walter Benjamin and extends to a more fully developed theory of cinematic experience in her book Cinema and Experience . Innervation mediates

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The Cine-Fist

Eisenstein’s Attractions, Mirror Neurons, and Contemporary Action Cinema

Maria Belodubrovskaya

in the Brain: How Our Minds Share Actions, Emotions . Trans. Frances Anderson . Oxford : Oxford University Press . Rutherford , Anne . 2011 . What Makes a Film Tick? Cinematic Affect, Materiality and Mimetic Innervation . Bern : Peter Lang